Impulse

The cell phone rings. She holds it to her ear. She stares out the open door of the basement room. Just past the doorway is another sub-level space with a large exercise machine, some dumbbells of various weights and half a dozen storage bins stacked in the corner. She cannot see any of it from her spot on the bed.

Her eyes linger on the sheet rock just beyond the door frame. She listens

to the ringing,

the silence,

the ringing,

the silence.

A few windows at the very top of the ceiling reveal nothing but a few blades of grass along the cement walkways on each side of the house. The windows are a foot tall, a few feet wide. Just a little bit of light filters into the basement. It’s the cool pale light of fall. She feels a little cold in her flannel. 

Wood paneling lines the walls, thin faux wood linoleum covers the basement floor.  There are cracks and chips on the edges of the tiles close to the walls. A few mismatched blankets are crumpled on the bed, along with a few pillows ensconced in dingy white cases.

She was beyond excited as she was boarded the airplane just seven hours earlier.  She stood about fifteen feet from the open gate waiting for her boarding group to be called.

She looked at an older woman close to her. She had a poof of white hair piled high on her head and was dressed elegantly in black dress and pearl earrings. She wondered if the old woman could sense the delight in her heart, the nervous sparkles in her eyes.

A few hours in, as the plane made its way into the night, a tickle of doubt began to emerge.

She brushed it off once, twice, tried to focus on her book. But then it settled in…

As the grim reality of her choice became clear, she felt uneasy.  It was a plan like all her plans had been, no research, recon, or testing the waters. It was head first or nothing.  She dove in with her eyes closed, grasping at the ribbons of her fantasy.

Her optimistic smile had faded by the time she stepped off the plane.  She wondered if he would be there to pick her up. She hardly recognized him by baggage claim in a blue tie-dye shirt. He wore long shorts and flip flops.  His hair was longer now, almost to his shoulders and very blond at the tips. Where it hung around his face, the ends were fanned out, like Farah Fawcett’s style in the 70s.

She picked up her bag and they descended to the parking garage on an escalator. He was one step below her. Without looking at her he said:

“This is crazy.”

She nodded quietly, smiling sheepishly.

She noticed there was an edge in his voice, perhaps regret.

It was past eleven when they pulled up to the house. He escorted her through the living room, through the kitchen and towards the stairs that led to the converted basement.  

“My brother’s wife and kid are in Mexico right now.”

She nodded, silently carrying her bag.

There was a single light on in the kitchen, pale and flickering.  A white Formica table was close to the stove. On it were a few forgotten coffee cups and a folded magazine. The house felt lonely.

They walked down the stairs into the bedroom. She thought they would kiss and have sex, he would take her in his arms and say how much he had missed her.

But they were strangers.

Now that she was in his house, in the real world as everyone liked to call it, it seemed strange that they had ever been more than strangers.

If he had leaned over and touched her face, she would have given herself willingly anyway.

But he didn’t, and that made it all the stranger to her.

They slept in the same bed that night. His alarm was set for five. He told her he would be back around 9am.

She greeted him warmly when he arrived. For a moment she imagined that he had brought her breakfast. But there was only one to-go cup of coffee in his hand. He held out the donut bag to her with reluctant politeness. She peered in and saw only one donut.

She shook her head sadly, saying:

“There’s just one.”

He said nothing.

Her surprise turned to anger, the anger folded and re-folded, an origami lotus revealing its petals of disillusionment.

They had had a brief sex-filled affair. Sex in beds, hammocks, on a balcony beneath the night stars. He looked after her a few days when she was sick with sun stroke, helped her arrange a bus ticket back to Guadalajara. They went out to eat a few times.

Besides a few sporadic phone calls throughout the summer, that was all they had. In one of their conversations he invited her to Chicago, where he was moving in with his brother. The invitation had not been for a visit, but rather a permanent living arrangement. 

She had gone willingly into the fantasy, her parents and friends once again concerned about her reckless impulses.

A few hours before her flight to the Midwest, her mother said:

“You won’t be too proud to come back if it doesn’t end up working, will you?” 

And now here she was, a house in the suburbs, the cool winds of fall a whisper at the back of her neck. 

He invited her to sit outside with him. Fall leaves floated on the surface of the pool. They sat on the cold cement walkway surrounding the pool. 

“Is something wrong? You look sad.” She said.

“It was a mistake asking you to come here. I’m sorry I did that. In August I got some news and I have been going to the doctor a lot. During the summer I was with a lot of women- after I was with you, I was with another woman. I think she gave me something. It’s not serious, there is treatment- but that is why I was not with you last night. It’s why I don’t think you should be here.”

She was quiet.

“It was a crazy idea.”

“Ok, well, I’m going to call and get a flight. Will you take me to the airport later?”

“Yeah, sure.”

The telephone rings. She holds the cell phone to her ear. She stares out the open door of the basement room. She listens

to the ringing,

the silence,

the ringing,

the silence.

“Hello?”

“Hey Jen, it’s me. I’ll be in San Francisco at 9 tonight. Can you me meet me there?”

“What?” She says through laughter.

It’s a familiar laugh, low, guttural and rolling.

“Yep.” A smile breaks across her face. “I’ll tell you about it tonight.”

Wall Of Words

Spiraling currents and walls of words met us at the other end of the tunnel.

We had walked, walked for so long that I had forgotten there were feet, arms, or thoughts attached to me. There had been darkness for so long that I forgot you were with me, that there was an action called “walking,” a thing such as breathing and experience. We had been in the tunnel for so long that there was no tunnel, no self, no other. 
And then we emerged, and I realized that you were with me, but we were different. Our skin was shiny, with new hands and muscles and thin lines of electricity that voyaged up and down our veins in eternal recurrence.
I could see the purple and yellow pulsing through your skin, through my own. And it went between us too, stopping not at the borders of biology, but traveled through the space between us, changing color. It was not distance between us, because we were connected, both through these colored currents and through the walls of words.
With each new discovery between us the words would slowly fade together, one replacing the other so slowly, so beautifully that I would sometimes get lost in the blurring lines and speckled palettes. We dabbled together, linking minds, smiling, fusing thoughts into cursive patterns.
We arranged our bodies in new ways, imitating the patterns on the chamber walls. I on top of you, you inside of me, connecting and mirroring, shadows becoming dances, a twisted oblique labyrinthine representation of conscious energy.
And the hidden channels, here we dove into them. Nakedness not just unabashed, but sacred. We gave ourselves as gifts. Golden and shiny, wet and smooth, buffered in hair and dancing dreams and shadowy thoughts. I could see the landscapes of purple places, where moons came out to light the way for traveling islands we glimpsed from moving trains.

I was looking away when a girl in a yellow shirt decided to look at me. Then I saw her reflected on your skin, could smell the jasmine and sun of the day in which she appeared. She jumped through a chain of daisies and came to us, bringing more voices and more strange boys and girls who sang in unison. They wore glasses and golden crowns and I could not quite make out their words and instead of singing, made up syllables to the melody and spun in circles.  Black and red birds descended upon the scene, some of them menace makers, adding to the chaos, to the flutter of leaves and eyelashes. They swirled and swooped, brushing some of us with their glitter tipped wings, and I laughed, despite myself.  It was a carnival of lights, a thousand elements blinking, lighting up the night, fireworks bursting, lovers in the bushes, covered in dirt and sticky leaves and kisses.

Spiraling currents, the walls of words held us close, hugged us deeply. I write and re-write, you who read and maybe re-read, we are bound through electric pulsing currents. Together in a sense, apart in yet another sense, I send bursts of this hot energy your way, and you let them come in through the eyes. They come out through your lips and I sense the words once again transformed. Shapes without definition, meaning as slippery as soap and water.

More Than Fire

The human body.
its shape,
its swirling white
more than stone and water
fire and air.

Though the rock
is pink and speckled,
the collective
of blackness lingers
holds out its fingers
and I lick
just to get a sense
of the taste.

In this body
set out before me
there is something
elementary.
Spheres and music
pungent earth
that threads
the meme.
Scent that holds
onto the white caps
of the ocean.

Others came and went
and the spheres
turned like magic
in the sky.
Grand moving strangeness.

Over there was
only darkness and
stars that called my
name,
whispering
in code.

Though it starts to shine
in the setting sun
I hold my breath for
the twilight.

Later I would begin,
I could smoke
just as myths
just like sex
just like the dreams
I had always hidden away
under my pillow before the
rising light.

Did we truly live there
beneath the oaks
and yellow leaves?

Some will call them angels
others will forget
their calls and blue eyes
and the song that
carried their secrets.

The human body,
its shapes,
the swirling white
is more than stone and water
fire and air.

Crossroads

One time I was one of them. One of their kind. That was long ago, back when I used to practice shooting rag dolls out of the trees with Crispy.
We ran barefoot through the neighborhoods, me and the three sisters, following the strange music, our soles burning till they callused. Crispy was the youngest. Maybe that was why I liked to play with her so, because I was slipping away, watching childhood descend into the abyss beyond my reach. Shooting rag dolls with Crispy, I held on as long as I could.

But around then, that’s when I started biting boys. First Curtis, technically, though only very lightly. Because of this I’ve never known whether he changed, and maybe he didn’t because I never saw him again. He lived in the desert, but he came to play at our green lake.
The oldest of the three sisters, Angel, she liked him too, but could only express it through utter disdain which made it easy for me. I held his hand and we talked about eternity and something I would later learn that others called the eternal return, but at that time I’d never heard anyone else talk about it.
Curtis and I thought we were the only humans to ever think of it, and since we had both thought of it, it proved we were soul mates and that we had returned many times to this lifetime, repeating it every time we finished it, like re-watching a favorite movie over and over.
Considering this, the bite must have worked, but I never saw him again.

Then I started high school and met Xavier. He was beautiful and I bit him over and over,  never explaining anything- even though I was starting to understand it myself.
But with him I never talked too much about eternity. To him I preached a life of pleasure which was quite contrary to the blanket of misery he was wrapped in. So all the more I bit him and preached but he never showed a strong sign of enjoyment.
By my second year I knew what I was, that I was not like others. I was ready to embrace this, my true nature, whatever it was.

So I left high school and met Rex. Now Rex was a gunsmith and he cleaned my old six guns for me so I resumed my old habit of shooting rag dolls out of trees. But the three sisters were not so much a part of my life bv then and anyway Crispy had grown up, so I sent Xavier up into the tree to hold the dolls and made him flinch with the rabid barking of my guns.
Rex and I left the lake and Xavier behind and went into the snowy mountains.

Of course I bit Rex. With him I talked about the old Gods and we looked up the ancient rites and brought a tree stump into our living room for an altar and stole toilet paper and spoons from the local diners.
We got ourselves a little gray familiar but Rex was jealous of my relationship with the cat and he and I fought heatedly and frequently. But the familiar little feline followed us to the diners leaving adorable paw prints in the snow around the shadowy edges of buildings and pounced on us all night so that we never slept.
Then the apocalypse came and we went back to the sunny lake to eat my parents' rations.

I met Xavier at the S.S. Burger Basket one night and he was very bitter that I had left him. He spent the whole time talking about how awful Rex was so I made him stand on the table and shot burgers and gyros off of his head until he was shaking.

Rex and I fought more than ever. He was constantly afraid I was going to leave him behind, outgrow him. He also wanted to bite other women. For some reason or other we got married. 
Then I met some of my own kind out by the old Mission and told Rex I wanted a divorce. He said no and I shot him with a Russian SKS he had fitted with a special grip. Then for good measure I chopped his head off with the bayonet and buried it at a crossroads.

I moved in to the old Mission with my new found brethren imagining I would spend the rest of eternity with them. It was a very exciting time.
We ran an occult bookstore across the street from the Mission and lured people into “workshops” where we could dim the lights and bite them. We had very strict policies. Anyone we bit either came to live with us at the Mission or we killed them after they had attended a certain number of workshops.
Due to these policies, I never mentioned Xavier, or Curtis.

The leader of our group was called Calliope. He dressed like a clown,  led most of the workshops, and insisted that we should misunderstand his message. He had a childhood friend called Kaptin that lived up North  and occasionally came for our black Sabbaths.
One night Kaptin stole in through a mission window, put a black hood over my head and abducted me. He carried me off to his dilapidated castle overlooking the bay. I was incredibly flattered.
He chained me up and bit me each day. His wife, Delicious, was furious, as was Calliope.
Delicious joined Calliope at the Mission and together they launched an offensive and laid siege to the castle.
On the fifth day Kaptin and I came out of the castle together, guns blazing. I shot out Calliope’s eyes. His group carried him home and took his blindness to be a sign of greater wisdom. Delicious fled to the caves to hire a lawyer.
Kaptin and I formed a band and bit people here and there. Some joined us at the castle. We were very discreet.

The three sisters invited me to visit for the holidays. On one of these occasions I saw Xavier and took aim. I felt responsible for his abominable existence. But I couldn’t pull the trigger so I sent him a fruit basket and a card with a hand written apology.
The following year he responded by carrier pigeon., informing me that he would accept my apology if I attended a Christmas Party with him. At the party he carved the roast duck and showed me a wedding ring encrusted with emeralds and diamonds.
He had purchased it for a mail order bride in June. But after she arrived,  Svetlana stole his car with him in it and drove to the City of Lights. She hooked up with a muscular skinhead by the slot machines.  Xavier served as the flower girl at their wedding.

It was a very pathetic story, but he told it without crying so I was impressed and showed him how to use my guns. I got up on the table and danced while he shot at my feet.
Afterwards he told me that if we had ever married we would have worn flowers in our hair. Then he swallowed the ring and shot himself in the heart, ruining a nice leather sofa.
The hostess was terribly dismayed and asked me to leave the party. I cried, mostly because I would miss the white elephant gift exchange.
Tearfully I lugged Xavier’s cadaver to the crossroads and removed his head. The later I saved so I could use his skull as a drinking cup.
Thus ended my lineage, unless it’s true that Curtis is out there somewhere, biting his way through the world. I’ll never know.

Shortly after this episode I began to feel disassociated from reality. I had frequent fantasies about being an ordinary woman who did ordinary things with other ordinary people. I imagined that I would forget about eternity, bury my guns, and become a dental hygienist who sold Amway on the side and raced in triathlons on the weekends.
It wasn’t hard to imagine. After all, one time I was one of them, wasn‘t I? One of their kind, back before the biting and the shooting got out of hand.
I imagined that I would see a therapist that resembled Crispy and would work out my Daddy issues on a  burgundy sofa instead of by tormenting defenseless young men with instruments of violence. I would be a member of a homeowner's association, I would join a gym, I would buy wrapping paper from neighborhood children.

But I never  really was one of their kind. I was a latent whatever I am. A dark caterpillar waiting to turn into a black butterfly.
It took me some time to come to this realization. It was Delicious’ tortured screams that lured me back to reality.
One day I awoke again and found myself in the crumbling tower that overlooked the bay. Hearing the screams I shook off the torpor I had been bound in and crept into the bowels of the castle where Kaptin was playfully removing Delicious’ fingernails one by one.
“You’re back!” Kaptin greeted me joyfully. “Now you can help me to bite Delicious.”
It was only then that I noticed that the person chained to the dungeon wall was in fact not Delicious. Certainly they shared certain physical traits and even their names were similar, but this was someone new.
I tossed my hair and smiled merrily,
“Certainly. I never did mind the little things.”

Inside The Flower

The garden opens up to my small hands. With just an infinitesimal gesture the clouds move aside and let the ever-present blue canvas unfold for our eyes, moving into the palette of our entwined dreams. The sun, still a bit weak, greets us with that soft, gentle kiss of warmth that moves up and down my arms in long, lustful strokes.
I move the window aside and flow out like the air. My pink chiffon dress made of fragrant rose petals laps at my legs like a gentle ocean wave upon the shore; calm, so silky in its movements. I am lulled by its touch, aroused, as though the gentle glide of fabric where expert fingers come to explore the shape of my thighs.  Indeed, in that moment it is alive- or it always was and now, moving like the cool breeze, I can finally see it as sentient. 
I catch the eye of a thick-breasted song bird. The tips of his feathers are white and seem to gleam like hot light against the seemingly monotonous brown fluff covering the rest of his body. He turns his head ever-so slightly to a wide-faced white flower, dividing his attention in two. I know he has not lost interest, but rather is pointing me down the path. 
I turn to the bloom, not alone on the bush, yet standing out and rising higher, more full towards the life-giving sun. The white rose is unfurled and its multitude of petals, layers and layers of scented softness like an expert costume from the Bolshevik ballet. I move towards it, my body beginning to vibrate as the air pushes me along, speeding my new discovery. 
Entering the hollow between the white walls I find a comfortable spot on the yellow cushion in its center.  The pollen stains my exposed toes and the bottom hem of my pink dress and I sink deeper into the pollen, knowing its marks will come out in the next rain, or perhaps I can visit the tepid bird bath later when the sun has warmed the few inches of water in the ceramic bowl.
I pull a few of the petals around me for this sacred chamber.  I lay back.  This is my bed, my powdery yellow sanctuary.  Several large stamens sprout from the center.  I reach out and pull one of the thicker ones towards me, it is split in two at the very top, both ends curling dramatically in on themselves.
There is a little bit of privacy while the bees are over by the rosemary bush.  I spread my thin legs and push the stamen inside. The sun comes through the petals, covering me with a warm fuzzy haze. Sinking on the yellow pillow, dust covering me completely now, adrift in a sea of fluff, I can see the blue sky between the cracks of the petals where they don’t quite meet. 
The bees create a continuous drone as they work, I fall into its lullaby as the stamen moves inside me, becoming an explorer of dark places. 

A Moment Alone

The sky is black with a few speckled stars. Isa’s black truck is parked twenty feet away in a row of 10 empty parking spots beside the sidewalk. The only thing separating the cars from the ocean is a wide sidewalk and a cliff side covered in ice plants and a few invasive species of grass. 
Isa is nestled in the thick coiling roots of a Monterrey Cypress. The roots are curved and exposed to the air like tentacles that emerge from the earth and then dive back into it after a series of loops.  The trunk of the tree is massive, the bark scratches against her back which is only covered in a thin cotton long-sleeved shirt. The roots hide her body from anyone that might be walking along the sidewalk or the occasional car that passes by, their headlights illuminating the tree for just a second before driving on. 
She is just a few steps and a leap from the ocean.  Fifteen feet below, the waves crash into the rocks, colliding not with violence, but with a persistent relaxed motion that moves forever without rest.  The sound is calming, like a nighttime lullaby.
Isa looks out into the black ocean sparkling with faint moonlight.  The air is crisp with approaching fall. The elements seem more alive, and she feels more real in it.  With acute clarity, she feels the coolness of the salty cliff covered in fine dust, the rough bark of the trunk, the breeze full of salt and moisture, the roar of elements as water and rock meet. 
Her left hand is in her pants, feeling the warmth of her bare skin.  Her thumb and pointer finger are expertly holding a vibrator to her clit while her others hold back the cotton of her panties.  She is hidden there, alone under the cloak of a dark sky, the protruding tree roots and the ocean sounds.
Her eyes are open, alternating her gaze from the sea to the cypress canopy above, barely visible against the dark sky, to her stomach and her legs.  Isa closes her eyes as she gets closer, clenches her abdomen and imagines tied-up young women on stage in front of a barely visible audience, women bent over metal contraptions, gagged, helpless.
The fantasies quicken her excitement and her clitoris swells with blood. She moves rhythmically and opens her eyes, watching the approach of foam-tipped waves and the serene rise and fall of salt water in the distance. 
She is alone out here, alone but accompanied by all the elements. She begins to ride the tide, pushes her breath out a little quicker, tightens her lower abdomen, and she soars over the edge.

Curiosity

It is a noisy, dirty corner in the heart of a large city. (Names don't matter here. Maybe they never do.) The two streets that meet at this particular corner are both wide and full of heavy traffic, there are recurrent small waves of pedestrians walking back and forth from one sidewalk to the other. The entire scene is covered in a semi transparent layer of dark smoke that hurts the nose and throat if you stay too long in its vicinity. (Eventually you might not notice it at all. Maybe by then you will have stayed too long, you will be part of the smoke, of the noise, of the pain.)
A large truck is double parked on the southeastern side, in front of a boarded up shop covered in graffiti. (Various gangs have marked this place as their territory, invisible warriors that came in the night and planted their flag upon forgotten surfaces of concrete and metal and wood.) Three men sit on the edge of the truck bed and a large mechanical dolly sits on the sidewalk, unused. Two other men walk from east to west, drinking from glass bottles covered in paper bags, loudly discussing the events of the day without really listening to each other. (Sentences fly like missiles without direction.)
An older woman, wearing a large blond wig and a tight mini skirt, smokes by the donut shop on the north western corner. The skin of her arms hangs loosely from her wrists, pockmarked by needle scars. A neon sign of a nude woman blinks in and out from the covered front window of a massage parlor that stands next to a freshly painted liquor store on the northeastern corner. A little boy grabs onto his mother’s hand, dragging a plastic bag behind him, gently sobbing away the remains of a heartfelt tantrum.
I exchange a few words with the lean young man with short dark hair. (I met him a few moments ago. He just came up and talked to me.) I am flirting a little, maybe even a lot. Sometimes it's hard to tell as quantities and measurements change from day to day and I was never too keen on measurements to begin with. (I know I want something, something different, something unusual, something scary. Fear sometimes makes me feel alive.)
He tells me that he investigates animal mutilations. I say that I sometimes make videos about that very subject. I don't think he understands me. Maybe he just can't process what I've said, maybe he just assumed that the only possible reaction on my part was surprise so he heard the reaction he anticipated instead of the one I actually gave him. (In that case, I am talking to a ghost. But at this point I don't mind talking to ghosts. It's so much better than being alone.)
Two shirtless teenage boys are standing nearby looking at us, listening to what the young man has to say. Both boys are covered in tattoos that blend the sacred with the profane, the violent with the loving, the peaceful with a deep unrelenting sorrow. I get the impression that they know him, maybe they have heard him talk like this many times before, maybe they can recite the long sequences of words that pour out of his mouth from memory, a kind of hopeless poem mired in mold and rust.
They lean against the window of an old battered hotel. I hear a loud drunken voice coming from inside, behind the dirty facade that still holds traces of a past lifetime of small luxuries. From animal mutilations, the young man moves on to a flow of words that I can only barely keep up with, a sequence of ideas that seem only barely interconnected.
"Fattened as they are with the sloth of caged animals, you know what I mean by their sloth? Darkened by their cheerless existence beneath our marvelous white wings, they know no joy. Nothing like it, nothing."
(I don't know what he's talking about but my curiosity is evoked like an invisible flower emerging from the depths of my chest, something tangible that travels up and down my body leaving traces at various hidden nodes.)
On the south western corner there is a one story complex. A small adult shop is embraced on both sides by a single dilapidated house that wraps around it like a concrete parasite. The house has two facades, each one leading to a different street, each one with a little forgotten porch covered in trash and a solid steel gate.
The adult shop has only four faded porno tapes in its window, the lost glories of never quite beautiful women that have long lost their battle for men’s attention and are now forgotten symbols of wasteful dispersal that fail in their weak attempt at temptation.
The young man starts to walk and I follow him. I can't say that I like him, I can't say that I don't. I just know that I want to hear more, I want to experience more of what he can bring to me, what this corner can offer, what this moment can invoke. I am unrelenting in my curiosity. It often gets me in trouble. But it's beyond my power to change it so I might as well give in completely. Follow it to the end, wherever the end may be.
The young man walks into the adult shop and I follow him. He is still talking. I look around while listening to his long nearly incomprehensible rant.
This is not my first time in one of these places, but it's still a strange space for my eyes to explore. Somehow his words fit into the things I'm seeing, words curling around objects like snakes, adjectives flashing over photos like transparent labels made of flesh.
"They watch, you know? They are always watching. They watch the images of childhood from our flickering screens, see the green of grass and blue of sky without the knowledge of the wealth of feelings that such images evoke in the spirit of one whose bare feet have trod on grass and leaped towards the sky."
One who leaped towards the sky, I hear him say it and I see a woman jumping. She is nude, grotesquely large breasts hang from her chest, rising from the sheer momentum of her jump. She is smiling but it doesn't really seem like a smile, more like a painted mask that refuses to come off. There's a hint of sky behind her and a man is smiling next to her, content with what he sees. She leaped towards the sky but she didn't make it. She landed inside this place. Much like I have.
Behind the counter, there is an older bearded man wearing a baseball cap and reading the newspaper. He looks up at us for barely a second before his eyes return to the wrinkled pages that he holds in his rough hands. (I would expect him to be surprised to see me here. How often does a young girl walk into a place like this? Maybe more often than I realize. His eyes don't register any surprise at all. Maybe he is completely beyond surprises. Maybe a long time ago he accepted the world as a place of unrelenting predictability. I am just another element in this long chain of constant repetition. This could almost be said to be a kind of enlightenment. But it feels heavy, old, tired, used.)
A TV screen behind him shows intense intercourse happening between a large muscular black man and a thin blond girl who seems like she's about to break under the black man's weight, under his unleashed physical strength. The volume on the TV is turned down while the radio blares out right wing talk intermixed with old rock and roll songs. I can't help but blush slightly when I see the young girl being taken in such a rough manner. I try my best to act nonchalant but I can't help myself. Something about the music and the condemnations of liberal ideology mixes in with the interracial coupling, something clicks inside of me but I can't decipher it. There's too much input all at once, too much information. The image intermingles with the words, as if they're saying the same thing, as if they're pulling towards a common center from different directions. The older man with the baseball cap groans and turns the page.
Two Latin men stare at a glossy magazine and make whispered comments. Maybe they're talking about me. They're both wearing checkered shirts and thick well worn blue jeans. (I imagine they came here straight from work, both eager for a moment of pure pleasure uninterrupted by the harsh touch of reality.)
An older man in a black overcoat carefully runs through the many video sections, scanning every title carefully, making silent calculations with his eyes. Every so often he grabs a box and puts it under his arm. He already holds several there, at least six. (I wonder what he's looking for. I wonder if it's even possible to find it. Could anything at all satisfy the hunger that hides behind his down turned eyes?)
A sweaty brown skinned man stands by the dark door that leads to the private booths, anxiously staring at each of the men that walk in and out of the store. His head is shaved bald and his hands press against his hips with a sense of repressed urgency. His eyes have the distinct shape of barely controlled need, of desperate hope slowly turning bitter and painful. (How long will he wait until he decides the wait has been long enough? Maybe the wait is never too long. Maybe there's always a prize at the end.)
I see another door, dusty and forgotten between rows of video tapes and plastic dildos of all sizes. I immediately realize that it must lead to the larger house that embraces the store like a snake made of brick and glass.
The young man walks through the store without looking at those around him. He slows his pace just a little and turns to make sure I'm still there. I follow him closely and listen to his ongoing rant while I look around. I expect someone to stop us from going any further but nobody does.
Each of these strange men have a role to play within this game and we don't feature in the rules. (When were these rules written? How long can they stay in place before they start to decompose into fragments of memory, touches of old songs, glimpses of wasted youth.)
The young man continues:
"The sky shall not have them. The grass shall never touch them. We keep them safe, we will always keep them safe, you know? Like pearly little maggots hidden away in a dark dumpster, suffocating them with cellophane wrappers and video games, and mp3 players, and cellular phones."
We keep them safe inside these houses, these stores, between four walls, while a man penetrates a much smaller girl on a flat screen and another man reads a newspaper, too bored to even look up. Safe from what is out there, safe inside. (We seek safety. We yearn for danger. After all, this is why I am here. I have to admit it, even if only when I speak silently to myself.)
The young man opens the old door in the back of the store without a key. He walks straight into the open space on the other side. Nobody makes any move to stop him or ask him where he is going. I follow while trying to keep track of what he is saying. I have forgotten why it was that I started listening to him, but now it has become absolutely crucial that I should listen, absolutely crucial that I should understand. (How do things like these become important? What happens when the importance goes away? These things just happen and I am more onlooker than participant in their shifting games of musical chairs.)
"They may speak to one another, reach for one another through these devices, but harsh words will have to win their battles, smooth talk will suffice for exchanges of affection. We will not let the bloody fisted brawls have them, nor the hand holding, tickling, chasing, and swinging. They are only for us."
With a quick hand gesture, the young man lets me know that I should close the door behind me. I close it, trying to be as quiet as possible even though nobody is listening.
I see a series of black and white photos on the wall next to me. A young girl rising from the ocean, covered in foaming salt water, wearing a pair of jeans cutoff shorts and a white t-shirt, all soaked in the ocean water. The same young girl walks towards a cave on the side of a rock wall rising from the gray sand of the beach. The young girl strips off her clothes as she walks into the cave where I can barely see stone steps leading up into absolute darkness. The last photo is the girl from behind, completely naked, fading into the darkness as she walks up the stone steps.
I turn to look into a doorway and I catch a glimpse of a young girl sleeping. The only clothes on her body are a small white t-shirt and thin white panties which slide into the gap between her buttocks, revealing the gentle curves of her flesh. Her face is turned away from me but I believe it is the same girl from the black and white photos, the same girl that walks into the cave. I can see her chest moving up and down slowly, softly. For a moment she seems a perfect picture of innocence. But who can live here and still retain any semblance of innocence? (This must be the place where innocence comes to die, where it surrenders itself for one final sacrifice. Is this why I have come here? Is this why I have followed this stranger into an unknown house? Have I brought my own sacrifice to this temple of shadows?)
I place my attention back on the young man who has never stopped talking. He hardly ever turns to see if I am still there, as if he assumes that I couldn't possibly go anywhere else.
"We strip away their immortal souls and make machines of them, we take away what is free and light in them and leave dead robots behind, fat little high fructose corn syrup powered robots to cherish the ideals we hammered into the hole we tore in their hearts. They will hate terror and terrorists. They will love America and God. They will hate what we tell them to hate. They will love what we tell them to love. Their ears and belly buttons will be washed and their homework will be done. And they will grow to be like us."
The house we have entered is shaped like a thick L, with each end crowned by an elegant wooden door that leads to the outside. Inside, the light is low and shaded in red and green. At the corner of the "L" there is a long table, covered in a ripped and stained tablecloth. Two women and two men sit on small metal chairs at the table. When I first see them, I am afraid that they will be alarmed by my presence. But soon I realize that they couldn't care less who I am or why I am there. (How many strangers must come through here at all hours of the day or night? There is a kind of comfort in the thought, a space where everyone is equally welcome, everyone is equally foreign.)
One woman prepares a crack pipe with the careful tenderness usually reserved for babies or works of art. She is wearing only a slip over a pair of tight white shorts. One of the men, a skinny older Caucasian wearing thick glasses and a sleeveless undershirt, anxiously stares and waits for his turn. The other two angrily discuss their current situation, always precarious, always on the brink of a complete catastrophe that has already started but never quite comes to an end. The second man is a middle aged Latino, wearing jeans and a buttoned up shirt. The woman is older and hints of sadness and deep resignation recurrently wash over her wrinkled face. She wears a black T-shirt and a ripped red skirt.
The young man keeps on moving and I keep on following. He walks by the quartet without saying hello. I follow his example. I hear one of them whispering as we pass them by. (Maybe they do notice me briefly, maybe they have seen many girls like me before, maybe they know what happens at the end of this adventure. In this way they are blessed for they know much more than I do. My ignorance is frightful, my ignorance is appealing, my ignorance is warm like a blanket, my ignorance is heavy like a dark cloud.)
Behind the table, there is a broken door that leads to a long bathroom. I follow the young man into the bathroom. None of it makes sense to me, but it hasn't made sense since the beginning, so there's no use in starting to ask questions now. (Or rather, I will continue to ask questions but I won't worry too much about trying to get answers. I can't ask the mutilated cow what happened in the middle of the night, and yet I can see it, I can touch it, I can keep it in my mind and make it gyrate to try to get it to somehow surrender its mysteries, its invisible chains of causes and consequences. Can I ask more of my present than I can ask from a dead mutilated cow?)
Inside, behind a ripped plastic curtain, there is a stretched out shower stall with three different shower heads, designed so that three or more bodies can bathe simultaneously. The tiled floor is covered in grime, it smells of urine and sperm and vomit.
The young man opens a drawer and takes out a long red tube with two silver metal prongs at the end. He shows me the device and explains that it is used to administer strong electric shocks. He asks if I will try it with him. I ask him if it hurts. He says it does. My eyes are wide open and a cold wave of fear is pulsing up my back. But it's too late to say no to anything, it's too late to play hard to get when I have already surrendered. In this game I am the playing field and he is the only contestant.
I say I'll try and ask him to start slow since I didn't know what to expect. He nods absentmindedly. (In the scheme of ordinary thought there are only two poles for experience: normal or evil. What I am about to experience is definitely not normal.)
Just then I notice a young boy sitting on the floor, in the shadows. He is playing with several little plastic toy cars and tiny plastic soldiers. He makes soft explosive sounds with his mouth each time one of the little figures gets shot. He looks up at me and smiles. I smile back at him and just then I feel a surge of electricity against my arm. I jump up in shock. The little boy laughs and points up at me. The young man laughs as well. Then he begins talking again.
"We will make them want us, want us for the toys, the shoes, the clothes, the sweets we can buy. That is how we buy their affection, that is how seduce their desire. They will wail for these things, the fruits of our Empire, never knowing the taste of earth and air and sun and water. We will give them corn to eat in all of the colors of the rainbow forged in the shapes of cartoon characters and steroids to make their lungs pump even when there is no oxygen left to breathe and technology to cast its light over their pallor and more fucking liquid corn to leave them thirsty for more and more and more…They belong to us and to no other, certainly not to themselves. Whatever they are, whatever they were or might have been, it will be smothered like the unwholesome flame that it is."
The only light that seeps into the bathroom comes from a high little window that also brings with it the constant wave of screams, curses and laughter that washes in from the alleyway outside.
The young man is standing next to me, smiling lasciviously. He strikes me again with the electrical prod. I jump up and manage to half muffle a scream. Two tears slip from my eyes and slowly make their way down my cheeks. The young boy again laughs and points at me with wide eyes. (I feel the urge to stop what is happening. I feel the urge to run away and forget. But I can't stop listening. I can't stop the raging need to see what waits at the end of the tour, to feel, to sense, to remember.)
"Death shall not have them, for we will never let them live. They will die before they can be born, to satisfy our hunger, to stave off the orgy of fear that is existence. They will never be here, will never know now, will always be spirited away by our incessant diversions, left as ghosts slumped on sofas with crumbs in their creases."
He prods me again and this time the electrical shock is too intense. For an instant I try to grab hold of myself, but I find myself falling. He holds me by the shoulders and gently slides me down to the floor. I feel the dirty wet floor underneath me. Somehow I don't care, in a way it feels comforting to be laying down here with the dirt and the urine and the sperm. The little boy is still pointing at me, his mouth wide open. There is a black gap between his front teeth.
"And the few who suspect that they have been denied the most precious gift we could give will be punished for their intelligence, for their pure heartedness and courage. The brave and the curious and the noble of our brood will suffer the worst tortures so that we may enjoy our cannibal feast, unperturbed by remorse or anxiety."
The young man is taking out other gadgets. He tells me to strip and I do as he says without thinking. I am looking up at the ceiling which seems to be an orgy of constant fractal movement, bright colors moving in all directions, shapes shifting so often that I can't try to guess at what they are. (I wonder if he has given me some kind of drug without my knowledge, but maybe I have made the drug myself, out of my own need for new horizons, out of the frayed edges of my hungry eyes.)
The young man hooks some wires to my mid drift. More electricity surges through my body. It is not as shocking as before, it feels oddly stimulating, like a general soft tickling that is never strong enough to be uncomfortable and yet won't let me rest. I tell him I like the way it feels. I moan lustfully and I urge him to turn it up. He smiles down at me and I smile back. I feel sweat forming on my forehead, on my chest. My knees open without any conscious decision on my part.
The skinny older man wearing thick glasses steps into the bathroom and looks at me nodding. Then he turns towards the toilet and urinates right in front of me. I giggle and the little boy laughs loudly, his laugh echoing in the confined space. I slowly lose consciousness while I stare at the old man's penis and the yellow arch of his urine which emerges from the circumcised head.

I wake up in a small very dark room. The windows are covered with two layers of curtains and a thick old blanket taped to the window. I am laying on the floor, wearing only a white t-shirt and underwear. A young Latin girl lies sleeping on a ripped up mattress next to me. She is covered in cold sweat and wears only a thin summer dress. Her breathing is shallow and labored, her face squeezes painfully every few minutes and her dried tears have left a spider web of discolored makeup all over her cheekbones. Hanging on the wall close to her head there is a little wooden crucifix; taped up underneath it, the photograph of an older smiling woman with gray hair.
(No matter where we are, we must eventually believe in something. The forms will change, the urge will remain the same. Belief is a door too easy to shut.)
I hear the voice of the young man coming from a room next door.
"We will never need to atone if we nip truth in the bud, snuff out the first smoldering spark before a wild fire can grow and spread its crimson fingers over the hearts of our children, taking them forever from us . Never will the passion to live flower within and eat them alive and transform them from worms into butterflies. They are ours alone to devour."
I turn to look at the doorway. I see two Latin men staring at the two of us. They both wear checkered shirts and well worn thick blue jeans. I open my mouth to say something but I can't figure out what to say. (Am I the intruder here or are they? Or is everyone here a passing shadow in an old haunted house with no true inhabitants?)
I hear the young man's voice fading. He is walking away. Our little encounter has ended.
After some time of laying there staring up at them, the two men turn to leave. I slowly stand up. I find my clothes laying on a corner, mixed in with other clothes that I don't recognize. Everything is soaked with sweat. I get dressed quickly, then I slowly find my way out.
In one of the hallways that leads to the street, two shirtless teenage boys smoke marijuana and trade jokes and conspiracies amongst themselves. One of them has a large scar across his chest and a fresh bruise around his right eye. The other one has two fingers missing from his left hand, he uses the stumps to scratch his running nose.
Using the joints as pointers, they discuss places and possibilities, people and betrayals, histories and legends. In their words, a trail of bubbling life pierces through the scratched up walls and the pungent smell of vomit that seeps in through the outer gates, along with loud horns, angry threats and a crackling radio playing an ancient song of harvest.
I hear the trail of their words as I walk by:
"Fattened as they are with the sloth of caged animals..."
I step outside and bright sunlight hurts my eyes. I close the door behind me and walk away.

Soulless Things

Later, much later, Andrina was caught in the net of a fisher of men. She was a soulless thing like all of her sisters, except for the youngest who had earned hers through sacrifice. But when that priest looked into her eyes she felt a pang in her chest.
What eyes they were, round and silver like moons with amber striations radiating from the darkness of his pupils. His hair too was silver streaked with black, like lightening flashing in a tempest, it hung long around his face, undulating as the sea in the brisk gale that blew over them, rocking the tiny boat.
Helpless in his net, Andrina gazed back through long black lashes and the pale hair that hung limp and heavy around her face. She had never seen a priest before, and so his long black habit revealed nothing to her of his occupation, but it impressed her nonetheless. She had never seen a fisherman wear such a garment.
He did not speak to her at all before he cast her back into the sea, and after following him and singing her most alluring song to no avail, she at last swam reluctantly back to the depths.

As the tides ebbed and flowed the pang in her chest grew into an unbearable torment. Creatures such as herself do not sleep, but they dream with eyes wide open, concealed in kelp forests whose swaying lulls them like a silent song. But her dreams were only of those eyes and the way he flung her into the sea and never looked back. She could not bear to dream, and soon could neither eat nor sleep. She found no pleasure in the arms of the sailors that she dragged into the watery abyss and sucked their last breath from them with deadly apathy.

Desperately, she followed her younger siblings' example. After arduous searching, she found the sea witch in her caverns, gumming the bones of dolphins and drowned children.
The witch drew herself up out of the silt, stirring the water momentarily to muck. Then her one remaining golden eye locked onto the pale face of Andrina and she commenced to indulge in a laughter which began modestly but soon rumbled through the caverns, disturbing other dark things that once lay sleeping.
“Another little mermaid tormented by love.” the witch gloated, “And with a priest, no less. This should profit me well.”
“Love?” Andrina felt insulted. “I cannot love. I’m sick, witch, and I’ve come for a remedy.”
“Silly thing.” the witch said rearranging some bones to form her magic circle. “You are sick with love. You were contaminated by that priest. You’re only hope is to make him love you back. You must seduce him if you wish to be released from your torment. I will do for you what I did for your sister. I‘ll give you legs. Now hurry and leave before you transform. I love to eat things that have legs. You have one year, and if he hasn‘t made love to you by then, I get to eat you anyway.”
The witch quivered as she spoke this last line. Then her laughter swelled again, shaking slimy things from hidden crevices in the deep.

Andrina arrived with the storm, tossed onto the earth by titanic swells of white capped water. She hated the legs from the moment she stood on them and each step brought pain as though a dagger had been thrust into the arches of those horrible feet. Andrina dragged herself away from the angry mouth of the sea and staggered up the first path that presented itself, up to the church on the cliff. Above her the stained glass sparkled in the darkness, red and blue and gold, candle light flickering from behind so that the colors blinked like stars. The priest's boat was torn from the dock behind her and smashed in the waves while the wind howled and the icy rain pricked her flesh like needles falling from heaven. Naked and shivering, she burst into the chapel where her priest kneeled at the feet of the virgin. He turned as the doors were flung open and she limped, wild eyed and chest heaving, across the threshold to collapse in a pale heap.
With the same somber attitude with which he had cast her out of his net, the fisherman priest rose and shut the chapel doors against the storm. When he lifted her from the floor, Andrina wrapped her arms around his neck and pressed her lips against his, but the priest held still as though a snake were at his feet, his lips unyielding. Then very slowly and gently he pulled his head away from hers as she lost consciousness again.

Having never slept before, Andrina lost a week to slumber in the priest's bed. When at last she awoke he fed her broth and bread, things she had never tasted, things that made her stomach sour. He tried to speak to her, but though her eyes remained fastened to his, she could not understand a word that spilled from his tongue. She tried to kiss him again, but he pushed her sternly, though gently, away.

He converted a store room into quarters for her and showed her how to stuff her own mattress with straw and scented flowers. He made her wear a scratchy gray dress and showed her how to draw water from the well. She was made to kneel before the altar with him several times a day. He attempted to teach her to speak his language though she could scarcely manage to feign interest in the coarse sounds that he uttered.
He taught her to tend the garden, but things of the earth withered in her care.
He built a new fishing boat and took her out with him, and here she excelled. She would cast the net and sing in her own tongue until it was heavy with fish. After discovering this talent he sent her to fish alone and tried to teach her to sing his own music. She would not look at anything written on paper, but he taught her to repeat after him and was amazed by the perfection of her memory. She could perform complex melodies if he sang them or played them for her on the organ but once.

Thus routines were established and Andrina fell into step with her priest, each footfall filling her body with searing pain. Every Sunday he rang the bell and one old woman would trek up the path and take a seat in the pews to listen to the mass and take the sacrament and hear the priest play the organ as Andrina sang. Andrina grew weaker with each passing day. The priest was immune to her physical charm. His eyes were more hypnotizing than her own, his passion distilled into religious fervor. Only her voice could reach him and this he bent into his songs of worship, his will stronger than her heart.
Andrina’s pale hair grew brittle and her eyes lost their sparkle. There were days when she could not move about without the assistance of a cane, and yet worse days dawned when she could not rise from bed at all. Her priest ministered to her then and she followed his eyes with her own, as entranced as if she were in the kelp forests of her home.

The seasons passed, 1, 2, 3, 4 and the old woman from town died. Her casket was carried up the cliff by two men with coarse faces and tight fitting suits. They lowered her into the ground and left the way they had come, walking stiffly down the dusty road. Andrina, supported on her cane, watched them go and thought of how she would like to draw them down into the darkness and suck their last breath from them. The priest prayed for the old woman and buried her and made Andrina come into the chapel and sing.
His language was beginning to make sense to her.
“Ashes to ashes.” she heard, “dust to dust.” It terrified her that she could understand this, she who had once been immortal, she who was now running out of time.

That night, she slipped into her priest's bed and he flung her out, just as he had flung her from his net eleven moons ago. He made her kneel with him and prayed for her forgiveness and salvation the rest of the night. As the dawn broke over the sea outside and peeked through his small window he clasped her face in his hands and said:
“My child, god's love is infinite. Seek his love, not mine. The flesh will die, your immortal soul will go on at his side if you abide by his commandments and do his work.”

Andrina formed her mouth awkwardly over the words leaving large gaps between each utterance:
“My flesh was im-mortal…I lost that to be at your side. I have no soul. Your love is my on-ly salvation, since you caught me in your net. Save me, please, save me, my love.” she wept and the priest, taken aback by her first words since her arrival, turned pale and released her warm cheeks. He clambered to his feet and left her alone on the cold stone floor.

Andrina went out in the boat and sat upon the sea weeping. The wound in her chest had only grown in the months that had passed. She whispered farewell to the sea and the long life which now seemed like a distant dream. She wondered if it had been real at all, or if she had always been a mortal creature, the crippled daughter of a fisherman perhaps, weak minded and fanciful. She wondered if she might escape the witch’s appetite by running from the sea and settling inland, she wondered if she would die somewhere surrounded by stone and root and if some priest would lower her stoically into the earth mumbling about ash.

At that moment the sea hissed and bubbled near the small boat and a black dagger broke the surface of the water, a pale hand wrapped around its barnacle encrusted hilt. As the knife rose into the cool air the sea quieted beneath it and Andrina could see the face of her sister, Arista, just under the shimmering surface, black hair radiating from around the pale oval like the rays of a dark sun. Andrina recognized the dagger that had been cast away by their strange youngest sister long, long, ago in the moment of her sacrifice. Andrina herself had been the one to place it in her hand. Now it was Arista who offered it up. Trembling, Andrina seized the dagger, her finger tips brushing against the cool slick flesh of her sister’s hand before Arista sunk back into the depths. Andrina concealed the dagger under her dress and turned the boat back to shore.

The priest was gone for most of that day. Andrina waited for him in the chapel, but would not kneel at the feet of the virgin. She paced and felt the bite of the earth sting her feet. As dusk approached she nearly gave up hope that he would return, but then he came into the chapel looking pale and weary. She limped to him and shaking he pulled her against his chest. For a moment the pain in her heart was eased, almost transformed to euphoria, but then he spoke into her hair, the heat of his breath touching her scalp:
“My child, my vow is to God. I can do nothing to break my covenant with him.”
She tried to turn her face up to kiss him.
“Save me, please.“ she begged, but he held her until she stopped struggling,
“No!” he cried fiercely though softly, “What you ask for is not saving, you would damn us both!”
The sun was slipping away behind the stained glass, leaving them wrapped in gloom. The moon would rise soon. She fell limp in his arms and wept for a moment longer. Her hand was wrapped around the dagger's hilt as she spoke into his chest:
“I will not die for your God.” She plunged the knife into his belly and he gave a little startled cry as he crumpled heavily around her. “Now you can feel my love, as I have felt yours.” she whispered.
The chapel doors blew open, a sudden gust coming up from the sea. Andrina pushed her priest off of her onto the stone floor where he lay bleeding and gasping like a fish. She took hold of the hem of his habit, and wincing from the pain in her feet, she dragged him out of the chapel and onto the dirt path.

Storm clouds were gathering over the sea and the lightning flashed over the water. Silver against black, like his hair. She pulled him through the dust, ashes to ashes, down the path cut in the cliff, the dagger lodged in his belly, his blood spilling into the earth as they went. The moon was rising, silver over the water, like his eyes, as she stumbled and fell and crawled still dragging him behind her. Her knees were torn by the rocks so that she too bled and her blood mixed with his and with the earth.
On the beach she struggled to her feet and dragged him into the surf, then collapsed with him where the sea met the land. She wrapped her arms around him and sang her most alluring song to him, waiting for the waves to pull them free. The mouth of the sea opened hungrily around them and swallowed them up, pulling them into the deep.
Now Andrina gave him her kiss, drawing him down, down, down with her into the inky depths, far beyond the place that nets can reach, mortal dreams peeling away from them in their descent. She was a soulless thing like all of her sisters, except for the youngest who had earned hers through sacrifice, but when that fisher of men looked into her eyes it left a wound in her heart that not even eternity could heal.

Under Cloudy Skies

The day was overcast, a day like so many I have moved through, bundled beneath layers of wool and cotton. Glancing at my calendar on the way out the door in the morning, I had seen the linguistic indication that it should be sunny and warm. Through years of silent, deliberate encoding, those lines and black curves had come to mean something quite particular meteorologically, I should be leaving the house in my worn and favorite thin tank top and sandals, I should come back from a day outside sun-browned, sweaty, and smelling of sun, but this was not a place of things that were supposed to be. Not just this city of thick clouds and sheets of gray mist, but this house where garages were music studios and living rooms transformed into silent work spaces. This life, the one I had come to walk in a house and city I could never have imagined being part of ten years before was the opposite of what was supposed to be. It was fitting that I should carry a flask of hot milk tea and wrap a scarf around my neck in mid-July.
Hours later, after the tea was gone, I was still outdoors. I had been outdoors since the early morning when I had covered a plastic folding table with a worn maroon tablecloth and loaded it up with fresh baked thick-crusted breads. Through the morning, while the sun made little effort to break through a blanket of uniform, stubborn clouds, I stood mostly in one place, variation coming only as I walked around the table, adjusting baskets of bread as they sold one by one, trying with an artful eye to keep the display looking bountiful.
After my alarm rang, I paused for a moment to let the space come into me, then I took a short break and walked around the outdoor market. I meandered among the artisans selling brightly-glazed pottery, the fruit vendors whose peaches had just started to finally sweeten up after a summer of clouds. I stopped in front of the salami booth, a place I had first stopped after discovering their one vegetarian item for sale, a mustard spread made with whole seed of the plant. It was staffed, as always, by Bill and his sidekick.
Bill, the older of the two, was in his mid-forties. He had a head that appeared to have once been sandy blond but was almost white now. He had a somewhat relaxed air about him. But after talking for just a few minutes, he revealed his insecurities with a mix of wonder, ease and annoyance,
“I wish I could stop waking up in the middle of the night and hearing voices that say, ‘you’re nothing,’ those stupid voices that keep coming back.”
He had a grown daughter, almost my age, and the only way I could imagine her was as a single colored brush stroke against a sky blue canvas. She was a word only, “daughter,” a black pigment against the sky. Bill was thick and tall, his form, without fat that I could see, reminded me of a sturdy tree, the bulk and determination of it alone able to withstand a night of wind. His blue-gray eyes held a spark of mischief and each sentence was a joke, an astute quip or some form of self-deprecation, mixed and jumbled together in sentence after sentence to produce what he called the “Bill experience.”
“So, you forgot about us, huh?” Bill asked with a sideways smile. “I can’t believe you fucking forgot about us!”
I hadn’t visited in several weeks and when I was confronted by Max, the younger of the salami peddlers, in the early morning about my absence (he had come over to my booth) I had simply been honest.
I stammered with a smile, looking down like an ashamed dog finally caught rooting through the garbage. Although I knew that Bill was joking, I found it necessary to lay out the reasons for my long absence, covering over my initial morning honesty with reasons.
“Yeah, you know, the person who used to come watch my booth, well, she’s been coming later and later and then when I finally get a chance I-”
“Boobs, big fake boobs,” Bill interrupted.
His gaze was set several feet behind me. I turned reflexively, looking at chests, searching as though the clue I had been waiting for had finally arrived. “I don’t-”
“The blond,” he hinted.
I scanned the crowd and after several seconds I heard: “you missed her.”
I saw him staring in a direction I had not been eyeing. I turned back toward them, the gauze now gone, seeing them as they were- two men.
“You guys just check out ass and butts and boobs all day, huh?”
For a second I heard those words reverberating in my mind and I started kicking myself internally, ass and butt were same thing.
“Yeah, you finally understand us,” Bill said nodding.
I turned towards the younger of the two, a thick pile of black hair moussed into a formation on his head which vaguely reminded me of frosting on a cupcake. He was handsome in an emaciated heroin-rocker type of way. Olive skin, an easy smile and big white teeth. Dark jeans and t-shirt and black jeans jacket. Four months before Max had invited me to a party he was hosting. A party featuring as its piece de resistance, the barbecue of an entire pig. The flier had indicated there would be homemade beer, loud music, drunkenness, and rabble-rowsing. Maybe if it had been 10 years ago I would have been interested, but I was no longer what I was then.
“I’m mostly over it,” Bill confessed, looking down into his plate of salami samples.
“Over what?” I asked.
“Bill calls it freenis,” Max said, sitting down on a plastic cooler beside their table.
“Freenis?”
“Yeah. I am not into it as much as I used to be. Boobs, women. I am free from the penis…freenis.”
“Like, you just don’t care anymore?”
“I’m just not as horny as I used to be. I can relax more now. I’m freenis.”
I nodded.
An older man’s voice came from behind me, “you guy’s sellin’ salami?”
I turned to see a man in his late fifties, with a big round tummy and khaki pants and white stretched polo shirt.
“Sure are, try a piece,” Bill said handing the man a thin sample.
I waved goodbye at them and stepped away. I walked back past the vendors selling oils and pasta, past the pie lady and chocolate seller. Back to my booth, back to the fresh-baked thick crusted bread I had yet to sell.

Ecstatic Fury

It all begins this night, a night of fright and terror, this night when everything descends into a lethal silence, a silence in which all things are paralyzed, everything has stopped due to what has happened on the other side, the other side which on this particular night has come into this side, this side which is afraid to lose everything it has ever known, everything it has ever seen during its forty something years of life. (I remember being unafraid of loss, unconcerned with either living or dying, but this too I lost eventually.)
Nothing was forever, that was the simple rule to remember, everything was temporary and without sense, it was others who gave it sense, others speaking, others looking, others pointing things out, all the other things that in one day or another could be found along the path, a path full of life or full of nothing. What could it matter if everything was made of nothingness to begin with, if everything is and was an essence of nothingness and came from nothingness and to nothingness would return?

The things that happened on that night are indescribable and heart wrenching at once, because of the fear and the accent on horror, life had horrified itself. In a matter of seconds nothing that life had accumulated for years and centuries, none of it had any more importance nor substance. None of it was real, none of it was worth anything, everything was garbage and shit. It was all the worst hypocrisy in which a spirit could get into so that it might get away with what it could, to escape from whatever it would be, from whatever it was. Here nothing mattered anymore, it was a life whose only purpose was to observe a particular situation, an event, a something, a nothing, and that turned everything into a loss. It made life from what it wasn't, but nothing was what it could be. Everything had lost its brilliance, the color that it once possessed. In everything there was a sense of agony, of darkness, of harshness, of laziness, life in full degeneration. A slow decay of things that would never again return, things that would never be happy with themselves, the things that happened on that night.

“To hell with so many expectations! To hell with life itself!” it said.
Who said it? It didn't matter if it died, it died all the time. Badly born, recently deceased, thoughts weighed down by irony and by this life which had cracked like an egg, it had fallen from an unknown distance. What difference could it make? Everything was the same. It was all the cursed agony of an ancient being, covered in tumors, having repeated this agony so many times, this weakness, this same foolishness of dying from lack of skill at living.
“Life and its heaven,” it said, “what a disgusting prison! How large it is! And how narrow is heaven!”

More confused, more painful, is that blue expanse which laughed at us at every moment. With its pretentious greatness, perpetually showing us its unreachable dexterity in being able to be anywhere. And we are down here, unable to move away, unable to emerge from under its damned sphere of cursed power. We are unable to escape its cowardice and refusal to show us its liberator face, the face that could free us from so many sins, sins which we have been subjected to during all these years of being newly born in an egg that is dead and rotten, broken by the damned beak of a bird that flies over us, reminding us that up there is a heaven of sheer agony. A heaven dying every single day in all the tones, in all the colors, in all that could be a single stumble, a single moment of union. Whatever it is, it is everywhere and it ends everywhere.

This is a snack for gods of the void, of whatever is and whatever isn't, whatever manages to be what it can't be, whatever manages to truly be what it is. I don't understand anything. It is simply life which talks about itself and says whatever it wants to say, as if it's asking me to fuck it, to make love to it, asking me to throw it from a window, from a corridor, from the fifth floor of an empty building, from something that is also made of everything and nothing. Asking me to kill this agony inside of me and kill the rats that are part of your glory and your desolation. Your fears are your gods, your gods are your loves, and the rest is not important. The demons don't matter. My tomb will be in the nothingness some day. Deep under the earth I will sleep.

I go through the dying during a long period of tenderness and of eternity. What matters is to sleep and nothing else. It is the same to me, the state that is the agony of living and of dying. Nothing matters, not anymore. Life, death, they are both here. They have always been here and they will always be here. It's the same to me; a monkey, an elephant, some other thing that tries to jump, tries to die, tries to achieve something in which it might find a way to live, to feel, to really feel, to feel anything at all. To feel hate, real perfect hate and not that garbage that they show us on the radio and the TV, on the Internet, in these words of 'who knows what this man is trying to say here', this imbecile that is writing to try to say what he doesn't dare to say in his own insides, this damned idiot that is just barely learning to say a half truth that he learned somewhere in his country of El Salvador, The Savior, as if this was the savior of that fucking word that is hell, in which everyone burns and then remains confused. The fucking fear of burning playing for eternity among the heretics which were burned alive and crucified so they could reach the endless glory of hell, where they would never be able to understand their own martyrdom, waiting to sense that everything that is, everything that can be achieved, could come one day to liberate them. Something else would come to do the hard work of sacrifice, so they could keep on fooling around and making trouble with the gun powder that one day was in their words. The fire that they picked up from a virtual garbage can in which man found himself due to the thousand speeches of centrifugal language. It all begins this night, in the things that happened on that one night, the things that I will forever be at a loss to describe.

Gray Hounds

We are like dogs. All we can do is try to hump each other in the street, or sniff each other at the bar, or beg for our masters in the gray suits to throw us another scrap from the top of the gray buildings.
“Come with us to Café Van Kleef?” Alice asks as I board the elevator, already loosening my tie.
“We?” I sigh as I ask. Is it because I’m tired? Because I’m bored? Because my sphincter is releasing the death clinch it has maintained all day while I stayed out of the biting range of the Alpha dogs and the master’s whip?
“Sue might meet us there. Andrew. You met him, I think. He’s Rob's cousin.”
“Yeah, I know him.” as if it matters to me at all who might be there, where there is, or whether I ever manage to crawl back out. “I’ll go.” I say as one more skinny blond in high heels joins us in the elevator. She has a name, but I forgot it long ago. I see her making coffee thick as mud in the break room. We never speak, not a word, even though we once fucked at a Christmas party, and even then we didn’t make a sound and hardly looked at each other, just as we now ignore one another, not out of any sense of malice, but from a mutual indifference which may accumulate into passion by next December. Or not.
“Andrew’s fat.” I remark as the elevator doors shut us in.
“My eye itches.” is all Alice has to say and we descend with the blonde standing in front of us, texting away.
Café’ Van Kleef. It’s not as fancy as it sounds. There is a giant bust mounted to the rail behind the stage and some red metallic streamers shimmer over the hall that leads to the john. It is a long narrow bar full of dogs like us, tired desperate dogs ordering greyhounds because they put a fat slice of fresh grapefruit in each one, and we like that.
We like fresh grapefruit. As long as it comes floating in hard alcohol. We like fresh grapefruit. As long as we can’t remember who we are or where we came from. We like fresh grapefruit. As long as fat Andrew stops putting his arm around my shoulders like we're good chums while sticking his other hand up Alice’s skirt. We like fresh grapefruit until we’ve knocked the glasses over and Andrew is rolling in a puddle on the floor like an inexperienced puppy trying to get back to his feet because I forcefully pushed him off of his barstool.
“I said knock it off!” I snarl, and not even I know whether I’m talking about his arm around my shoulder or his hand up Alice’s skirt or that damned nasal laugh he’s been serving up at all the wrong moments.
On the stage some poor little poet is reading about her struggles with a disability that I can’t pin point from within the haze that has enveloped my mind. She is trying to read over the commotion, her audience of friends and family gathered up around the stage are looking back over their shoulders at Andrew. Someone- the bartender? A bouncer?- is inquiring about the state of affairs, but I’m eating the grapefruit off of the high table and Alice is explaining that Andrew lost his balance because the stool had a wobbly leg.
And Andrew? He seems to believe Alice as only dogs can believe, accepting her version of reality instead of his own, because that is how dogs are wired. We're built to please, to observe the subtle gestures of others and try to give them what they want so that they’ll toss us a bone later.
Is that what Andrew hopes? That Alice will give him a bone later if he co-operates with her version of reality? Her version which is now his version, is now the version accepted by the inquirer and the other patrons of Café Van Kleef, and is swiftly coming to replace my own. I’m innocent. Fat Andrew fell off of his barstool. We like fresh grapefruit. Another greyhound for me please.
It is a straight shot from the front door to the stage where these soft strange creatures are trying to read poetry over the cacophonous roar of drunken conversation and laughter. The bar lies in between, to the left, and it is mobbed by glee desperate pound puppies in their white collar shirts and dark slacks or pencil line skirts. It is now nearly impossible to get in or out of the front door. Where the bar ends lies a tall table surrounded by stools where I sit ignoring Andrew’s stupid attempts at humor and social reparations, even though he does not now quite believe I did him any violence. He smiles apologetically at everyone, especially me, and is careful to keep his arm away from my shoulders. Between us and the stage there are more smaller tables and chairs.
I watch a woman who sits on the stool at the end of our table, her back turned to us as she tries desperately to hear and understand the poets. Her shoulders are stooped as if she were crumpling in on herself, as if she were a giant rolly polly intent on folding into a perfect armored ball. As my attention focuses on her, she becomes the only real object in the room, the rest are all ghosts drifting in the vapors of spilled alcohol. I see her with perfect clarity, I see her like a houseplant trapped in a dark room reaching desperately towards a small far away window, her body bending visibly towards the poets, towards the light that will give her life and prevent her from joining the rest of us here in the ghost world.
Then I hear Alice saying:
“Sue and them are going to the Conga Lounge. Want to go?”
I snap back, back to the reality created by Alice, and shake my head.
“Not yet.” I say.
“You want to stay here?” she asks and I nod. I realize that Andrew is no longer with us when I see him walking towards us, returning from the can.
“Ready?” I hear him asking Alice. His face wilts a little as Alice explains we’ll catch up with them later. Then he’s carried away by the bustling tide of bodies abandoning our table with its high stools in favor of the wicker seats of the Conga Lounge.
The table is suddenly empty except for myself and Alice and the strange woman sitting with her back to us. She could easily turn and suddenly speak to us, except for the fact that she is no longer real. She is a ghost now and Alice and I are real, the bar and the noisy pound puppies are real. She vanishes from my sight and my mind and only a place marker in the form of a human body hunched on the high stool at the end of our table remains. I forget her, and I forget that I have forgotten her.
“Alice,” I say, “You’re still here.” She has taken Andrew's seat beside me and I let my leg rest against hers.
“These shoes squeeze my feet.” is all she has to say. Someone picks up our empty glasses as fresh bodies squeeze through the door, crowd around the bar and find their way to our table.
“Let’s go then.” I say, ready now to seize Andrew's bone.
“To the Conga Lounge?” she asks glancing at her phone.
“No. To the streets.” I tell her as I stand up and she follows.

Mysterious

It was a mistake. A blind mistake. How she got there, I don’t know. How I found her, even more mysterious. Mysterious. Mis tear ious. I don’t know.
Where was I? Let's see… One of those corporate coffee houses with Jan and Tyler. Jan is a dude. I guess the name is Swedish or something… well it doesn’t matter because Jan never saw her, never even made it to the parking garage.
I didn’t have anything. At the corporate coffee house I mean. Jan had a black coffee and some marbled pound cake and Tyler had an Americano. I don’t even know what that is, but I heard the girl call it; “Tyler, Americano” and he took it from her. I guess I did have something. I ate one of those packets of raw sugar. My stomach. It was hurting, had been hurting all day. Well… there is a reason for that.
My dog Ludwig is 12 years old. He’s got arthritis and all kinds of problems. The vet prescribes this medicine for all the pain. I really haven’t been sleeping well lately. Every time I close my eyes I see this weird skinny little man glowing and dancing. It’s like in that KE$HA video, only for real and I hear all this noise like poker cards in bicycle spokes or locust during monsoon.
I had this big presentation to give yesterday in front of the whole department and I really needed to get some shut eye. Some honest to god sleep. So I took one of Ludwig’s pills and slept like an angel all night. Woke up, dressed for work, ate my Pop Tart and started throwing up. It was seriously bad. I had to call in and go back to bed. Jan gave the presentation. It looks like he might get a promotion. Whatever.
So my stomach was still hurting the next day at the corporate coffee house. I didn’t need any of that swill anyway. I was going home. Only guys who are up for a promotion need to tank up on caffeine and head back to the office. That was Jan’s plan I think.
Tyler’s just a perv. He orders coffee with a fancy name, flirts with some girl in line, makes eye contact with her while he’s sitting at the table with us, and when she’s on her way out, he also happens to be on his way out, holding the door for her. He takes her back to the office and gets her panties down around her ankles in the elevator. Then, after they exchange phone numbers and she leaves, he goes into the security office to watch the surveillance video with Rodney, the night watchman. I’ve been invited to have a look a few times.
It doesn’t exactly get old because he keeps a sort of score card upon which various depraved acts are outlined and wait for a tally mark. In this way things are kept interesting and new acts are always being dreamed up. The standards are there of course, doggie style, a blow job, anal shenanigans… but things are now more subtle. For example the goal might be to get a woman to say a particular word or phrase while he works that coffee buzz off on her ass, or he might get her to play a role like pretending to be his boss.
I have to say that it usually works out for him. You’d think that most girls would tell him to bug off. It's his looks. That’s the problem. Its why they go along with it, and it’s why these elevator escapades are the only way he can get off anymore, because as a good looking guy he’s had enough vanilla sex to last him five normal guy life times.
Jan, by the way, knows nothing about all this. It would freak him out. He’s a vanilla kind of guy. And me, I’m just not good looking.
But none of this has anything to do with it…
So Tyler left first with this tall Asian American chic in a short orange dress and gladiator sandals. Seriously, the Greeks would have been proud of her. Then Jan talked for a while about his girl, Dora, and then begged me to go see his acupuncturist about my stomach. Of course he doesn’t know about the dog’s pill. Then he wiped the cake crumbs from his ample lip with the recycled paper napkin and announced that he was heading back to the office.
I guess my car was on the third floor. I hate parking structures, ever since I was a kid. Nothing good happens in parking structures. Your fingers get smashed in the car door, you get mugged, or if you’re a chick you get raped, or you can’t remember where you parked and you get lost. Nothing good.
That’s what I got. Lost I mean. Because I was on the fifth floor wandering around and around under the flickering yellow lights. I kept pushing the lock unlock button on my key chain, but I couldn’t hear the alarm disarming. I was convinced my car had been stolen.
I walked into the farthest end of the garage and pressed the little button again and heard a weird thud. Then a muffled voice started screaming and the thud was repeated. Again and again like someone was pounding on a car. I guess it was adrenaline, because suddenly I was Mighty Mouse flying towards the sounds of distress.
Within moments I had tracked down the source, an old yellow Dodge Dart. The trunk of an old yellow Dodge Dart to be precise. Someone was inside pounding and screaming away.
“Are you okay?” I called to the mysterious prisoner. A stupid question perhaps.
“Get me out of here. Please!” came the muffled cry.
“I’m trying. I will. Just hang on. I’ll call the police.” I said taking out my cell.
“No! No police. They take too long anyway. Just get me out.”
The trunk could only be opened with a key. This was an old car. I tried wrapping my arm in a jacket and breaking the drivers side window. I saw that in a movie once. Inside I looked for a trunk release lever or a spare key under the visor. Nothing.
Finally I returned to the trunk.
“I’m going to get some help. Some tools or something. I’ll be right back.”
“Hurry. Please hurry. They could come back.” The mysterious captive implored.
I looked around the garage and sprinted for the elevator. Before I could get there a young Latino got off and headed for a black Cadillac Escalade.
“Hey man, I need a hand!” I called. “You got any tools? There’s somebody locked in a trunk out here.”
I think his name was Hector and what he had was a crowbar. He accompanied me back to the DART and we got to work prying the trunk open.
When it finally opened this cute little blonde leaped out into my arms.
“Thank you so much! Oh thank you.”
I held her for a full minute before she was collected enough to release me and thank Hector with a handshake.
“Okay. Well, thank you very much. There’s no way that I can repay you really, except maybe money.” She turned and ducked into the trunk and dipped her hand into a big black duffel bag that had been her bedfellow. Out came two stacks of hundreds.
“Here we go.” She said handing us each a stack before she tried unsuccessfully to close the trunk. When it wouldn’t close. She grabbed the duffel bag out and tossed it through the broken window. “So my advice would be: don’t spend it right away or all at once. They aren’t marked so don’t worry too much, and enjoy!”
She smiled at us as she brushed the broken glass off of the driver's seat with her sweater and dug a key out of her jeans.
“Thanks again. Really.” She said it warmly and got behind the wheel. She closed the door and started the engine up.
Hector and I moved out from behind the car. She pulled out of the parking spot and said to us out of the broken window:
“I’d skeedaddle if I were you, before anyone else shows up on the scene.”
Then she waved and was gone.
It was a mistake. A blind mistake that led me to her. How she got there, I don’t know. How I found her, even more mysterious. Mysterious. Miss tear ious.
I don’t know. I haven’t spent any of the money. All I can think about is her. The way she felt pressed into my arms for those two or three minutes before she came back to her senses...
I could maybe hire a private eye to try and find her. I think I saw something like that in a movie too. I could maybe go to a strip club and blow a hundred bucks or two and forget about that cute little smile. I don’t know.
Why I feel this way… it's…mysterious. I don’t know.