The Climb

We eventually dug our way out of the tunnel. It was bound to happen sooner or later. If we worked hard enough, we were bound to be successful. We had talked about it long enough. We had dreamt about it for so many nights that were like days, and we had sung about quietly during the days that were dark.
One night we clawed through all the muddled dreams, through the bright geometric nightmares, through unspeakably complex puzzles all made of dirt and branches and dust. And we did it with our own hands and we did it with our own voices and with our newfound language which easily disturbed and broke apart the thick walls of our established identities that had turned into heavy pieces of rock.

I could feel the heavy force of gravity the entire time – pulling us down, down, down. I saw old symbols carved into the walls as we passed by and kept on moving and many times I slipped on the outstretched forms of a few equations and algorithms for which I had no understanding or explanation.

Something may have helped us along the way, something that sometimes pulled us up, something leading us along through barely visible silver threads. But it had no name and it had no voice so we would never speak of it and we couldn’t have said anything about it even if we wanted to speak. We would never acknowledge its presence even among ourselves.

Our improvised songs travelled out ahead of us like guides, then came back as echoes and told us of the future. We wouldn’t let any force stop us. Not fear, not hunger, not exhaustion. Nothing would pull us back, we wouldn’t let anything pull us back down. Sometimes when I looked ahead I saw the same nothing staring back at me, nothing behind, nothing ahead, nothing below us, nothing above. But I kept on digging, and I kept on singing and I kept on speaking.

I awoke on the other side, naked and red with blood and bruises, encircled by cold and darkness. Bubbles clung to my skin, and the past dissolved behind us in a black puddle.

We all walked away in different directions then and I never saw any of them again. I never even tried to search for them. When I think of them now, they have no faces and they have no names. I am not even sure that they ever existed at all.

Beyond The Red Door

There was a faint depression on the surface where its handle should have been. She knew then, as she knew now, that it was meant to be left alone.
The great room of glass jars, sealed boxes, chests with rusty locks, cabinets full of spices, roots, herbs, leaves in soft leather bags, the entire room was a mystery. But on this day, it was speaking to her, touching her curiosity, pulling on her body with gossamer coils.
When she passed the threshold, she felt as though she could breath, perhaps for the first time in her life. Then she found the red door about fifty steps across the stone floor. Out of all the things she wanted to open, the leather bags to sniff, the cedar boxes to explore, this door was the most inviting of all at the edge of the sun-lit room. She ran her hand over the cherry wood, felled from a great tree on the edge of the village, and knew it must be meant for her. What other purpose would there be for an unlocked room, a deliciously inviting door with no handle in the most alluring and eye-catching of colors? It was as if all arrows were pointing her in this direction, and here she stood, high noon in front of this place, this door, now open, as the other door to the great room had been. Was she not supposed to enter?

She pushed on the thick slab of wood, looking down the steps aglow with the candlelight of hallway tapers. It was dark and full of flickering shadows. The stairs descended, seemingly into an abyss which might be without end. The bright sunlight of the other chamber was gone, there were only a few narrow slits in the stone revealing the blue sky and then the stairs descended deep into the earth. 
She took one step down cautiously, then another. The great wooden door closed gently behind her. She wound down the staircase until she reached the bottom, where Master Lacledi sat on a wooden chair, a leather wrapped book in his hand. He looked up, not exactly surprised to see her there, though a hint of excitement crossed his face. 
“You’ve found me,” he said.  “On this day, you have decided to come.”
“What is it you do down here?” she asked, though he did not answer. She looked into his black eyes and saw what could not be said. Between them grew the flame that language does not bear to understand. He smiled.
“Would you like to learn my ways?” 
She was unsure exactly what he meant, but she nodded, knowing it felt right.

He opened a dark wood cabinet embedded in the stone wall.  The hinge had a slight high pitched squeak which echoed in the small chamber and gave her a quick set of chills.  She could see several rows and varieties of glass bottles: blue, dark brown, an opaque white and a rusty orange color. 
He reached for a bottle slightly hidden behind a large dark blue jar, he grabbed it with his forefinger and thumb and brought it close to his face, then put it back where it had been.
“If you are ready to step through the door with me, go back to your quarters and bathe and relax your body as much as possible. Later tonight, long after the moon has risen, I will send one of the ravens to fetch you, listen for his tap on your window.  Then, bring yourself back here, and we will open the door together.”  She nodded and smiled slightly, a nervous sensation in her chest. But she looked into his dark eyes and saw only kindness. Whatever he was offering, she was willing to take, she wanted to learn what made him as he was.
“I will see you tonight when the stars are high.”

She turned away from him and went back up the stairs, through the laboratory and down the long series of hallways that eventually led to the eastern quarters of the manor.  She took the long, winding stairs to her room and asked the handmaiden to draw a bath. She looked out the narrow window and saw the river not too far in the distance. It was bright blue and she knew that the current would be more cleansing than any wooden tub of tepid water.  The breeze outside would calm her and prepare her for whatever lay ahead. 
“Never mind Griselda, I’ll go to the river instead.’

Just a little while later she was in her favorite spot where a bend in the river was surrounded by several large boulders. It was well off the path and she came there with some frequency, especially in the summer.  Her mother had brought her there when she was young and they used to play together for hours when the summer breeze would rattle the treetops like cathedral bells. It was fall now and the waters were quite a bit cooler than those fond memories, though she was still more than happy to disrobe.
The first pleasure was the wind, a cooling kiss on her stomach and legs. The sun was weak, though with a bit of attention she felt its warmth.  She tested the water for a moment with her toe, then went in smoothly and quickly, not giving her mind enough time to register the icy bite of the river’s touch.  In a second she was up to her neck, moving her arms and fingers through the silky water.

*  *  *

Go ahead, tell him all of it… she thought to herself.
She had once been a little girl watching him walk through the graveled and moss covered grounds, he in his earthen brown robe stained with powders of every color.  He had no woman to wash his garments, and she noticed he asked none of the servant women to do it either. It had always baffled her, she knew no man who would ever hesitate on such things, but she felt like it somehow seemed to fit.
She imagined him going to the river for his bathing and washing, perhaps entering the pale blue waters fully clothed, letting the swift cold current do the work of a dozen hands.
She looked deep into the deep black pools of his piercing eyes, two portals which contained staircases and hidden rooms and knowledge acquired from a thousand lifetimes, maybe more. There was so much more to him than the body, the stained clothes. She knew it then and she knew it now.  Radiating from him was kindness, pure in motivation, desiring nothing from her but her attention and effort. 
She thought to tell him everything, the experience of her birth, the days before the Iron Wars, the struggles of the Orange Sun, the first impressions she had had of him when he came through the woods and found their small enclave. She thought to tell him all of it, but then wandered down the forking paths of her thoughts, several scenes moving in parallel. 

She wondered what he saw in her small white form. If he could read the thoughts in her eyes, if she was an easy book to read with her brow and cheeks and lips telling the story that somehow remained sealed in her mind. 
She attempted to open her mouth so the words could spill, to let them tumble into his arms without restraint or hesitation, but then he would smile or she would see a sparkle in his kind eyes and she would feel like it was known, that all she could say was already understood. And not just that, but completely accepted, taken in with curiosity and interest, like he could hear a complex symphony in the thoughts that remained inside.

When she awoke he was beside her. She looked down at her skin and looked for the colors which had been there the night before. She looked and there he was, only more real, more alive than she had ever noticed.  She was changed, no longer the same girl which had found him in the morning. She was reborn into the body she remembered, only her eyes were different. It was the same stones all around her, all the same fixtures and books, yet each one seemed slightly different.
She reached down and touched his robe. The fibers were soft and worn on her fingertips, somewhat silky and smelling of sunshine and smoke. The light was bright, coming in through a few very narrow slits by the top of the stairs. They revealed blue skies. She saw that he was watching her. 

“How are your new eyes?” he asked.
A slightly bashful smile spread over her face. She was warm and surprised by her sudden embarrassment.  “It feels strange, I must admit.  I am not sure of my place anymore.”
“Perfect. If you feel different, it is because you are different. You have seen what exists beyond language, the conflict you feel is your body trying to re-adjust to language. Let your eyes wander, let them take in what they thought they knew.”

*   *   *

“Indulge an old man’s whim,” he whispered to her as he gently nudged her towards the path lined with blackberry hedges.  She smiled and held onto his arm, occasionally needing to give an abrupt tug on her long skirt when a long stemmed thorn held onto her hem.
He reached out often, plucking juicy purple berries from their thrones in the sun. His forefinger and thumb were soon stained purple and he added spots of dark pigment to his already stained frock as he wiped his hand.
She plucked the harder blackberries and dropped them into her apron pocket, intending later to make mead, or perhaps give them to Griselda as a gift. The sun was low in the sky and she could smell the fires of the bread bakers. 

“What we shared the other night, I hope you know, is something I have been able to do very rarely with other people. In my life there have only been a handful of people able to meet with me at the exact right time, in the exact right place…there have been just a few rare moments of convergence. I have spent most of my life exploring alone.”
She gripped him a little tighter and thought back to the day she felt almost fell into his workroom. There were no words to describe the feeling, but the rightness of her actions was now manifest. She looked back with a sense of mystery at the day’s events, which had begun almost like every other morning but for that cord which now seemed attached to her chest, a sort of freedom and relaxation of her movements. 
She had never entered his space before, and of course had never walked through the red door. She had never even noticed the depression where a handle should have been. 

“You did a fine job following your inner guides, I was surprised to see you that afternoon. I had been prepared for a journey myself, and then there you arrived, at the exact right time, willing to follow me though the door. I am glad you came.”
She looked up at him, the beard going at all angles, then looked past him at the woods in the distance, a palette of colors from white to black and a dozen shades of green. He plucked another berry and handed it to her. Gingerly, she took it from him and felt an explosion of sweet tartness fill her mouth. 

Charles

The bright orange, red and yellow of crushed leaves on the gray concrete just outside the open door. Charles’s pale blue irises highlighted by red streaks crossing the whites and the puffy crimson rims of his eyelids.
A dog looks in the window at me, just the brown muzzle and the floppy ears of a canine, peering in through the lower left hand corner of the window. Men are laughing out in the street where I cannot see. Another yellow leaf drops and blows wildly in the wake of a passing car. More cars with their anxiety making noise passing close to the open door. When they pass on the other side of the street the noise is soft and pleasant like the crashing of distant waves. Even on this side of the street some cars manage to create a gentle whoosh while others gurgle, grunt, growl and roar.
The cars are small bursts of motion and color streaking past the glass like fish in an aquarium. The trucks are slow, crawling monsters of loud carbon emitting wrath. I see a bicycle leaning against the meter that serves the whole street.
A man passes by and looks in. His nose is a cruel shape, his mouth is agape slightly as if he were breathing through it, incapable of smiling with it. The eyes of a zombie, hard like marbles, uncaring. But he is young and women who like tall lean bitter young men will find him attractive. I shudder.
Charles is soft and friendly and mumbles. His flesh looks pale and soft. There is enough of it that if you squeezed him it would be like squeezing a marshmallow. Because of the way the red made the blue of his eyes look, because I was looking in his eyes and he was looking in mine for just a moment as we spoke, I contemplate what that squeezing would feel like.
That way that he talks quietly with his back turned as he moves and I’m not sure if he is speaking to me or to himself, at first it reminded me of a dream in which you can’t quiet understand what is being said. It made me feel confused and uneasy. I wanted clear bright communication.
Today it furthers his aura of softness. His mumbling fills the air around us like clouds of cotton, cushioning us within this space of hard floors and polished mahogany.
When we first met he seemed accusing, threatening, alien. He is still alien but I like being in the room with him. I wish he would not go, not now that I suspect that what disconcerted me before was only softness.
Another leaf, this one orange like brass, summersaults down behind the back of a black man in a navy blue sports jacket who is feeding the meter.
I wish Charles would not go, but he is already gone, and I am here so that he need not be. I am left wondering over the only curiously human things we said, the few words that we exchanged that weren’t about change and cream and bags and glass cleaner.
I said: “You look tired.”
The counter was between us.
He answered: “I do? Naw. I only got up at five this morning.”
At this point he is drifting away from the counter towards the door, moving backwards as if rewinding in slow motion. “I only got to sleep for like two hours the other day.”
“Geez.” I say trying to express sympathy.
“Naw.” he says, and actually what he says sounds more like ‘No Ah‘, “I figure it’s good practice, you know, for having kids.” And then he’s out the door drifting away down the strip of gray concrete with the leaves and the cars and the others.
I compile a list of data. What do I know about Charles? He is in school because he mentioned exams when he asked me to take his shift last week. He sometimes sleeps in his car. He bakes bread and manages this store. This is precious little information. His curious remark about practice for having children, does it mean he is about to be a father? Does he have a wife? A girlfriend? Is he a bachelor who actually thinks of a future in which he has children with so much hope that he takes today’s trials as preparation?
There are not enough clues for me to come to a conclusion, not enough for me to form a working picture of what Charles’s life is like.
A fire engine screams by, a big red rectangle with flashing red yellow and white headdress rushing for disaster.
I try to imagine what it would be like to be the girlfriend of Charles. I find it difficult to imagine a conversation with him. If we got together in a different setting for coffee, what could we say to each other?
It is a challenge to imagine him saying anything deeply philosophical. This after all is the man who came out of the restroom half an hour ago and didn’t wash his hands, not even for show.
Nor can I imagine myself being a convincingly interesting person to speak to without the conversation getting philosophical. Politics is a challenge for me, and anyway I can’t picture him being passionate in that regard. Books? He can read, he is in school, but does he like to? I move on assuming that we have schlepped our way through the small talk with lots of eye contact.
I can imagine a kiss, a hug, soft warm embraces. That part is easy. He is a man and I am a woman. These two simple facts are often enough to bridge the distance between two human beings. It is enough to allow for at least brief moments of bliss.
I try to imagine him as an older man, as a husband, as a respectable member of society. I can picture him in a sweater vest.
As if to illustrate my inner musings, a man in a bright yellow dress shirt and sweater vest tromps by the window. A paper bag holding lunch swings in his hands. There he goes, my dear Charles, on his way to the office.
This is as far as I will bother my imagination to take me. The plot is already stretched thin by the fact that I could not be myself in even those earliest conversations. A life time of hiding myself is the lifetime I have already rejected. And honestly, if you were Charles and you read this, wouldn’t you find it at least mildly disturbing ?
More bodies pass by the window, a few faces turn in to see me. Many manage kinder noses and inoffensive mouths, but their eyes are those same inexpressive marbles. Cold eyes that deny entry to the soul. Leaves tremble on the sidewalk under the caress of a breeze, but never quite lift off. A man across the street turns the corner, his reflection accompanies him in the mirrored glass of the tall building he passes. A harp sings incessantly from the speakers behind my head. An older man limps by with the help of his cane.
Charles alone after I am dead and gone… Lives in motion before my eyes, lives imagined in the eyes of soft spoken strangers.
A young couple strolls by arm in arm, her red sweater against his cobalt blue coat sleeve. Just outside the open door the high heels of her black boots crush the bright orange, red, and yellow of winter leaves into confetti upon the concrete.

Home

Hey, this is home. I think this is home, I wonder and heave as I stare at a strange shape that seems to breathe with dark smoke, pulsing, expanding and contracting. Eyes like windows. Doors that open with each inhalation. Home. A twisty multicolored spiral ending in pools of black water. I can see the nostrils, flaring. This beast. A wide mouth with wooden doors and thin glass panes. A painting in the living room that looks at me with wide questioning eyes. I stare back, unblinking, who are those pale women in straw hats? Their skin smells of roses and oxygen-filled water.

Home. At least that’s what I tell myself. If this is not home, then I'm lost. I’m an orphan in a cold world that smells of dark gray and burning charcoal. Was there another? Another place that could have burned with memory and scandal? I can’t remember where home used to be, how it spun or smelled, if there really was one that had a different sort of beast in it with scaly flesh and a cold double tongue to wipe me clean. Home. A place to hang my feathered hat, the resting place for my heart, waiting, beating for a cavernous chest in a messy underwear drawer...

I have plenty of hearts. Some rapid, some barely a flicker on the tin drum. If this is that place, the place of the beast, the place with my waiting heart, well, then this is home. Isn’t it? I look for my hat, that pale gray wool one my grandpa gave me. I grope the hooks on the wall, searching, finding only peeling wallpaper. Forget the hat, I might not have a head.

In fact, I’m pretty sure I had to loose my head to get here. And what about my heart? Is that a muscle with two important valves that pumps blood through a corporeal body, or is it something that looks like a leaf plucked from a clover, used to signify the presence of certain emotions usually linked to reproductive drive and familial relations? I don't want to rule out the possibility of having one, but as far as I can tell, I may have lost my heart as well.

I thought I had dozens, but I grip my chest and find just a cold hole. My fingers are sticky and I see dark footprints leading towards the basement. What part of me sees with no eyes? Don’t loose your head, don’t loose heart, or sometimes, take heart or use your head. These old axioms offer their council, written down on the back of a napkin like driving directions obtained at a Denny’s from an old trucker sitting at the bar over his Grand Slam and black coffee.

All I am sure of is that it got hold of one of us. And all I can say is “it” because I don’t have any other words to use for what “it” is. How can I think with no head? Even if I had a head, would the words be meaningful or hollow without the heart guiding them gently like a Sherpa swathed in wool? Empty I say. You could drop a coin through their vowels and never hear it hit bottom, just wait for it to come out the other end and put out a Chinese man’s eye. (Lucky fellow has a head.)

You can give me a good scrubbing, but I'll still need that head. Strip the flesh right off my bones with one of those metal wire brushes used for scrubbing oil stains off driveways, I’ll go on, but the head...I’ll always long for, always lament the loss of the head. Like the scarecrow, I’ll get torn apart by flying monkeys for the chance to think deep thoughts.

Still, who was worse off, him or the tin man? Ah, if I only had a heart! I’d be tender, I’d be gentle and awful sentimental regarding love and art... But somehow, I adapt to the loss. How often it is like that. We think that we’ll simply die if it comes to this or that, then this or that comes and we go on, altered but still in motion.

For example here I am, wherever here is, (It must not be home, I’ve searched the underwear drawer and under the bed, but still no heart...) My fingers do the seeing, my toes the thinking. They stamp out my thoughts like an ecstatic mime desperate for an audience. The crowd claps and it seems the theater seats are almost full and I am encouraged to go on, flopping like a fish when my legs go numb and the toes are mute.

There’s my grandfather in the front row with his crooked banana of a nose, clapping appreciatively. Naturally he is biased, and at this point he is the only one enjoying the show. The hecklers start booing and howling, “Off the stage!,” which is bad enough, but to my embarrassment my grandfather tries to defend me, “Hey, you should do so good, with no head and no heart!” He is still yelling at the crowd when the proprietor hooks me with the curved cane and I convulse spasmodically, looking more than ever like a speared salmon. He drags me off stage and leaves me in the gloom behind the curtain, tired out from my elephantine efforts.

This place, with the smell of spilled soda pop turning acrid like vinegar and peanut shells and stale popcorn, is this home? It seems plausible enough as I have been here for a very long time listening to the mice scurrying over the rumpled heap that I generally regard as “me.” There may be a hat here somewhere, on the prop table perhaps, and hearts were broken over there, just beyond my reach under the bright lights. Maybe not real hearts, but pretend hearts, which must hurt as much as the authentic versions because actors' tears have stained the wooden planks of the stage leaving it splotchy and discolored. When you have it, you have to work it to keep it, and if you haven’t got it you pretend to work it until you have it. Very simple. But now it seems that I’m being pushed out with the rubbish by a custodian wielding a shop broom, and no doubt this bright revelation will be lost.

I just got to know the world of the damned. It’s colored like a rainbow and the red moves with flames. We drank rank tea with scaly men, men with rubber skin and yellow eyes. Men with white long beards and penises that dangle to their knees. They gave us tiny cucumber sandwiches on embroidered napkins. They were gentlemen until we started to sway. Then the trouble began. The sweating. Didn’t I mention that I get in trouble? Haven’t I been in trouble before? This was no worse.

Getting on in the place that night, with those scaly men, getting up on the shiny grand piano. And I, the singer for eternity. They sang along, crying, their tears pouring into their empty floral tea cups. They gathered what fell, then drank it once more, sharing their cups among themselves. Sipping ceremonially, just tiny sips. Salty. A gift from the body in this place of electric rainbows and flaming rivers. Tears that sprouted a heart which grew full and round and vibrant, booming with a resounding thump like the cry of a war drum. Music crawling its way up a multicolored twisting spiral ending in pools of black water. My men, swaying and sweating, a dozen sweet hearts restored to their abode in my chest, and if they don’t have me, then they are orphans in a cold world.

Wait. The bare breasted women in straw hats have come to roost like a flock of swallows under my eves, protected by my sheltering consciousness. They have all come home to hang their hats in my head. What place of rest do I need? What sanctuary that is not in me? A wide mouth with wooden doors and thin glass windows. Geraniums in terracotta planters. I deal with the cold. I am the beast, so that my people can hang their hats and warm their hearts around my fire. It’s not much, a small barony in an abyss, but hey, it’s home.

In Order To Cry

In order to cry, think of the lover that left you without a home. A lover that came back from the far off beaches and mountains of Costa Rica, all the while sending notes filled with love and the promises of kisses in a soon to be future. In order to cry, remember when he looked at you with a distant eye and those kisses turned strange and full of salt and he didn’t seem like familiar skin, but something that only housed the shadow of old laughter. He came off the plane with dreams of walking through Mexico hand in hand, but in days, as leaves fell and marked the beginning of fall, he took the keys to the trailer and didn’t help carry your clothes and books to the sidewalk. He pulled out of the driveway, taking your home and smile, driving off into the mountains without a kiss or a soft glance backwards, driving as fast as he could to avoid the sound of your tears as they fell, crashing on the worn hardwood floor.

In order to cry, think of the night when you slept alone in an unfamiliar room, the only familiar tattooed flesh a few miles away behind metal bars and thick glass. The walls of the room were pale white, but covered in the blue dawn light of morning that came seeping in through the bedroom window. Remember looking around, feeling the floor below the thin mattress just a few inches thick, and then, oh yes, it all comes back, the horrible twists and turns of the night before. A convulsing 90 pound teenager, the sirens, the police handcuffs and a ride to the station. The interrogation and then walking free while some stayed behind in orange jumpers and the promise of long, noisy days and anxiety-filled nights and court-appointed lawyers in wrinkled suits. Think of your impotence, the jewelry you wore for good-luck as you watched the court proceedings with a pained heart and tears and a wet pussy, since your man still looked hot in the orange jumpsuit.

In order to cry, think of your missing dog, the one you walked on warm summer nights through the gentle fog of misty marijuana and fading orgasms. The dog that was your link to human connection, for people dared look at you and smile while you held a leash. Remember the soft brown eyes you still dream of, fur clinging to the lint of the sliding glass door is the only remaining physical manifestation of the thick fur covered body. In order to cry, think of the restaurant, sitting with your parents and sister when the truth finally came over appetizers and ice water sitting in wine glasses, when their lies finally spiraled in on themselves and you realized with one quick tear that Blackstar didn’t die, she was killed. And you know that she was old and could hardly walk and you knew every time you walked out the front door of your parent’s house that it might be the last time you saw that graying black fur, but still, they lied, letting your sister come home for Thanksgiving, looking around the house, opening every door, calling, ‘Blackstar!”

In order to cry, think of your young sister, growing older, growing more jaded and contorted by the day. Her smooth pink skin turning into wrinkles of worry, her mouth producing only complaints and concerns. Think of her all alone after you left for college, that poor skinny body starved and stressed while your mom’s concerns about weight seeped in, finding a home in the fabric of her muscles, taking the place of any fat; and now, when she eats, she talks about calories every time she moves in with a spoon on a mound of whipped cream. Your sister, who wants to give facials and mud masks, but your parents ‘spent too much money on college for her to be a beautician,’ so she stays in the suspended Bardo, caught by invisible strings that pull on each one of her fingers. She wears all black and helps rich women pick out sunglasses that could pay your rent.

In order to cry, remember all the things that you have lost, that pink and white batik shirt that disappeared in the wash. That 500 year old piece of turquoise that was stolen right out of your own jewelry box in the yellow-lit bathroom. Your vinyl records taken by the same mouth you had fed spaghetti two weeks before. The friends you left standing at the altar without a girl in green to clap and cheer. The friends you just stopped calling. The people you wonder about, but you cannot call now because it’s too late and too much time has passed. The family that you can barely visit and talk with, the potted plants left in the care of others.

In order to cry, think of yourself. Turn your attention inward, as has been advised in the manual. Focus on your skin, your breasts or penis, whichever may be the case. Think of the ache of your skin, the unfulfilled desires that call your name.

In order to cry, stand in the corner of the room with your face to the wall. Stand there till the feeling of isolation grows, until you begin to chant the phrase, ‘I am alone.’
Look at your missteps, your sidesteps, the sadness that just needs an open door, the failure of the sun to grant every wish and orgasm.

In order to cry, think of your tears, ready at the waiting, waiting to roll down your cheeks, eager to take the ride they were always promised.

Waves of Truth

Moving with a rhythm, a disordered rhythm of contradictions and divided impulses, Dorian made his way down the hall towards me, his fingers lightly brushing the wall, a neighbor’s door knob, the molding around the doorway. Every gesture conspired to create a chaotic rhythm that was somehow harmonic in the purity of its chaos.
Even his hair moved as if electrified, swaying in black ringlets atop his head, and his shirt sleeves seemed to breath as if drawn by an unsteady hand as part of some sketchy animation. Blue gray eyes with a halo of yellow ringing the pupils erupted from his anonymous face like a burst of noise hiding a carefully constructed melody of microtonal intensity.
The small soft looking nose, round cheeks, and unobtrusive chin were all so perfectly shaped that they melted into the back ground like a ghost and only those wild eyes remained.
Any person who tried to recall his countenance would have difficulty in restructuring the details of that face, but the eyes would haunt them. They would remain in dreams, integrated into the structures of other easier to conjure faces.
He seemed to bounce, erratically from wall to wall, then hover in between, then zig zag. The shiny black shoes thudded on the thin tan Berber as if each foot strove to walk independently of the other, as if these two feet belonged to two separate men who had been tied together for the sake of a novel race.
Even the legs bowed and squiggled as if they were involved in a mutiny against the feet, while the arms aided the hands and fingers in conducting their senseless groping. Somehow all these many singular movements, all these many notes and sounds produced by uneven footfalls and rustling garments and finger nails on plaster, they all added up to one very distinct and clear beat, something so polyrhythmic that it couldn’t be measured by me, and yet it was there. I could hear it.
Those quivering shirt sleeves were fashioned of black Italian silk, the slacks were some miracle blend that appeared either gray or silver depending on the way the light hit them.
How many times had some fool mistaken him for a billionaire’s retarded son? With a gait like that. It was easy to assume that he wasn’t all there, but it was a terrible mistake to make, a mistake that Dorian would make you pay for, mustering all his considerable mental ability to the task.
A mind like that. How does a genius perceive the world, how does his mind unfold? I imagine the inside of Dorian’s mind to be like jazz, waves of truth wrapped in disorganized bits of light and sound that collect around this or that nexus, all suspended by his attention like stars in the night sky.
As always, the nearer to me he came, the more confused my senses grew. Was I repulsed or attracted? My skin would tingle, every inch of it, the way one’s flesh crawls when in the night one awakens and sees by moonlight a spider crawling along the window pane.
It was like that, but also like when a very attractive woman is so close you can feel the heat from her body before she is quite touching you, and maybe she never does.
I stuck the needle-like tip of my mother’s broach behind the night light and was electrocuted when I was six. Being within yards of Dorian was like that. I am never sure if it is a proximity to life or death that induces these sensations. I have long suspected that they are, in fact, one and the same.

When he was a few feet from me he said,
“Remembering itself as itself. From the inside, yes. Everyone is an Observer of themselves, but who can process this reality? Are you ready Billy?”
His voice was always a little raspy, like autumn leaves scratching along the concrete, propelled by a breath of wind. In it you heard both the breath and the scratch and it made him seem both frail and boundless.
“Sure thing boss.” I told him and his hand made its way from the wall to the front of my shirt back to the door jam.
“Imagination is more important than pure knowledge. If you can't see through the other one’s eyes, then you’re blind to the oneness. Lets go bird watching Billy boy. I’ve left my cane. Lend a hand?”
I offered him my arm and he leaned on it trembling. I’d helped him this way before, but it was always startling to feel the storm of tremors that was the body of Dorian Finch.

We strode together back up the hall to the elevator and rode it down to the garage. Horace was there in the black Jaguar waiting patiently behind the wheel. Dorian lifted his hand in a gesture similar to a wave. It looked as if he were caressing the air, feeling it with his finger tips. Horace nodded.
“Not my car Billy. Your car. Separated individuality collected in the uniqueness.” Dorian explained.
“Should I get your cane?” I asked.

“Won’t be necessary. I’ll remain in the car. Image making. You brought the camera?”
“Yeah. I got it right here.” I said giving the camera bag a tap.
Dorian leaned on my battered Corolla feeling the rear windows as I unlocked the passenger door for him. He slithered in touching everything as he moved. Once installed behind the wheel I asked him.
“Where to?”
“1491 Jamestown Dr. to deliver us from SIN. From IGNORANCE Billy Boy.”

With his legs and feet at rest he was almost still. His hands caressed his own pant legs, the door, the upholstery of his seat while his wild eyes were glued to the road ahead. We waited at lights in silence, passed down the thoroughfare watching the golden dusk yield to darkness while the shop lights glimmered into wakefulness. Restaurants and nightclubs let lines of people in evening dress hang out of their doors like long tongues out of small rectangular mouths.

When we arrived at 1491 Jamestown we were submerged in suburbia, mid sized residences surrounded by manicured lawns. I had turned off the head lights seven or eight houses away and we eased up to the curb across the street from the house. The lights were on inside.
I took the camera out of its bag and fitted it with the telephoto lens, then waited. Soon I got my shot. The woman in her red underwear and the man smothering her with kisses by the window. It took me a moment to zoom in on their faces. A moment longer to recognize the woman. I slowly lowered the camera.
Dorian sighed.
“So THEN all things CAN change.”
“That’s Bettina.” I said.
“Precisely.” he breathed.
Bettina. Dorian’s girl. And my girl too, though I hoped he didn’t know. It would break my heart if he knew.
“Dorian.” I turned to him and his wild eyes met mine.
“We hope yes, BUT when THIS particular timeline ends THEN all these things ARE FULFILLED RELATIVE to the people and individuals aware of it. I am the one who can’t follow and I am the one who leads the way.”
“Dorian.” I could only repeat myself, could not fathom what he was saying to me.

Bettina seemed to be making the deadly mistake. The unforgivable mistake of underestimating the mind of Dorian Finch. Had I made the same mistake too? Was this the web? The web wrought by Dorian to ensnare us both? Did he suppose that I would kill her out of jealousy? Or was it that man in there that he wanted to see wiped off the board. Or did he know me, really know me? Did he know that I could not be jealous for myself but that I could feel jealous for him? That I could feel for him possibly more than I could feel for myself?

How many times had some fool mistaken him for a billionaire’s retarded son? Moving with a rhythm, a disordered rhythm of contradictions and divided impulses, weaving his webs without beginning or end, every gesture conspiring to create a chaotic rhythm that was somehow harmonic in the purity of its chaos. My betrayal of Dorian, Bettina’s betrayal of us both, this probable politicians betrayal of a wife and his constituency, Dorian leaning on my shoulder in the hall, that camera revealing and capturing the truth. All these many singular movements adding up to something so polyrhythmic that it couldn’t be measured by me.
I am the one who can’t follow and I am the one who leads the way, my hands cleaning my 9mm colt semi automatic deftly while my mind churns through the options and the photos dry in the print tray.
Which is the one that he intends, or which of those possibilities that he foresees does he prefer? Waves of truth wrapped in disorganized bits of light and sound.

Ok, bye

Hey Kim, this is Joe. I don’t know if these magenta colors would be here on their own or if it is the medication that I am on, but I think that I've been and I thought about that. Have you been? I mean, like the Jaguar, “I am here!”. I think I have been, and you once were, all though I can’t or shouldn’t really speak for you.
I started doing that as soon as I met you, assuming that what I thought was happening with you was real, not just a projection of my own inner world. There are some parts of our time together that I hope were a piece of some objective reality, that they were more than just what I alone thought at the time. But that would be a bending of the basic principle that has taken hold of my consciousness, this understanding that reality is always subjective.
I’m sure I should be going now. It’s been, what, 15 years? 15 years and I’ve never said goodbye, all though we’ve been apart all this time Kim. Okay, bye. Is that what must be said? Is that the word that makes the death final? The separation of one from itself. Is it me, or is it you Kim? Which one of us carries the torch of the real?
Neither. Isn’t that right? Consensus reality ceases to be when there ceases to be a consensus. No more me and you together. We are two worlds apart. Even now I wonder, were you? I was. I have been. Am I still?
It's okay, because I am on the scene. I still am. I only talk about medicines when the pain is too intense, when I want a reason for the chaos. I set it up so that there is some explanation, but I am a matter that flows beyond such stuff, sticky pills.
That is the “weather balloon” explanation for these experiences. I am beyond it, but as soon as I have the opportunity I will shrink down to size. Not because this happens. I am out of that.
There was someone there today, right at the threshold and they demanded to speak with you. With you Kim. It seems they thought you had been and maybe still were. Yeah, I hate to see them there, by the door, waiting for you.
If you get a minute, hold on to it. Fill it out. Like the good old days. Be there, like a letter that was written 15 years ago and is marked with extra postage so it'd be delivered neat either way, whether it was sent then or now.
I have a nice evening planned. This is the night when we’ll sit together counting fireflies until we’re dizzy. That’s the one I’ll go to, or the one I have been in before. Either way, the best thing would be for you check on the way.
If you are there, see if I am, or if it was already too late then. It’s a moment I’ve been hopeful about. It’s possible that it exists before the separation, the schism.
I love you.
That might be untrue. If I loved you then we’d be together wouldn’t we? Because love is what draws bodies together, the glue that makes life and the opposite of life is death, and separation is death and we are now separate.
I have eaten the fruit that grows here in limbo, so I shall never be fully restored. It can never be okay. I ate the weather balloon. The excuse. The part of me that ate the fruits of this land will always remain here, separate. Something lost. The part that bought the con.
Will you comb the beaches of Elysium in search of the fragments of my soul? My Isis? And now I don't have to go ahead, in this, I can stop. I can go back. Is this the game mom brought down for us to play after dinner? Am I still playing red square, blue square… on and on? I don't know.
I was then and I thought you were too. Now I don’t know. Shall I say it? Or leave it unsaid? Okay. Bye. I don't know. I don’t know, but I think that I've been and I thought about that. Good bye.

The Form Of The Other

I feel the pain, that particular pain that makes me retreat into myself, that makes me try to hide within my own body. I feel it often. So often now that I don’t run anymore, yet I do not smile, not yet. I’m not quite ready.
I hear them laughing and I cannot stop my heart from beating a little louder. Thump, THUMP. It hurts. I hear them walking down the wooden stairs and my chest begins to pound, each footfall is another kick in the gut. They are coming. They are coming.

It all points back to the early years when it seemed that there was no danger, when safety fell from the sky like rain and it formed puddles around my soft hands, letting me know that there would never be any kind of danger.
In my youth I was cheerful, kind , and, above all, an obedient little girl. The very sweetest and kindest are most susceptible to conviction. That’s what I’ve come to learn. When they suggested that I take them into my heart I did just that, rather than pretending, like everybody else did, rather than playing along, leaving my insides untouched.
I did not know the limits as a child. I was too slow to catch on to the ways of the world. When they bade me to accept them I opened my arms and flung wide the doors to my little heart and cried:
"Come in, come in! I am ready!"

I have to stop. There’s only so much I can explore before the pain becomes too strong. I feel a vortex of energy coming now, I feel a vacuum growing within me. I feel the pull of a star-less space, a microscopic black hole in the very center of my core reactor.
There is a tug on my toes. My attention is going elsewhere, like waves on a shore that only recede, it’s going to a place where little spindles fly in circles and dive into my joints. They join together, tight as a brick in my jaw and then I cannot talk. I cannot laugh or smile. I am stuck. It’s hard to move, it’s even harder to breath.
I go back. I lose myself in thoughts that may make me forget what I am feeling.

That was how it all started. Very innocently, with the best of intentions. My crime, of course, was, is and ever shall be an indulgence in conviction. While immersed in a culture of images there can be no greater sin than sincerity.
They returned, stronger than I had ever known them and I opened the temple of my mammalian countenance and threw back my head to howl an invitation:
"Come in, come in! I am ready!"

My attention returns because they are coming. They are coming down the stairs. That’s what I tell myself. It is because of them that I feel these metal pincers squeezing at my damaged heart. Their voice, their laughter, their rules, their sucking in all the energy of the space, pulling me out and robbing me of my smiles and my air. Anxiety swirls around me like a conscious whirlwind, moving to the right, to the left, wherever I step like a fast-footed athlete. They are the reason, the source, the pain. That’s what I tell myself. That’s what I have to tell myself. Even if it doesn’t really help, even if the pain remains intact and I still can find no real sanctuary.

I asked them inside of me. There was never a more generous or hospitable offer to make, nor shall there ever be.
Now I hear from others that this is a very frightening and naughty thing to have done. I hear from human animals that this is a bad thing, what I did. But how could I have known?
There was no one to ask, no one to consult with, back when it was happening.
I am not ashamed to have looked into my own innermost quarters, into the depths of my being, into the secret crevices of my mind and discovered that there was darkness there, a true darkness that pulsed with forbidden life.
I am not ashamed to have discovered that I am but a mere mortal, an animal alike in my fears and desires to all other animals. I am not ashamed to have made a sacrifice of that animal on the altar that we call a lifetime.

I could now hurt and blame them and that would be my story, a story I would remember and tell myself, just like I tell myself all these other stories. The little explanations that last until the carousel breaks in a puff of smoke and all the plastic animals tumble out. It is so easy to place the cause outside of me. Just so easy.
Pain comes from the outside, from the Others.
Pain is caused by the Other.
The Other.

But there are only habits. A myriad of habits that multiply endlessly in all directions. The habits of politics and speech and body movement. The habits of the machine, transmitted and programmed since birth by parents and school and friends and church and society. The learned habits of an entire culture run amok through this body of flesh and bone and light.
Each bio-machine has a thousand habits. Each is convinced of their ultimate rightfulness.

Can I transcend these deep habits, so ingrained that I mistake them for the sky?
I say clearly and loudly:
“You may keep all of the rewards in store for the obedient animals, I will take all of the punishments reserved for the strays.”

Freedom is paid for with responsibility, accepting the consequence of my actions and inactions. I will try to be faithful to my purest impulses, to my open hearted wonderment and willingness. I will accept my worst nature, my cowardly yearnings, as they are mine too, and I will be the one to master them with open eyes and a gentle hand.

I hear them coming with the force of a train, my habits begin to creak. The pain begins. They bring their own habits, they exhibit them. Their hands move wildly. Their voices rattle the walls.
But it is the clash of my habits with theirs which hurts. It is the reaction of one bio-machine to another. The Other has a different set of habits. There is no fault. There is only learned mechanicality. The differences are what cause the pain. The clash between what I want and what they are. The clash between how I want things to be and what Is at the moment. It is the clash that causes the pain. Not the Other. The Other is just me in a different form.

My kingdom is in the invisible heavens and hells, embedded in every shadow and every reflection, in every grain of sand and every tear drop. I am all that have breathed and ever will breathe. May I live in small gestures that grow grander, may I flow through subtle shapes that refuse to take a final form, may I rest on gentle hues and whispered murmurs, may I flourish under this veil of mortality. May I then invite then into me with a true and open heart:
"Come in! Come in! I am ready!"

In The Bowels of the Gods

Keith blinked a few times before the glass came into focus under his nose. There was something golden and frothy bubbling in it like live amber. Beer? Hazily he tried to recall where he'd been, how he'd gotten here, and where "here" was.
After a moment he realized he was sitting on a high stool at one end of a long glossy bar. A handful of other humanoids were seated along the length of it, two of them, nursing drinks. The other three were clustered together near a machine that looked like an old fashioned cassette player, the sort he remembered seeing in a classroom in his youth, back in 1983.
That was his youth wasn't it? Presently it was difficult for him to identify who he was and sort through which memories probably belonged to this person.
He shook his head a little and focused again at the triad at the other end of the bar. It did look like an old fashioned cassette player, flat with broad white keys, but in the window where a cassette would have been there were touch screen controls, and instead of wearing headphones, all three were connected to the device with an output that jacked in behind an ear. They were all smiling dreamily, and occasionally one of them reached out and struck a series of keys which caused them all to shiver in apparent ecstasy and they would smile and nod to each other trough veiled eyelids. Then the next person would try their hand at manipulating the keys and the scenario would repeat.
This did not seem to Keith like a familiar activity. Instinctively he reached behind his ear and felt for the jack. Shock rippled through him and his jaw dropped a little when his fingertips encountered a small round opening there. Apparently, it should be familiar to him.
Vaguely he noted a curtained stage upon which a woman with black make up smudged all over her eyes was performing a rendition of Blue Velvet, singing in charmingly dusky tones while accompanying herself on a theremin. Her tangerine colored hair leapt up from her scalp ala bride of Frankenstein but curled so that it resembled a wave or a flame. A clingy white sequined evening gown, designed with gashes all down the torso through which her pale flesh peeped, was only slightly distinguishable in hue from her complexion. Individuals were scattered around a handful of tables spread through out the establishment. Most attended the tables closest to the stage, drinking or snoozing or examining liquid crystal tablets.
Suddenly, Keith was aware of the bar tender looming over him from the other side of the bar. The big bald man cleared his throat. Keith glanced sheepishly up at him.
"You asked for this." the bar tender said and pushed an LCD pad towards him, the muscles of his arms rippling under the tattoos. The words "Madam Blagva's Celestial Calculator" flashed over the screen accompanied by an entourage of sparkling shooting stars.
"Uh, thank you." Keith said and smiled. He couldn't believe that he had asked for this. He had no idea what it was or how it worked. He sat and gazed numbly at it. The bar tender was watching him. Keith squirmed.
"It's been a while since I've used one of these..." he ventured in an attempt at explanation. The bartender raised an eye brow.
"Just plug in your spider" he said.
Keith tried not to look too horrified or perplexed.
"I lost mine." he answered. Now the bartender raised both eyebrows to dubious heights.
"It's been a rough couple of years." Keith supplemented his original statement.
The bartender sighed and reached over and taped the pad with three fingers.
"Without direct interface you won't have any privacy, but it's your call."
A gritty electrified granny voice intoned mysteriously from the pad,
"Ask your question."
Keith stared at the pad. There were no alphanumeric keys. Timidly he cleared his throat and said,
"Uh…I've been going nowhere career wise and have felt stuck in a rut."
He paused and looked cautiously at the bar tender, hoping that he had done the right thing. He nearly sighed with relief when the gritty little voice encouraged him,
"Go on."
"Well, I discovered a book called 'Earth Sun Moon' put out by Wooden books and I drafted a 'celestescope' that charts the moon, sun, mercury, venus mars, jupiter, saturn... I found that saturn has been in retrograde in my sign since 2007 and is getting ready to leave, finally, as far as I can tell, sometime in July, and resume its usual motions through the rest of the signs, not to land in mine again for around another thirty years.”
“And?” the pad croaked. Keith swallowed hard.
“I guess I'm asking... is there light at the end of the tunnel? I guess I already am feeling free-er, less restricted..."
He trailed off and waited for an uncomfortable moment. The bartender, he was a tad chagrined to notice, was still watching and listening intently from the same location while polishing glasses with a white towel.
The gritty voice erupted from the pad once again.
"There is always light at the end of the tunnel; though sometimes it is a train.", it cackled crone-like while an image of a train sprang into motion on the screen and then cut away to another image of saturn and its rings which faded into lady justice dancing backwards away from him. The video collage continued while the hag voice narrated;
"Saturn did go into Libra, and has now retrograded back to Virgo. It will be back to Libra in late July. Getting Saturn off your Sun sign may well free up essential energy for you. Anything that feels better, freer for you, is worth exploring. Saturn can be a useful teacher. Putting aside the frustration, consider whether this time of inertia has left any lessons learned."
Keith sat pondering as the bar tender withdrew to refill a drink.
"The light is always everywhere."
Keith was startled by the voice. One of the triad who had been jacked into the device at the end of the bar had left her companions and was now standing at his right shoulder. She was short and lithe. One half of her head was shaved and white hair hung down to a length just past her chin on the other side. Her irises were bright crimson and her naked flesh was a sort of powder blue hue. She wore what looked like a white buckskin skirt and moccasins and nothing else. Her breast were very small and the nipples were bright, almost as crimson as her eyes.
"The tunnel is our own creation." she concluded and smiled at him.
The woman seated a couple of stools to his right snorted over her drink. Her hair hung in stringy mouse brown lengths about her face and shoulders. She resembled a glob of clay that had been carelessly slopped onto the stool and now threatened to spill out in every direction. Her back and shoulders were slightly hunched, perhaps being tugged mercilessly by the weight of her considerable breasts and belly, all of which was wrapped in what looked like a hot pink Snuggie that hung off of one shoulder exposing her freckled flesh.
"I had a ten year Pluto transit to my natal Saturn/Pluto/Sun-Mercury T-square." she said without looking up from her glass. He noticed that something like tiny live fish seemed to be swimming among the bubbles in the aquamarine tinted elixir. "The T-square is a big, impossible, nasty combo in my chart that will never stop giving me grief and the period of that Pluto transit nearly killed me, quite literally."
She made a sound that might have been limp laughter and took a swig of whatever it was she was drinking, swallowing several of the fish. Keith strained to get a better look at them and was aghast to discover that they resembled itsy bitsy mermaids more than fish. One pressed its all too human hands against the glass and seemed to look at him imploringly with its blinking hyper round eyes. He deduced from that look and the frantic way its fins twitched that it was cognizant of its situation.
"Oddly," the woman continued, "I married a man just prior to the onset of this transit whose Sun was conjunct his Pluto and Mercury at one point of my T-square and had a daughter who had her Sun/Pluto-Saturn/Mercury at the Saturn point, conjunct the transiting Pluto."
She paused and drained her glass. Keith felt sick, like he might scream or cry or vomit, or all of the above. She swiveled around on her stool and regarded him squarely.
"In other words, my own actions, perhaps influenced by the transit, worsened the astrological aspect -- or perhaps just embodied it. The marriage was a disaster - he was extremely psychologically abusive to both me and our daughter, and the daughter was, even apart from him, THE most difficult person I've ever had to deal with. It turns out she has Asperger's Syndrome." She turned back around and tapped her empty glass on the bar nodding to the bartender.
"Anyway," she said as he replaced her drink with another swarming with the little mer creatures, "my point is that these slower moving transits can cause tremendous trouble, depending on how they impact your natal planets. Saturn is one of those that, in my opinion, can cause some of the worst trouble. Not only is it restrictive, but it's known as the gatekeeper to Pluto -- to the Underworld."
She took a drink and coughed, Keith imagined, as a result of some of the little creatures struggling on their way down the hatch. She recovered after a moment and pointed a finger at him.
"By the way, almost to the day Pluto left the sign of that transit, Scorpio, I took a ten-day trip overseas without notice to anyone. I literally ran away -- and interestingly, Pluto had gone into Sag., the sign of travel, and the placement of my Moon in a Grand Trine with Pluto and Mars in my chart -- a very powerful and favorable combo for me."
Satisfied, she returned all of her attention back to her drink, dipping her finger in and stirring her terror stricken captives into activity before swallowing them alive.

The blue girl, whose hand was on her hip now, bit the corner of her lip while starring at the other woman and said, "As the Cosmic Muffin used to say, 'It's a wise man who rules the stars and a fool who is ruled by them.'"
The woman didn't seem to hear.
"I was born September 16, but I'm no Virgo." a voice piped up behind Keith. He had to look over his shoulder beyond the blue girl to find the speaker. It was a man in a fedora and vest sitting at a table with an old Chinese man and someone that looked like the Egyptian god Anubis with six naked teats lined up in neat pairs. He had a fine stubble coming in all over his chin and his sleeves were rolled up above his elbows. His hands were busy with the business of shuffling a deck of cards and a cigarette hung from his lip.
"I'm not a Virgo because I don't believe that constellations, that by the way, are only crude dot to dot drawings, influence my life at all. Sure," he said shrugging and lifting his hands slightly, still holding the cards, "I could not be here if there weren't stars, but that specific ones influence my life is superstition born of desire." he began to deal the cards as he spoke. "The desire to find a cause, a reason, a measure of control for good and bad. It's hard to accept that good and bad things happen accidentally for no reason at all. We roll the dice every minute. Sometimes we win a cigar, sometimes we get burned by one. Chance is in charge.” He winked, “Bets to you Nita."
The Anubis headed bitch pushed some chips into the pot and the Chinese man with long white catfish whiskers responded in a similar manner. The man in the fedora raised.
"But take heart," he said grinning to the other players, "good and bad things happen to the same 'no one.'"
Keith felt himself reddening a little. So what if he wanted to consult the stars? He knew it wasn't a science, but somehow, he suspected, it had brought him here.
"Yes indeed," he heard himself say before he could master his indignation, "but there is this old maxim 'as above, so below, as within, so without' that has made itself known to me."
The blue girl put her hand on his shoulder and started rubbing it.
"Correct." one of her companions from the end of the bar said abruptly. The young topless Asian man had a long mane of raven colored hair. He was unplugging the cable behind his ear. The thing that came out of the port had eight delicate legs and stood in his palm. The iridescent cable was a strand spun from this creature’s abdomen. It cut the unneeded connection and walked along the young man’s arm as he said,
" So whatever was within that was out-pictured is worth exploring."
The blue girl nodded emphatically and pressed herself closer to Keith’s back.
"I don't necessarily believe we are 'ruled' by them, but I certainly believe there are synchronicities, meaningful connections that exist between ourselves, microcosm, and the heaven’s macrocosm. Whether that is wise to believe remains to be seen and is subject to change, of course. I can be somewhat skeptical at times." Keith said, a little distracted by the blue girl’s attentions. She was leaning over his shoulder, listening intently and smiling sweetly at him, so close that he could smell her licorice scented breath.

"Everything influences everything." the clay woman sputtered, coming back to life and rejoining the conversation. "No human being lives in a vacuum separate from the rest of the world or the universe and the forces that govern things do so across space and time." she said stretching her hand out in a sweeping gesture. "There does not have to be a human reason for something happening, but the universe works in the way it does, which is its own reason. And we are part of all that, though we feel separate. No scientist believes it all happens by chance. As Einstein said: ‘God doesn't play dice with the universe.’ "
The man in the fedora laughed harshly.
"A cute phrase, but false." he said. "Einstein didn't want to believe in quantum mechanics, but has been proven wrong. God, well, nature, plays dice after all, they’re called quarks." He grinned at his comrades. The Chinese man yawned.
"I frequently provide my liver cells with evidence that I don't care a fig for their individual lives." said Nita, the Anubis bitch, in a silky voice. "But then, I'm not THE God. I am just A god. And I have pressures on me that they will never comprehend. Actually, I only understand them a little better than they understand me. I am capable of recognizing and interacting with them, individually; but I have little call to do so." Thus saying she raised her glass as if giving a toast and then lapped at the drink until her dog-like muzzle could no longer be adequately accommodated by the glass’s shape.
Lumpy was twisting around on her barstool to face the man in the fedora. It looked as though she might slip right off.
"I don't see quantum mechanics as "dice" or chance. Quarks aren't random either. They choose what to do, but we don't yet know completely why.” She was gesticulating wildly as she spoke, teetering and tottering on her seat, “The universe has a purpose, I think, but not our purpose. We are so arrogant to think that something zillions of times bigger and more complex that us should do things our way. But if we can ally ourselves with those forces that are greater than us, it is not chance we encounter, but deep purposefulness of a nature not so much indifferent to humans as equally inclusive of all things, as well as us - meaning we are no more important than anything else. To me,” she sniffed, “ this is far more wonderful than human-guided purposes. Well, let's say human-led purposes are NOT wonderful at all UNLESS they can tap into the greater, wider universe."
Here she stretched both of her arms as wide as she could and nearly toppled over. She barely managed to catch herself by grabbing onto the bar and twisting back around.
The man in the fedora and Nita laughed and turned all of their attention back to their game.
The blue girl was working on both of Keith’s shoulders now.
"How did you loose your spider?" She whispered, "You don't mean that it died do you? I couldn't bear it if that happened to mine. We have a spare if you want to join us."
"Thanks." Keith said, "I think I better finish my drink though."
He tried to focus on the drink sitting in front of him. How did he get here? Was this because of the stars? Or was it because of the book about the stars? Maybe the stars were innocent. Maybe they had nothing to do with his present reality tunnel crisis. This experience may have been induced by a tornado picking up his house… What was the last thing he remembered doing?
Oddly the only thing he could think of was the little mer person pressed against the inside of the lumpy woman’s glass. It was as if it had happened to him, as if their roles had been reversed. He had been swallowed alive and this was what it was like in the bowels of something a zillion times bigger and more complicated than himself.
Desperately he downed the glass of beer. The bar tender brought him another one. Little girl blue was getting really serious about massaging his shoulders and back. He had a feeling she might like to blow his horn. If she was what he was "out picturing" then maybe what was within was worth exploring...
Then he spied her companions at the end of the bar manipulating the “cassette player” and shivering and realized that what she really wanted was to put spiders in his head…
The woman on the stage started a new song, picking delicately at the empty air over the black box of her theremin.
“Moon river, wider than a mile, I'm crossing you in style some day…”

Alone In The Light

The sunlight streams through the half open curtains in a faded yellow that tastes of old forgotten afternoons when the air is almost too thick to breathe and bodies become too heavy to call into action. There are a few magazines strewn on the floor and a half finished bottle of water on the night table. There are a few pictures on the wall and a summer dress hanging from a hook on the back of the door.
Elinore is lying on the large bed in the center of the room, eating dried mangoes. Her only garment is a long white shirt that reaches all the way down to the middle of her tanned strong thighs. For a long while she has been debating with herself on what to do with this afternoon that seems to never end, but all she has been able to muster is getting the dried mangos from the kitchen to slide into her mouth, one by one. She chews very slowly, relishing the bitter taste as her eyes open and close, taking in the yellow sunlight.
Every so often she lets her head fall back on the pillow, her long black hair spreading over the white pillowcase like an explosion of thoughts over an empty page. She then pretends to sleep, but she pretends for an empty room, since there is no one else with her. Maybe if she pretends long enough, she will actually fall asleep and when she wakes up, this afternoon of nothingness will be over. But after a few moments of yellow illuminated darkness behind closed eyelids, she props herself up on her right shoulder once again, and she takes another bite of dry mango.
From behind the wall at her back come the subtle sounds of an electric bass being plucked. The amplified sound is hidden away in a world of headphones, so Elinore can only hear bits and pieces of muted riffs and walking bass lines which travel through the still air of the apartment like tiny colorful trains without a final destination.


Veronika stares at her bass as she plays, repeating certain passages over and over, trying to make sure that they are permanently recorded in her muscle memory, that they become as much a part of her as brushing her teeth or walking on an empty sidewalk. When she makes a mistake, she shakes her head and tries the same line again, over and over, until she is content that she has truly learned the part.
Veronika is sitting on the edge of her bed, with the long and heavy bass draped across her thighs. She is wearing a Nirvana T-shirt and an old pair of blue jeans with large rips across the knees. Her feet are bare and the cold wooden floor feels good against her naked skin. Her long red hair is pulled back away from her face and tied tightly into a long pony tail, not the way she usually wears it, but it helps to keep it out of her way when she practices. Her thin white arms cradle the bass lovingly, with an urgent intensity that is palpable in her movements but which she would never consciously admit to herself.
Each note she plays is processed and amplified by a small processor that sits close to her toes. The sound is channeled directly into her ears through a small set of headphones that she keeps just for this particular purpose. In her ears the notes rumble, distort and vibrate like huge slabs of stone tumbling into a vast expanse of black sand. In her world, the sound is loud and overwhelming, but it is all a secret that she can keep to herself, a secret waiting to be revealed at a later time.
Every so often she pulls the headphones back to make sure that the sound is completely enclosed and inaudible to anyone standing outside. She doesn’t want to disturb Elinore. It is her general policy to be as quiet as possible when she practices. She knows how easy it is for casual friendships to go sour.
She is specially concerned with being very quiet today. Veronika saw Elinore earlier and she looked so tired that she could barely even say hello. She might have given up on practicing at all this afternoon, but there will be a show this very night and she must be ready. It is as important as anything in her life, and more important than most other things. So she continues to practice with fervor while being as quiet as possible, her face a mask of intense concentration and barely controlled stress.


Elinore stands up for a moment and turns on the TV. She turns the volume down low, as low as it can go while still being audible from her post on the bed. Something to let her attention wander away, something to make her forget about the time slowly passing. Anything. Anything at all.
Even though they are not talking directly to her, the sound of the talking heads makes it seem as if there is someone else in the room, as if someone is talking to her, someone that doesn’t need to be answered, someone that will continue to talk no matter how quiet and still she remains on the bed. Over the bits of dialogue, she can still hear little bits of sound from Veronika’s bass here and there but it doesn’t really bother her. The silence is too strong to be disrupted, it would take an earthquake to break apart the yellow solitude.


“…there are many opinions as to the true nature of angels. It is not clear where the idea started, where it originates. We now talk to Maria who has been studying Angels for the last ten years.”

When she first realizes the nature of the show, Elinore has the impulse to stand up and shut the TV off once again. But she is already laying down and feeling too comfortable. Her long legs are stretched over the rumpled white sheets and she can’t bring herself to stand up and shut it off again. The coolness of the cloth against her flesh is delicious and she can’t bring herself to part from its embrace. She may as well listen to what this woman has to say. At least until she is done with the mangos.

“We must then remember that all these paintings, all these icons, they are only reference points… we are talking about a real phenomenon that has degraded over time into an idea that we now believe we understand… maybe we have already decided that there is no such thing as angels… but what are we really denying? We have to mean something by a word in order to deny its existence, don’t you think? So what is it that we don’t believe in when we say that they don’t exist? Or what are we really saying when we say that we do believe? When we say that we know and that we have faith? What is it that we have faith in? Belief in a vague unknown is tantamount to belief in nothing…”

Elinore again closes her eyes and simulates sleep for her absent audience. The yellow turns red beneath her eyelids and she rolls back face down on the bed, still chewing on a bit of mango. She stretches her whole body and a chill runs up and down her spine. A very soft moan escapes her lips and she giggles lightly into the mattress. Nobody can hear her and yet she wants the subtle sense of quiet to continue uninterrupted.
She finds herself thinking about angels. Why angels? Why right now? It’s strange how these ideas come from out there, from a world of electronic communication that is not specifically thinking of her, and yet now the idea is multiplying within her, seeking answers for questions that weren’t there at all just a few moments before.
What do people mean by angels really? She thinks of medieval paintings, of Catholic churches full of winged little naked children.
Why is she thinking of it at all? She makes an effort once again to stand up to turn off the TV so she can forget the subject entirely. But it seems that she would rather stretch her body some more and listen, listen quietly at least a little longer.

A news report interrupts the show. Elinore has lost track of what they are saying anyway, so the two combine into a strange amalgam of voices with a turbulent meaning, a meaning that somehow never coalesces into a single clearly expressed statement, and yet teases the most forward tendrils of her mind with the possibility of understanding:
“…the 24-year-old pop icon is the first artist of the new digital age to reach the five million sales mark, an accolade which came on the back of her two smash singles: ‘Poker Face’ and ‘Just Dance.’ The record was broken when ‘Poker Face’ topped five million sales, after ‘Just Dance’ achieved the same impressive feat…”
Five million individual minds have reached through the ethereal links of the internet to grasp at Lady Gaga’s music, or is it really at her that they are grasping, at her body, at her mind, at her secret dream world, at the myths that she only suggests while slipping sideways away from final labeling and categorization? Do they actually wish to touch her, even if it is only done through invisible fingers that travel through underground channels of quantic vibration?
So many hands reaching out to grab at her… What must it feel like to have all those nodes of attention focused on her, wishing for her, wanting her, needing her. Five million different minds focused on a single point of light, hidden behind the fragile cover of carefully arranged physical barriers.
Where is she now? What does she feel? Is it in any way comparable to what Elinore feels or has the cumulative intensity of all that attention lifted her bodily to another plane of vibrational existence? No way to truly know, no way to find out.

Another mango for now, another moment of closed eyes and a ritualized attempt at simulated sleep. And behind closed eye lids she sees Lady Gaga’s mouth singing:
“I want your drama,
the touch of your hand,
I want your leather studded kiss in the sand,
I want your love…”
Yes your love, no matter what form it may take, no matter what it may turn me into, no matter what it may do to me, no matter how it may transform me, no matter that it may kill me and change me into something I never suspected was possible, something I never wanted to be.
But here there is nothing, silence, yellow silence, closed eyes, the taste of mango and music coming from nowhere, music that simply repeats in little fragments of concentrated attention.


The phone rings next door. Veronika has the impulse to ignore it but then she reluctantly answers. She presses the small cell phone receiver to her ear, questioning her own decision to pick it up. On the other end, her friend Narina speaks up as soon as she hears the connection being established, rushing to let her words out before they fade away and lose their charged content of raw emotion:
“Listen to this… listen…Walking with a friend in the dark is better than walking alone in the light. Jack Dempsey said it…walking with a friend… in the dark…is better… that walking alone in the light…”
Veronika wrinkles her brow. For a moment she is unsure of how to respond. She then remembers it is Narina, and it is just like her to say something like this, out of the blue, and it is just like her to expect some kind of answer. Veronica then carefully responds, trying to make sense of her own thoughts as they pour out of her:
“I’m not sure that I understand what it means…I think I like it…I guess it depends on who it is that walks with you, no?… alone is not always the same … and there are different kinds of friends… aren’t there?… In any case, I don’t think it was Jack Dempsey… it may have been Hellen Keller…why did you think it was Jack Dempsey? You know that I have a show tonight?”
For a fragment of a second the mention of Hellen Keller invokes a world of total darkness, of complete and final isolation, a chamber where nobody may enter and nobody may leave, where there will be no rescue coming, no escape, where loneliness will keep on pulsing in a steady beat for all eternity without any relief in sight. For that fragment of a second, there is no friend, there is no light, there is no walking. There is only utter solitude and the complete silence that comes with it.
“Yeah, I guess I’m not really sure who said it…but it still touches me… even if I’m not totally sure what it means… what it could mean…there’s something about it that resonated within me… I can’t really explain it… like a bell, you know? A bell that rings inside of me and I can’t place it… a friend… maybe it’s just that word…you know what I mean? I hope you do…”
There is a new silence between them, a silence not quite as complete as the one invoked a moment earlier, but a silence nonetheless, and the ethereal lines of electronic connection carry only their breaths, communicating in a way that transcends all codes or symbols.
“Anyway… a show tonight? Maybe I will come… maybe if I come I could walk with you in the dark…” Narina giggles at herself. “I’m not sure though… I can’t really promise... I’ll try to be there…”
And just as suddenly as she appeared from nowhere, Narina is gone, leaving behind a fading echo of a word, a vision, an ungraspable taste or color.
Friend, friend, friend… who is really a friend and who isn’t? How would you know a friend if there was only a dark chamber without exits? How would you recognize a friendly impulse coming from the outside?
Veronika shakes her head and returns to her practice. No use thinking about such things when there is a show to rehearse for.


Jennifer waits on the driver’s seat of the elegant limousine. The uniform doesn’t quite fit her and she still feels unsure about her new role. Her black hair is fixed in a small bun and hidden by a little gray hat that turns her into an official representative of the limousine company. Her legs feel hot and trapped within the newly pressed gray uniform and the leather seats feel paradoxically uncomfortable under the weight of her customed body. It all makes her feel strange, displaced, as if her brown skin and her big black eyes have been imprisoned in a role she can’t fully embody yet. She wonders momentarily if this is what happens to people when they finally start to grow up: they get encased in gray and pushed into the stage of a play that was never fully understood to begin with.
She found this job only a few days earlier and, due to one of her new coworkers being sick, she has been lucky enough to score one of the best assignments in the whole agency, their most prized and well known client. The singer is expected to come out of her hotel at any time and then she will be here, in the same car, in the same space as her, breathing the same air, vibrating in the same chamber.
Jennifer feels rushes of excitement that travel like electrical currents up and down her small thin body, they make her flesh turn red and her breath get faster and harsher. It is such pure luck that she finds herself here, now, waiting for such a famous character to step into her car. She runs her hand through her hair and looks at her face in the rearview mirror. She wants to make sure she looks just perfect, just in case somebody looks at her, just in case she says hello.
She heard the announcement this morning. The entire wide sidewalk in front of the hotel is crawling with reporters and paparazzi. All waiting for her. All eager to ask questions and take pictures, all eager to take away another little piece of her on wings of electronic chatter. All eager to see her. All waiting.
For Her.
Jennifer feels the urge to play her music in the car, maybe she will think it is funny, maybe she will smile and then talk to her and be nice. Or maybe she won’t ever look at her at all. Someone like her, she must be so busy that there won’t be any time to talk to a driver, another face in the crowd, lost in a sea of eager eyes hoping for greatness to touch them, even if only briefly.
And yet Jennifer can only hope that something does happen. In fact something has happened, but she wants something more. She wants a word, a look, a smile. Something. She will be sure to take that little bit, any little bit the comes out of her presence and treasure it.
The people outside rush towards the front doors of the hotel. Maybe someone is coming. Jennifer feels as if some of that attention is rubbing off on her, as if she is so close to the source that some of that brightness is spreading through her chest and making her a faithful satellite, a secondary source of light in that great darkness that surrounds all of them, all of us.
She relishes the sensation. It reminds her of love, of making love, of being kissed and touched and hugged and kissed again. But it is somehow grander. It pulses from a place that seems to come from nowhere, a place beyond the realm of the physical, a place she has never truly explored before.
Maybe this is what spiritual people feel when they have their strange experiences, their communions with something higher. This is certainly the closest Jennifer has ever been to something higher than her.
Disparate thoughts clash within her, threatening to fuse into a single vision but then she shakes her head and tries to maintain her attention on the wide glass doors, the same place where everyone else is looking.
She will be coming out soon. Soon. She will be coming out.

The phone rings and Veronika picks up immediately. Narina again. She has apparently thought of more things to say. Veronika shakes her head with a kind of benevolent annoyance. She has to practice. It is urgent. But she doesn’t have the heart to simply blow Narina off completely. Instead she prepares to listen for a moment, before telling her that she really has to go.
“Ultimately, to be with someone is better than to be alone… I think that’s what it’s saying… no matter what, no matter who, no matter where, it’s better to be with someone than to have nobody…”
“Yeah…that sounds right…I mean, I think that is what it is saying…but it’s still a vague message… maybe it’s too general for me…I would like to think that I would be a bit more selective… I wouldn’t want to be with just anyone… you know?…I can see it though… we don’t want to be alone, right?”
“Right…maybe that is why you play music? So that you won’t be alone…maybe it’s a way of calling people towards you…maybe it’s a way of bringing people together? Could that be it? Could that be what hides under most of what we do? Under all that we do?”
“Maybe… I can see what you are saying… maybe you are right… or at least partially right… I don’t know… I don’t like to think of it that way….I hope there is more to it than that…I think I am fine alone… I can be anyway…but sometimes I do need someone around…it depends on the moment…but I can enjoy playing all on my own as well…playing music I mean…it doesn’t have to be done to call anyone…I can simply play… all alone…just like now…”
“I’m sure you are hoping for a crowd tonight though… you don’t want to be alone up there…alone under the hot stage lights…you don’t want the club to be empty right?”
“Definitely not…speaking of which, I need to get back to practicing right now…maybe we can talk about this later tonight… after the show?”
“Yeah no problem… better to walk with a friend… it’s still ringing in my ears… anyway, maybe I’ll see you tonight…”


“Lady Gaga may have figured out the secret formula to attracting the attention of the masses… like Madonna and Michael Jackson and a few others before her…why her and not someone else? What is it about her?”
It is the voice of Ha, in her guise as a TV reporter. Her dress is a calculated balance between sexiness and formality, letting some of her cleavage show but also evoking the kind of straight suit a banker would wear. Something to make them see me, something to make them trust me.
When she talks into the camera, there’s a hint of confusion in her voice, as if she doesn’t actually understand what she is saying. She is merely reading what others have written for her, reading what others have asked her to read. But the confusion is so subtle most viewers won’t pick up on it. Most of them will only see a beautiful female face, soft white skin, intense and sharp black eyes. Most of them are doing something else anyway, they only leave the TV on so that they won’t feel alone, so they will bathe in the illusion of togetherness with faraway people that will never hear them breathe, will never miss them when they’re gone.
None of these distracted viewers will notice that slight hint of confusion in her voice. But Ha can hear it in herself and she wishes she could get rid of it, wishes she could extinguish it and settle into her true role of serene and wise communicator of abstract electronic truth. With time it will certainly go away. It is practice that is needed, practice and perseverance. Then there will be no further confusion, no hesitation, no shivering edge.
“She is certainly talented, but maybe there’s a particular kind of talent that can attract that amount of attention, maybe that is a talent in itself, like writing, or singing…no matter what we say about it, it certainly remains a mystery.”

“I want your love
I want your revenge
I want your ugly
I want your disease
I want your everything…”

“And back to our show…”

Ha thinks to herself, in that moment of complete isolation after the camera has shut down and everyone has turned their attention elsewhere:
“What is she really saying? Who is she talking to? I don’t think she’s talking to a lover, to a potential lover, or a current lover or one from the past… I think she’s talking to us… all of us…she knows we will take revenge on that which we love… like Elvis, like Michael Jackson…too many people screaming for a single being… wanting them…loving them… and then turning around and biting hard… biting so hard that the object of their love gets torn to pieces…letting their love turn into furious and naked aggression… grabbing hands and cruelly nailing them to a cross of shame and destruction… Could she know it all? Could she know ahead of time what fate has in store for her? Could she see the whole pattern and embrace it… embrace the entire show… from beginning to end?… She wants our love, she wants our revenge… she wants our ugly… she wants our disease…the disease that we can’t help but allow to flourish when our feelings have been invoked too intensely… the disease that turns our love into hate, our adoration into disgust… she knows how much it will hurt and she still invokes it in her song…she wants our everything…”

The phone rings. Ha picks it up.
“Walking with a friend in the dark is better than walking alone in the light…I’ve been thinking about it all afternoon…”
“Narina? I can’t talk now… I’m about to go on the air again… we do these little reports in between commercials… I have to be ready…”
“I know, I know… you’re the tenth person I call… after you I will stop calling… everyone has something to do… I just wanted to talk for a bit… but I understand… I do…I’ve just been thinking about this quote, that’s all…I’ve been thinking about it all day… I can’t seem to stop…anyway, I hope you do a good report today…I hope we get to talk soon…”
Ha closes the cell phone shut. What was she thinking about just before the cell phone rang?

A new voice comes on the TV. It sounds like a teenager or a woman in her early twenties. She has a bit of a Spanish accent. Probably someone they found on the street and decided to interview.
“…as a catholic we believe in angels… we believe that angels are ‘messengers of God’… I have family members who are Christian Fundamentalist who firmly believe that it is a sacrilege to believe in angels.... needless to say we don't talk religion…what’s the point right? It will only end in a bad argument… personally, I believe in them and believe that Lucifer was a fallen angel.... he lost his rightful place next to the Father…he ended up exiled to a land of fire and pain…I don't go overboard with angels though…not like a lot of people do. I am more interested in God, Jesus, the Holy Spirit and the Saints…the Saints should not be confused with the Angels…you know what I mean?”
Now an older authoritative voice, maybe a professor in some old distinguished University library. Elinore has her eyes closed, so she can only guess at his appearance, she can see the wall of books at his back, a wooden pipe in his hand, a closely trimmed white beard and a pair of glasses sliding down a thin upturned nose.
“Angel…This word comes, as you may remember, from the Greek word "angelo" and the Hebrew word "malak" …the term simply means messenger… In God's word, angels were chiefly employed by God to deliver His oracles to men…”
And a third voice. This one talks with a very slow rhythm, leaving gaps of patient space in between the sound of the syllables. It is low and thick and profoundly male, aggressive in a way too subtle to counteract with reason.
“Angels then were creatures that had transcended our worldly plane and were now focusing the attention of many, fusing it into a single act of will… thus many acting as one through the fusion of their attention…through this unification a higher will could be manifested…the identity of the Angel would be immaterial separate from this fusion…the Angel could be seen as an amalgamation, a fusion of many into one…”
Human. Saint. Angel. Messenger. God. Words and words and more words. Could there be any meaning hiding behind any of them? And if there were something real to which they were attached, how long had it been since the attachment had been broken and the words started to drift through the skies like tiny balloons full of helium whose strings have been cut?

Elinore finally manages to stand up and turn off the TV. Enough with this show. It’s going nowhere. When the loud sound of the talking heads goes away, she can more clearly hear the little riffs that Veronika is practicing, tiny ribbons of sound that twirl upon themselves and find their way across the many barriers that stand between them.
Elinore smiles. For a moment she thinks that maybe she will go to the show tonight. Maybe. If she can get enough energy to go out. If she can let go of the simple pleasures of her bed and her room.
She lays down once again to finish her mango. There’s only a few pieces left. Maybe she can go to the show, but maybe not. It may be better to just stay in tonight. It feels so good to be alone. So quiet. So perfect. So drenched, from head to toe, in bright, yellow light. Alone and touched by nothing but sounds without origin, messages without a voice, poems without rhyme.