Not For Me To Know

I inherited from my ancestors
a burning desire to learn
from all places.
My father read James Joyce
and allowed a television in the house
so we could watch tennis
and movies of cowboys and detectives.

One night in the distant future,
in the course of my ongoing investigations,
I walked to the corner of Anza and 48th
and encountered the Other,
the city which was not me, not us,
not anything I had ever encountered.
I saw the sigil of its otherness
and transferred it
from the cold stone where it rested
to the warmth of my flesh.
Words and letters without meaning 
and yet their beauty was easy to read.
My father had taught me well.
Maybe things he didn't know himself.

In that same future, I constantly read and wrote.
I was single with no kids.
With every day that passed
I became more like my parents.

One afternoon in Sutro park
I sat next to an old man
who couldn’t have been more genial or incomprehensible.
We looked at the stars and the clouds together.
"There is only one path and it has already been chosen," he said.
He told me what to look for in the sky
but I couldn't see it,
I couldn't follow his deductions,
I couldn't understand his implications,
I couldn't see our fate written in the dark.
The light was easy to spot and wish upon,
but I found no reason to do so.

In the past, I had struggled with a novel.
As I wrote, my heart had moved like a winged silver bird,
shining with the magic of pure golden light.
That novel taught me
that the end and the beginning are the same,
and yet there are many novels
many ends
and many starts
all intertwined
all impossible to separate.

Looking back at this past,
I came to understand
I had moved through this life without thought,
without any overt or implied intent. 
Fate was not for me to understand,
not for me to know.
I learned to accept this past,
I learned to accept that future.

After the future was over
I prepared for the voyage.
I brought the book.
I removed the past like an old jacket.
I was ready to learn some more.

The Ghost Of Fasler Cove

There is something rather extraordinary about my hometown of Fasler Cove. It is a phenomena that flows from the gift given to one ordinary man.
Walter Pedington was not the sort of fellow to rock the boat. How many people, if you gave them the gift to travel forward and backwards through time, would stay in the same small town doing the same small things that could have been done anyway?
Some people will tell you that they would go back to stop Lee Harvey Oswald, John Wilkes Booth, or Adolf Hitler. Others would want to go back and see a dinosaur. Most would be bent on increasing their own wealth; perhaps collecting antiquities to sell in a future where they are valuable or bringing a handy gadget from the future into a past where it can be passed off as their own invention for profit, or even playing the stock market or betting on ponies. Some would try to rule the world, others save it, which might amount to the same thing.
But when Walter Pedington received his gift, none of these things apparently interested him or crossed his mind. This perhaps, was the very reason he was trusted with the gift, for that we know of, he never abused it for profit or to change the course of history.
It was common to see Walter at age 54 sitting on the porch swing of his parents' house on Behemoth Lane conversing with Walter at age 7.  He very much enjoyed talking to himself. Indeed, you might run into him at Morey Point watching himself painting a picture of the sea, or catch him at the Fallout Cafe playing a game of chess with himself while a younger Walter shared a cigarette with a pretty girl outside and a fourth sat brooding by the window, remembering that same girl's death. Walking your dog along the path from Pelican Landing to  Frost's Wood you might  be passed by Walter at the age of 10 zipping by on his bike only to then pass Walter at age 64 sitting on the bench before finding Walter at 18 laying on a blanket in the grass with a sweetheart.
There is a possibility that Walter is guilty of that sin for which I acquitted him, for if he had already altered the course of history and ruled the world before I was born, I would have no way of knowing it. I have often compared the face of 19 year old Walter to a photograph of a bust of Alexander the Great. It is possible that after 12 years of conquest he was prepared to live a quiet life again in a world shaped by his own youthful ambitions. But how would I ever know? And further, Walter has always seemed more interested in introspection than in governing others.
His funeral was a mind bending affair. Walters of various ages were in attendance and out numbered other funeral goers. He outlived his friends and lovers and left no survivors. Once he was married to a young poetess but she left with a younger version of himself before filing for a divorce later that year. Likewise he never had children, for he had himself all those years and always kept a ball and mitts, bicycle, and snacks on hand for when he visited and even drove himself to his own sixth grade piano recital. There were days when his yard was filled with a chorus of his own youthful laughter while six or seven young Walters played capture the flag or kickball.
Even after his death we continue to see Walter, in line buying tickets at the new Cineplex, hiking the trails in Frost's Wood, eating a banana split at the ice cream parlor. It is impossible to imagine Fasler Cove without him, though as time passes, we see less of him and he is more often alone. I imagine that in another 20 years, there will be no one left here who remembers who he is, no more grandmothers who can point him out and say that their mother went to school with that boy, or kissed that young man at a barbeque 100 years ago.
He is like a ghost from a time that has slipped into the realm of fantasy, but soon he will be such a ghost that his presence will go unnoticed and seem utterly ordinary.

The Knife

A strange senseless thing, Annette giving her that knife that night. Annette had barely had it for a month herself, it was a gift from Tom and Tom had gotten it from his younger brother Jules six months earlier. Where did Jules get it? A fascinating question beyond the scope of this particular exploration. It is only relevant to note that Jules had hardly looked at the knife during the time that it was in his possession, and Tom had only practiced opening and closing it before giving it to Annette. Why did Tom give the knife to Annette?
It was a very simple stainless steel blade that folded into a black handle, the sort of thing that could be purchased in a sporting goods store, or a gun shop, or even at an army surplus store. Tom personally had no practical use for a knife, his chief interests being theater, literature, theater, and other boys. Looking at the knife, several times, he had thought it could be used to slit his own wrists or to cut his chauvinistic father's throat while the sweaty old man slept, but he had sharp razors to do the first job and too much sensitivity to do the second.
Annette was tall and lean and had blonde hair that had been shorn irregularly by her own hand in a self destructive rage. She wore cut off blue jeans and polyester shirts found in the thrift stores of San Jacinto and Sun City, which as everyone knew was where senior citizens were sent to die in sardine cans with white quartz lawns. If you needed a gaudy polyester shirt, you were sure to find one there.
Tom gave Annette the knife because he hoped that she really did possess all of the conviction he lacked. If he said idly, bitterly, that they should climb to the rooftop of the theater department and spill bags of animal blood over the kids in the quad while shouting that it was Tom’s AIDS infected blood, Annette seemed to consider it a valid pursuit. Whether she really would have done it or not, Tom was never brave or desperate enough to find out. The two were engaged in perpetual games of intellectual chicken, and Annette rarely backed down.
She was very touched by the gift of the knife. It felt as if, for the first time in her life, she was being given power rather than having it taken away. One night after her parents had administered the usual dose of psychological abuse, Annette crawled behind her dresser and, using the knife, carved something like a poem into the soft pine.
Three nights later, after work at the cinema, Annette gave the knife to Lisa. They were sitting in Annette’s room on the white day bed with porcelain balls on the posts. Lisa explained that she planned to move to New York within the month to go to broadcasting school. Annette’s blue eyes grew wide with wonder and empathy as Lisa confessed her fear of that distant Metropolis in which she planned to meet or make her destiny. Annette retrieved the knife from behind the dresser and pressed it into Lisa's hand.
Lisa had only four fingers on her right hand. The middle finger had been cutoff at the knuckle by a rusty antique farm implement in the lot behind her parents' trailer. Both of her hands, her arms, her face, her entire body was covered with pale freckles. They littered her milky white skin like stars in the night sky viewed from a high place beyond the smog and light pollution of the Inland Empire. Her hair was shockingly orange and curly.
What did she feel as Annette pressed the knife into her hand? Did she feel the force of the desires of all the knife's previous owners, who, like her, dreamed in their own way of an end to this small suffocating world? A strange senseless thing, Annette giving her that knife that night. A small gesture in a chain of gestures, heavy with significance.

In The Bowels of the Gods

Keith blinked a few times before the glass came into focus under his nose. There was something golden and frothy bubbling in it like live amber. Beer? Hazily he tried to recall where he'd been, how he'd gotten here, and where "here" was.
After a moment he realized he was sitting on a high stool at one end of a long glossy bar. A handful of other humanoids were seated along the length of it, two of them, nursing drinks. The other three were clustered together near a machine that looked like an old fashioned cassette player, the sort he remembered seeing in a classroom in his youth, back in 1983.
That was his youth wasn't it? Presently it was difficult for him to identify who he was and sort through which memories probably belonged to this person.
He shook his head a little and focused again at the triad at the other end of the bar. It did look like an old fashioned cassette player, flat with broad white keys, but in the window where a cassette would have been there were touch screen controls, and instead of wearing headphones, all three were connected to the device with an output that jacked in behind an ear. They were all smiling dreamily, and occasionally one of them reached out and struck a series of keys which caused them all to shiver in apparent ecstasy and they would smile and nod to each other trough veiled eyelids. Then the next person would try their hand at manipulating the keys and the scenario would repeat.
This did not seem to Keith like a familiar activity. Instinctively he reached behind his ear and felt for the jack. Shock rippled through him and his jaw dropped a little when his fingertips encountered a small round opening there. Apparently, it should be familiar to him.
Vaguely he noted a curtained stage upon which a woman with black make up smudged all over her eyes was performing a rendition of Blue Velvet, singing in charmingly dusky tones while accompanying herself on a theremin. Her tangerine colored hair leapt up from her scalp ala bride of Frankenstein but curled so that it resembled a wave or a flame. A clingy white sequined evening gown, designed with gashes all down the torso through which her pale flesh peeped, was only slightly distinguishable in hue from her complexion. Individuals were scattered around a handful of tables spread through out the establishment. Most attended the tables closest to the stage, drinking or snoozing or examining liquid crystal tablets.
Suddenly, Keith was aware of the bar tender looming over him from the other side of the bar. The big bald man cleared his throat. Keith glanced sheepishly up at him.
"You asked for this." the bar tender said and pushed an LCD pad towards him, the muscles of his arms rippling under the tattoos. The words "Madam Blagva's Celestial Calculator" flashed over the screen accompanied by an entourage of sparkling shooting stars.
"Uh, thank you." Keith said and smiled. He couldn't believe that he had asked for this. He had no idea what it was or how it worked. He sat and gazed numbly at it. The bar tender was watching him. Keith squirmed.
"It's been a while since I've used one of these..." he ventured in an attempt at explanation. The bartender raised an eye brow.
"Just plug in your spider" he said.
Keith tried not to look too horrified or perplexed.
"I lost mine." he answered. Now the bartender raised both eyebrows to dubious heights.
"It's been a rough couple of years." Keith supplemented his original statement.
The bartender sighed and reached over and taped the pad with three fingers.
"Without direct interface you won't have any privacy, but it's your call."
A gritty electrified granny voice intoned mysteriously from the pad,
"Ask your question."
Keith stared at the pad. There were no alphanumeric keys. Timidly he cleared his throat and said,
"Uh…I've been going nowhere career wise and have felt stuck in a rut."
He paused and looked cautiously at the bar tender, hoping that he had done the right thing. He nearly sighed with relief when the gritty little voice encouraged him,
"Go on."
"Well, I discovered a book called 'Earth Sun Moon' put out by Wooden books and I drafted a 'celestescope' that charts the moon, sun, mercury, venus mars, jupiter, saturn... I found that saturn has been in retrograde in my sign since 2007 and is getting ready to leave, finally, as far as I can tell, sometime in July, and resume its usual motions through the rest of the signs, not to land in mine again for around another thirty years.”
“And?” the pad croaked. Keith swallowed hard.
“I guess I'm asking... is there light at the end of the tunnel? I guess I already am feeling free-er, less restricted..."
He trailed off and waited for an uncomfortable moment. The bartender, he was a tad chagrined to notice, was still watching and listening intently from the same location while polishing glasses with a white towel.
The gritty voice erupted from the pad once again.
"There is always light at the end of the tunnel; though sometimes it is a train.", it cackled crone-like while an image of a train sprang into motion on the screen and then cut away to another image of saturn and its rings which faded into lady justice dancing backwards away from him. The video collage continued while the hag voice narrated;
"Saturn did go into Libra, and has now retrograded back to Virgo. It will be back to Libra in late July. Getting Saturn off your Sun sign may well free up essential energy for you. Anything that feels better, freer for you, is worth exploring. Saturn can be a useful teacher. Putting aside the frustration, consider whether this time of inertia has left any lessons learned."
Keith sat pondering as the bar tender withdrew to refill a drink.
"The light is always everywhere."
Keith was startled by the voice. One of the triad who had been jacked into the device at the end of the bar had left her companions and was now standing at his right shoulder. She was short and lithe. One half of her head was shaved and white hair hung down to a length just past her chin on the other side. Her irises were bright crimson and her naked flesh was a sort of powder blue hue. She wore what looked like a white buckskin skirt and moccasins and nothing else. Her breast were very small and the nipples were bright, almost as crimson as her eyes.
"The tunnel is our own creation." she concluded and smiled at him.
The woman seated a couple of stools to his right snorted over her drink. Her hair hung in stringy mouse brown lengths about her face and shoulders. She resembled a glob of clay that had been carelessly slopped onto the stool and now threatened to spill out in every direction. Her back and shoulders were slightly hunched, perhaps being tugged mercilessly by the weight of her considerable breasts and belly, all of which was wrapped in what looked like a hot pink Snuggie that hung off of one shoulder exposing her freckled flesh.
"I had a ten year Pluto transit to my natal Saturn/Pluto/Sun-Mercury T-square." she said without looking up from her glass. He noticed that something like tiny live fish seemed to be swimming among the bubbles in the aquamarine tinted elixir. "The T-square is a big, impossible, nasty combo in my chart that will never stop giving me grief and the period of that Pluto transit nearly killed me, quite literally."
She made a sound that might have been limp laughter and took a swig of whatever it was she was drinking, swallowing several of the fish. Keith strained to get a better look at them and was aghast to discover that they resembled itsy bitsy mermaids more than fish. One pressed its all too human hands against the glass and seemed to look at him imploringly with its blinking hyper round eyes. He deduced from that look and the frantic way its fins twitched that it was cognizant of its situation.
"Oddly," the woman continued, "I married a man just prior to the onset of this transit whose Sun was conjunct his Pluto and Mercury at one point of my T-square and had a daughter who had her Sun/Pluto-Saturn/Mercury at the Saturn point, conjunct the transiting Pluto."
She paused and drained her glass. Keith felt sick, like he might scream or cry or vomit, or all of the above. She swiveled around on her stool and regarded him squarely.
"In other words, my own actions, perhaps influenced by the transit, worsened the astrological aspect -- or perhaps just embodied it. The marriage was a disaster - he was extremely psychologically abusive to both me and our daughter, and the daughter was, even apart from him, THE most difficult person I've ever had to deal with. It turns out she has Asperger's Syndrome." She turned back around and tapped her empty glass on the bar nodding to the bartender.
"Anyway," she said as he replaced her drink with another swarming with the little mer creatures, "my point is that these slower moving transits can cause tremendous trouble, depending on how they impact your natal planets. Saturn is one of those that, in my opinion, can cause some of the worst trouble. Not only is it restrictive, but it's known as the gatekeeper to Pluto -- to the Underworld."
She took a drink and coughed, Keith imagined, as a result of some of the little creatures struggling on their way down the hatch. She recovered after a moment and pointed a finger at him.
"By the way, almost to the day Pluto left the sign of that transit, Scorpio, I took a ten-day trip overseas without notice to anyone. I literally ran away -- and interestingly, Pluto had gone into Sag., the sign of travel, and the placement of my Moon in a Grand Trine with Pluto and Mars in my chart -- a very powerful and favorable combo for me."
Satisfied, she returned all of her attention back to her drink, dipping her finger in and stirring her terror stricken captives into activity before swallowing them alive.

The blue girl, whose hand was on her hip now, bit the corner of her lip while starring at the other woman and said, "As the Cosmic Muffin used to say, 'It's a wise man who rules the stars and a fool who is ruled by them.'"
The woman didn't seem to hear.
"I was born September 16, but I'm no Virgo." a voice piped up behind Keith. He had to look over his shoulder beyond the blue girl to find the speaker. It was a man in a fedora and vest sitting at a table with an old Chinese man and someone that looked like the Egyptian god Anubis with six naked teats lined up in neat pairs. He had a fine stubble coming in all over his chin and his sleeves were rolled up above his elbows. His hands were busy with the business of shuffling a deck of cards and a cigarette hung from his lip.
"I'm not a Virgo because I don't believe that constellations, that by the way, are only crude dot to dot drawings, influence my life at all. Sure," he said shrugging and lifting his hands slightly, still holding the cards, "I could not be here if there weren't stars, but that specific ones influence my life is superstition born of desire." he began to deal the cards as he spoke. "The desire to find a cause, a reason, a measure of control for good and bad. It's hard to accept that good and bad things happen accidentally for no reason at all. We roll the dice every minute. Sometimes we win a cigar, sometimes we get burned by one. Chance is in charge.” He winked, “Bets to you Nita."
The Anubis headed bitch pushed some chips into the pot and the Chinese man with long white catfish whiskers responded in a similar manner. The man in the fedora raised.
"But take heart," he said grinning to the other players, "good and bad things happen to the same 'no one.'"
Keith felt himself reddening a little. So what if he wanted to consult the stars? He knew it wasn't a science, but somehow, he suspected, it had brought him here.
"Yes indeed," he heard himself say before he could master his indignation, "but there is this old maxim 'as above, so below, as within, so without' that has made itself known to me."
The blue girl put her hand on his shoulder and started rubbing it.
"Correct." one of her companions from the end of the bar said abruptly. The young topless Asian man had a long mane of raven colored hair. He was unplugging the cable behind his ear. The thing that came out of the port had eight delicate legs and stood in his palm. The iridescent cable was a strand spun from this creature’s abdomen. It cut the unneeded connection and walked along the young man’s arm as he said,
" So whatever was within that was out-pictured is worth exploring."
The blue girl nodded emphatically and pressed herself closer to Keith’s back.
"I don't necessarily believe we are 'ruled' by them, but I certainly believe there are synchronicities, meaningful connections that exist between ourselves, microcosm, and the heaven’s macrocosm. Whether that is wise to believe remains to be seen and is subject to change, of course. I can be somewhat skeptical at times." Keith said, a little distracted by the blue girl’s attentions. She was leaning over his shoulder, listening intently and smiling sweetly at him, so close that he could smell her licorice scented breath.

"Everything influences everything." the clay woman sputtered, coming back to life and rejoining the conversation. "No human being lives in a vacuum separate from the rest of the world or the universe and the forces that govern things do so across space and time." she said stretching her hand out in a sweeping gesture. "There does not have to be a human reason for something happening, but the universe works in the way it does, which is its own reason. And we are part of all that, though we feel separate. No scientist believes it all happens by chance. As Einstein said: ‘God doesn't play dice with the universe.’ "
The man in the fedora laughed harshly.
"A cute phrase, but false." he said. "Einstein didn't want to believe in quantum mechanics, but has been proven wrong. God, well, nature, plays dice after all, they’re called quarks." He grinned at his comrades. The Chinese man yawned.
"I frequently provide my liver cells with evidence that I don't care a fig for their individual lives." said Nita, the Anubis bitch, in a silky voice. "But then, I'm not THE God. I am just A god. And I have pressures on me that they will never comprehend. Actually, I only understand them a little better than they understand me. I am capable of recognizing and interacting with them, individually; but I have little call to do so." Thus saying she raised her glass as if giving a toast and then lapped at the drink until her dog-like muzzle could no longer be adequately accommodated by the glass’s shape.
Lumpy was twisting around on her barstool to face the man in the fedora. It looked as though she might slip right off.
"I don't see quantum mechanics as "dice" or chance. Quarks aren't random either. They choose what to do, but we don't yet know completely why.” She was gesticulating wildly as she spoke, teetering and tottering on her seat, “The universe has a purpose, I think, but not our purpose. We are so arrogant to think that something zillions of times bigger and more complex that us should do things our way. But if we can ally ourselves with those forces that are greater than us, it is not chance we encounter, but deep purposefulness of a nature not so much indifferent to humans as equally inclusive of all things, as well as us - meaning we are no more important than anything else. To me,” she sniffed, “ this is far more wonderful than human-guided purposes. Well, let's say human-led purposes are NOT wonderful at all UNLESS they can tap into the greater, wider universe."
Here she stretched both of her arms as wide as she could and nearly toppled over. She barely managed to catch herself by grabbing onto the bar and twisting back around.
The man in the fedora and Nita laughed and turned all of their attention back to their game.
The blue girl was working on both of Keith’s shoulders now.
"How did you loose your spider?" She whispered, "You don't mean that it died do you? I couldn't bear it if that happened to mine. We have a spare if you want to join us."
"Thanks." Keith said, "I think I better finish my drink though."
He tried to focus on the drink sitting in front of him. How did he get here? Was this because of the stars? Or was it because of the book about the stars? Maybe the stars were innocent. Maybe they had nothing to do with his present reality tunnel crisis. This experience may have been induced by a tornado picking up his house… What was the last thing he remembered doing?
Oddly the only thing he could think of was the little mer person pressed against the inside of the lumpy woman’s glass. It was as if it had happened to him, as if their roles had been reversed. He had been swallowed alive and this was what it was like in the bowels of something a zillion times bigger and more complicated than himself.
Desperately he downed the glass of beer. The bar tender brought him another one. Little girl blue was getting really serious about massaging his shoulders and back. He had a feeling she might like to blow his horn. If she was what he was "out picturing" then maybe what was within was worth exploring...
Then he spied her companions at the end of the bar manipulating the “cassette player” and shivering and realized that what she really wanted was to put spiders in his head…
The woman on the stage started a new song, picking delicately at the empty air over the black box of her theremin.
“Moon river, wider than a mile, I'm crossing you in style some day…”

Sisters

There it was. A liquid dust settled between us, the presence of another, the presence of many others whose varnish had rubbed off upon us and caused our own surfaces to become tarnished and murky. But beneath all that, there was still a glimmer, a glow actually, warm like candle light in an autumn cottage. Dance, damn it, dance, I said! Move. Do SOMETHING!
Don’t just sit there. That thing inside of you has to MOVE! Don’t let it be still. Keeeeeep it moving. Keep it alive. Rhythmic motion ingrained deep inside us all. Waiting to come out. Waiting to be seen and heard and felt.
The mysteries that lay between us and all things were unfathomably deep, but treading through these dark gaps is the secret way of the sisters of the moon, and so we traveled this way, not through what was clear and bright and knowable between us, but rather in the tangled darkness where we might not be women, but harpies, where our talons might be blood drenched or our faces hideous, our countenances dark and fierce or pale and diminutive.
We could find each other by the light that is no light, the nothing which is something and reaches back to a place and time that was before our births, before ever there was a world or word to utter about it.
Her hair swings back and forth with each grind of her hips. Rhythmic intensity as the orgasm flows. That whore that was dancing in the bar feeling tipsy from the cheap vodka, now she dances like a goddess. Moving, swaying. Life depending on her every move. Like Shiva’s dance of destruction and creation. The movements intensify with every sway of the hips. Grinding against eternity. Move. Move.
Answer the phone. It rings. Ringing again. Who is it? Who is calling? Who IS calling? What is it that calls to us from deep inside of us? Answer it.
To seek one another out in the clouds of storm and still swamp-like pools of the material plane and join our two forces and build the true temples of the Gods was ever our goal. To look eye to eye and stir to awakening and recognize one another and then delve deeper into the world, making it our stuff of creation, our clay, our multicolored strands of yarn to crochet into the shapes of our ever deepening dreams.
The warrior lifts his head to the sky. He needs his strength. He needs his guide. The hawk answers with a shrill cry. I am here for you. Let my strength become yours. Let us be one. Let us go together in the world. Let us take flight and soar above all. Let us jump from the cliff and ride upon the wind, high above. Looking down on the vast canyons and shrubs. Cactus. Small animals. Snakes. Let us glide high above the rocks and trees.
Then we shall come to the earth and walk. Walk upon the land and feel the gravity beneath us, sinking, pulling. The weight at times unbearable. Pulling us seemingly to the center. Different enough that we could stand back to back, similar enough that we could remain in the same sacred circle, bound in silence and eternity, a shadow to a shape and a shape to a shadow.
The six sisters. You picked the right sister. The one which can help you. The one which can guide you on your way. Make you laugh, make you cry. The strange sister. So many choices but you picked the right sister. You don’t know why or how it happened. It just did. Call it fate. Call it whatever you Will. Just call it.
So for a time we would build together and be together and for a time we would sleep drifting into dreams so different and far flung that we were strangers both to ourselves and to each other. This was the way it had be done by us for the years of our mortal lives and the way it had been done by other mortals before us. This was the way that we were in time and the way that we were out of time. Out of time together forever, a serpent with two heads, and in time separate lost fragments of a being falling apart in the cold throes of enthropic force.
There was a Now to work with. A Now to do something in, and a Now where nothing could be done or ever had been done. Our most delicate and important task was to knit these two Nows together so that some thing that had never occurred before could finally manifest. A unity of death and life that might soar in skies unpainted and swim in depths undreamed.

Handwriting

I wrote down my dreams this morning. I reached for the pad of lined paper and the pen laying beside it before my eyes were really open, my fingers clutched the plastic tube while the body tried to catch up with the brain. As I wrote a long sentence about houses and car garages and loading plastic bags of groceries and my sister refusing to stop clipping her nails, I kept leaving out important letters in simple words and everything was slurred and jumbled, looking like the penmanship of a lunatic. The thing that stuck out, the one letter that seemed more defined than all the other ones was the letter “m.”
Meg is my mother’s name. “M” is the letter I tried over and over to perfect as a teenager, when I had access to a car all week and my parents were at work and the day was much too sunny and blue and full of promise to sit in a classroom and pretend to listen to those that had let their passion fall like the crispy leaves of fall. And in the haze of dreams, where little songbirds flew in and out and stood on the ledge of a circular hole in the house for sale, I watched my hand move across the page. I watched with the eyes of a silent observer while I made the exact “m” my mother uses to sign all her checks, the name that I tried so hard to forge and now, through time and accumulated habits, have seemed to have spontaneously imitated and absorbed.

When I was 13 and looking through a bookstore in Laguna Beach, I found a book with a hot pink cover: “How to Find the Right Mate, Lover or Friend Through Handwriting.” I bought it and studied the copied writing samples of John Lennon and Adolph Hitler. What always remains with me is the anecdote the author uses to justify the importance of handwriting to understand what’s happening in the brain. According to the author, there was a small study that observed Vietnam vets that had learned to write with their feet after losing their hands in war. The study found that their writing samples (written with their feet) were nearly identical to their old handwriting when they still had hands. The author argued that the hands are merely a tool, a vehicle that expresses what’s in the mind and emotions. The devil’s advocate in me wondered how come the veterans, who had clearly been through a traumatic event, would be unchanged enough to keep writing in the same style, but today I know that habits can go that deep. It could take more than bombs and missing fingers to release recurrent patterns.

My mother is deep inside me. Her sorrows are mine. Her insecurities, her strangeness. Whatever part of her brain that expresses itself with those curved “m’s” is also deep within me. What wasn’t quite perfect as a teenager has solidified recently. And each time my hand grabs a pen and I write “movement” or “motion” or “mayonnaise,” I see the evidence.

How much of her is in me? Does the killer sleep in my bed, just as Joseph Raymond thought? How much do I wish to destroy? It scares me to think of myself this way and I can see my dad laughing… “you’re going to be just like her,” he would always say, and I would take it as a curse. A grim prophecy of the not too distant future. The dough is ready, all I need to do is sit back and wait for the years to pass through like water. I could become her, fill her shoes, assume her role in this world without much thought or struggle, I could become her reflection. And yet, even though her “m’s” look like mine, three years ago I began the half-conscious/half-unconscious habit of writing “5’s” in a new way. I would watch my hand as it moved in a new way, creating a new shape. I watched as my “b’s” and “n’s” transformed in another form of imitation.
This machine can absorb and release. I can watch the evidence in a dream tale materializing on a blank page.