It Was Like A Door

This is the word.
Wow- yeah,
It was like a door.
The word.
I was born.
And on the other side, where I exit,
It’s about being a good girl or a bad girl.
I felt like I could not go back.
It is this sharp light,
like when the sky is very clear and blue and it's noon.
There is so much beauty.
And bliss, bliss and fear, both. 
It was impossible to go back.
It’s the in-between, between ocean and land.
Now this time seems to be a time where things appear in a clear light.
I like to walk there.
Like a door,
she said: ‘you are most welcome to stay and be with us.’
At noon the shadows are very small
On the firm earth, feeling the water touching my feet.
There is wind, birds, and the sun.
Wow- yeah,
this ritual had been made for me.
It is land and it is water.
It is wind and it is fire,
come together right at my feet,
and it is possible.
It is good to walk there.
A door.
This is the word
Very light and very dark.
There are many possibilities.
I had been born
And I am still feeling very much alive now.

White Wisps Of Smoke

I watched him making the concoction there that night. While the world outside was in darkness and most slept in their beds preparing for the work day ahead, we sat in the yellow light of the studio. 
We called it the studio, supposedly it was a space to make art and create things that existed in our souls, but he just cooked and shot up and got high and imagined he was an artist.
I had stopped drawing years before- right when school began and thoughts and words and self doubt clogged my mind and amputated my hands. I could no longer hold a pen and let the lines come. He was an artist when he wasn’t using or trying to find a vein or scheming and manipulating to get another bag, another hit, to end the sickness- but addiction was a full time job and art came in rare moments- mostly a thing of the past now, a memory he held onto, an image he projected of himself on himself. 
I hoped too for a day my artist would return- the thick chested, tattooed man who had drawn me erotic mermaids. All I saw in front of me in that yellow lit room was a man much too skinny for his frame.  A man with pale green and black bruises over his arms and legs and a paranoid glaze obscuring his bright blue eyes. 
He had taken to wearing the dark blue suit I had bought him years ago for his first court date- only now he looked like an emaciated teenager in his father’s clothes, playing dress up in the middle of the night when the rest of the world outside slept in their beds. 
I sat with him now in the yellow lit studio. With clear and focused attention he mixed a small amount of white powdered cocaine with baking soda and water in a metal spoon. He lit the spoon from below, the same way he cooked his sticky tar heroin. He let it all melt together and bubble around the edges and in a few moments the watery mixture evaporated, leaving a few hard little white ‘rocks.’  He picked them up tenderly and placed them in a four inch narrow glass vial. On one end of the vial was a piece of steel wool which created a filter.  He tilted his head back a little and lit the filter/rock end and sucked on the tube like a straw. 
I watched as thick whips of white smoke traveled up the vial and towards his mouth.  He inhaled for as long as he possibly could, filled his chest with all that smoke and then held it inside even longer. He closed his eyes and then leaned in towards me. I opened my mouth and he breathed into me, giving me all those white wisps.
“Hold it in” he said. 
I looked at him and waited until my body screamed for air, but then I couldn’t even hear it. The room was ringing. 

I wanted more. 

I took a shower and called for him to bring me a ‘hit’ in the shower. I sat on the ground, hot water pouring over my stomach and legs.  He came in and pushed the shower curtain aside.  I opened my mouth and he lit the filtered end. Inhaling, inhaling, inhaling, holding, holding, holding, release and riiiinnnnnnggggggggggg. 
I could feel each droplet tapping my skin.  Slapping my breasts and pink nipples, my hips and arms. 

I wanted more.

Then he miraculously fell asleep.  He never slept anymore but in those early morning hours I found myself alone in the yellow lit studio. I watched him for a moment on the bed which we hardly shared, awash with the neon glow of our television (which he needed like soothing lullabies).
The small plastic baggie of cocaine was half full and on the coffee table. I had not paid attention to the exact amounts he had used to cook- so I added a little of this and that. I tried several different batches, adding various amounts of cocaine to baking soda ratios and smoked all of them.
Then the light started to creep through the edges of the thick drapes.  The baggie was empty and I started looked for crumbs that had scattered over the table and carpet. I picked up what I could find carefully and cooked it too. 
I went into the windowless bathroom sometime around six.  The face in the mirror startled me. It was dead and pale green and the eyes looked both shocked and dull at the same time. 
Was this me? 
“This is me,” I realized. 
I looked into those eyes- brown, absolutely lifeless. I stared and had no words for this woman.

And then I remembered him on the bed.  My addict.  My once-lover. My child, my burden, my chain. My dealer, my demise. What would he say?  What would he do when he discovered the empty baggie?  He had never hit me, had never ever come close, but that morning I wondered.  Would be kick my ass?
I sat on the couch, each minute pushing harder and harder on my shoulders. Every moment like another rock on my chest as the sun rose and I waited for his body to ache, for the pain of reality to shock him into wakefulness. Then he would open his eyes and remember himself and his life and his veins and the itch and the sickness and he would know that it was time for a fix. 
And when he did open those paranoid blue eyes he saw me on the couch, pale green and full of terror. 
“I cooked it all last night. All the coke is gone.” 
“All of it?” 
I nodded and he looked at me in disbelief.  He didn’t touch me, but made me drive to the bank and get $80.  Then he took the car and drove to the beach flats and looked for the short Latin guys on the corner.  I stayed at home but I could imagine it all.  It was a mechanical script and I knew all the players, each actor- what they said and how they moved and where they would be.  I had taken that drive a thousand times. I had done this play each day for years.
Only this morning, I had joined them. In those few dark hours alone in the yellow room, I had inhaled something of them and now I knew what it was like, that dark pulling, pulling, ringing and pulling. It had my ankles. Like that ridiculous foot deep riptide which had almost taken me into the surf fifteen years before, I knew the haunting power of those white wisps of smoke. I knew what it could do. I knew it was too strong and I told myself I would never touch it again.

That day I went to school.  When I came home I found what I expected.  He was in the yellow studio.  I could feel him mixing up a batch.  He didn’t come out to greet me and I stayed in the living room, but I could feel the bubbles on the outside of the spoon, could smell it through the door, could almost hear the riiinggg.
I knew it was back there and it was calling to me. Like thick thorny vines that had wrapped themselves around my arms and legs and heart, I could feel its pull. 
IT wanted me back there. IT was singing, so lovely. 
I stayed in bed, I kept the door closed. I opened my books and read through the soft thudding in the back of my chest, part of me wanted to answer.
By the next day the singing was lighter and then the day after it was gone. I never touched it again, but that was the day I teetered on the edge.  A few more puffs and I might buried myself in the WANT- in that dark hole I had lost him to. 
Just a few more puffs- I might have never emerged.

Flowers

It started as a game, a simple game that they played on Sundays between cups of coffee and blueberry muffins. The endless stream of faces, familiar and new, would ebb and flow and they would take their fun as they could, here and there, in seconds, in minutes, in half hours of down time, moving chess pieces on a board that sat on top of the case displaying crumb cake, cookies, and croissants. Some of the regulars took an interest.
“Whose winning?” they would nod to the board before placing their order.
“He is.”
Or
“She is.”
They would say, never revealing that it was impossible to tell. They each cheated frequently, re-arranging pieces when the other's back was turned, or moving knights like bishops and bishops like queens as though it were natural, sometimes trading color mid game. If a customer paid using a two dollar bill the entire board would have to be reset. If someone asked to break a hundred both players could reclaim a lost piece. The game never ended.
Sun filtered through the dusty windows, crowds of friends gathered at the mismatched tables and chairs. Lonely souls sank into the worn cushions of a maroon couch turning the pages of paperback novels whose covers had been torn off. Men and women dressed in filthy sweatpants, tattered sweaters and knitted gloves with the finger tips cut off, came in to beg or buy with change obtained through begging.

*   *   *

She liked the timbre of his voice, the unruly curls atop his head, the way he gracefully navigated the crowded space behind the counter, never missing a beat. He liked her crazy laugh, the flowers she wore pushed behind one ear, the way she looked deeply into the eyes of whoever was speaking, as though they were the entire world. Sometimes that was  him.
He opened and she came in an hour later. He left after noon and she left an hour later. Once he thought of staying until she clocked out, but the only excuse he could think of was to continue the game. Then it might actually end, so he left.

*   *   *

Sundays came and Sundays went. Crushed leaves littered the sidewalk and were carried in by the scuffling of shoes like jagged orange and yellow confetti. Leaves gave way to rain thumping on the windows, leaving streaks in the dust. Umbrellas lingered in the stand by the door, sometimes forgotten, red, black, yellow, gray.
Eventually the windows were washed clean by the rain and the sun grew meekly brighter, polished by a crisp wind that begged buds out of the naked arms of the tiny trees outside. And still the game went on, hundreds broken, two dollar bills accepted.
One afternoon he was close to winning. He began to evade the game, too busy with foaming milk and shots of espresso, restocking cups, lids, wooden swizzle sticks, and napkins. Tables long neglected suddenly received his orange scented devotion as he carefully polished their scratched wooden surfaces.
Every old lady who passed through the door filled his heart with hope. Surely, in that oversized handbag within the folds of  an overly somber pocket book his salvation had arrived. At last a blue haired woman saved the day and the board was reset.

*   *   *

There were excuses for touching, Brushed fingers as a cup was passed, hands on shoulders as one slipped by the other in the narrow space, a hug to say hello or goodbye. Buds turned to blooms of pink and an idea developed in his mind, a perfect reason to see one another outside of work.
He would take her to see the forest of cherry blossoms in the park, invite her to meet him outside the tea garden. They could walk, get caught in a spring shower, huddle together under a pavilion where he could slip his hand around her waist.
And then one, day, before he could utter those words, rehearsed to ensure perfectly casual delivery, calculated to be an enticing command rather than a question,  “Meet me in the park in the morning.”, the schedule was changed.

*   *   *

He was fated to come in as she was leaving. Though their paths crossed, there was no time, no in for those words, just a wave then absence. The game continued slowly, one move each every Sunday. But it was more than a game now, it was a token of affection that was growing colder, more distant as the words died unspoken and the petals drifted from the blossoms to the earth and blew away into gutters. Green leaves sprang up in their place.
One week she was out sick. The board sat untouched, collecting a fine layer of dust. Someone, midweek, sensing the abandonment, put the board and pieces away. The following Sunday she returned to find that the game was over.

*   *   *

She was strangely distant as they crossed paths at the door. It was the fist truly hot day, and she murmured something about Baker Beach and slipped away down the sidewalk after he asked her,
“What’s up doc?”
It felt so cold, the way she barely answered, like a ghost, the way her body moved, shrinking in to avoid accidental touching, as though they were strangers. His mind fumbled with numb confusion as he watched her depart.
When he found the display case neatly polished and the chess board and pieces gone, a hollow feeling seized him. Had she done it? Had she given up? If not, did she think that he had? Did she think hat he would quit their game?
He was in agony between cups of coffee, blueberry muffins, and feigned smiles. He broke hundreds and accepted two dollar bills, the endless stream of faces familiar and new trailing off into an empty Sunday night. He closed the store alone and walked home, his heart feeling as though it were being wrung like a rag by a washer woman in a depressing black and white film.
It was Allegro Non Troppo without music, cartoons, or jokes. It had started as a game, a simple game they played on Sundays. But when the game died, what was underneath it was lost too.

*   *   *

That night he dreamed. As the two dollar bill was passed to him over the register he thought of resetting the board and looked at the empty display top. In that desperate sad moment, instead of shutting the register drawer doling out change and smiling vacuously at the next in line, he doled out the change, took off his apron and announced:
“I’m sorry everybody. I have to close up right now, I’m very sorry.”
He jumped over the counter and ushered them out into the late afternoon sun. He locked the door, ran home, found his car on the street collecting club advertisements and got in. He drove to Baker Beach and found her sitting there alone on the sand in a striped bikini, flower tucked behind her ear. He sat beside her, looked her in the eyes and said,
 “Bishop to King 4.”
She smiled. The panoramic golden gate stretched out behind her, breeze softly ruffling her hair, sun sinking into the golden pacific. 

Struggles With Mother

She has always wanted me to be different, I understand that more clearly now. I didn’t have the words long ago to describe the repeating pattern, the predictable questions and requests sewn together like a simple quilt of three colors that followed me at first, then absorbed silently into my skin, tempering me with its weight and threads. 
I see it now from a slightly objective angle, my eyes just barely reaching above the gray fog and swirling shapes, the unsaid yet clearly defined goals that propelled me to a university and into the angst that would endure for decades, a sort of uneasy darkness that was just under the skin and could ooze out, thick and black if scratched just slightly. 
I didn’t understand it then, could not see the words making up the sentences that rolled through her head like a conveyor belt, getting more and more worn and rusty, but rotating nonetheless. As a baby girl she must have looked at me with all the hope and wonder in the world, projecting onto the blank screen of my white naked body all she saw as right and just, all perhaps that she had done and enjoyed and wished to repeat, all that she had not done but hoped to do through my skin and eyes.
As a young woman, both headstrong and naïve, I pushed against what I thought were inequalities, the mores of American society that everyone I knew seemed to accept and go along with, nearly universally without question.
She tried to keep me as a girl for as long as she could, even when my breasts started to bud and poke out from smooth cotton t-shirts.  She would not let me shave, and then when I did on my own, without consent, she looked at me sadly, finally relenting to the unstoppable flow of womanhood and said, ‘now you can never stop.’ 
Five years later, a head full of simple feminist ideology, unanswered questions and a body and mind full of open, bursting wonder and tinged with a splash of vehement anger, I stopped.  There was a contradiction I could not reconcile…I could not quite understand why when I looked at a man’s leg, covered in hair, why was I not repulsed?  Why did I have the opposite reaction seeing a slightly smaller leg, one of a woman, covered in hair? I decided it must be the culture, it must be a shared, accepted concept of beauty without anything behind it but current fashion and taste.
She did not see the young girl struggling to find her place in the symbolic order. She did not see the exploration, the push and thought against culture and the play with body and definition and experimentation with beauty and expectations, the transgression of a young girl in a society that demonized questions and moving against the wind. 
Then, as now, she could only see me through the eyes of others. She wondered and worried about how she would be defined and judged, how she would be one of the mothers that failed, who had not properly created and raised a young woman ready to join society beyond the safety of four walls. It was she who was the voice of society, she who demonized me, who pushed back against my own conviction with equal force, who judged the hair, who looked at me in disgust.  It was she who could not, who refused to see the thoughts behind the action, the tension and struggle.
I had thought it was them, the great nameless of society, thinking, moving, bulging as one big mass. I never thought it would hit so strong, come right back without ever leaving our house, come with such force from the single person tasked with guiding me through the world.
She has always wanted me to be different.  After nose rings and tattoos, it is now her obsession to hide my trees and mermaids from polite society, to hide me from the bikers and drug addicts they will attract, to hide my transgression and keep it locked in the dark attic of our household. 
This is not the girl she imagined, not the girl she wanted, the girl who would travel Europe- not Mexico. The girl who would go to a university and get a career and a Jewish husband, who would provide grandchildren. 
These wishes, pushed onto me since birth, have gone unanswered. I am not what she wanted. I am asked to hide myself, to shave, to wear long dresses, to go along with the lies she has woven about career and status. I have lost interest, the sting has dulled though every rematch is a burden- the tug and pull of my own thoughts wondering if I should please her, shock her, ignore her, and which one of my actions is coming from which thought? 
What hurts more? Covering myself time and again or seeing the disapproval in her eyes, the ashamed glance down as she looks at my skin? She has never taken me as I am and I have never cut the string, the threads of just a few colors which bind us together.

Blinking Calls Of Destruction

The computers
share what you cannot.
The things she needs,
a thousand thoughts.
The damage of our
entwining chords and bubbles,
you will never accept.
My throat,
my city,
it blinks, bored, into the darkness.
Only the red lights call back,
warning,
sighing,
muted and complacent in my paranoia.
Alone right now, standing naked at the window,
I carve the new path into my arm.
A canvas of pure white,
the roads are thick
and etched in the bloody marks
of an adventurer.
A lone wolf guided by the moon and scent
of the night dwellers.
The thickening mist is silent,
constant, hiding that which prefers not
to be seen.
A new way emerges,
tangible,
thirsty.
I open my mouth and suck it in.
Breathe it, chew on the possibility
just outside the window.
I know that it must look the same,
keep up the same appearances,
not a pen must be out of place.
I must keep things as they expect them to be,
for they will be watching.
The writers and men of twisting paths,
it must look like the realm of story,
a plain story without a plot,
a story set down on the side table,
unread and unchanged.
The images will come to the censor,
the gray, the box, the filter.
The drab and colorless, the institution.
They will scan and search, looking for
Subversion, dialogue.
It will be their judgment,
their moral stamp on the colors that will ensue.
It must all appear pale and without fire,
they will push us on,
discerning what appears acceptable
from what is pure chaos,
what is breaking apart.
They will let us through the narrow tube,
the filter burrowed into each
and every one of us,
airtight, black, oozing. 
All will seem normal, plain,
coated in the institutional sheen and odor.
We will split then, dividing evenly. 
A double path communicating through the lights, the red. 
The black that appears almost invisible-
close your eyes and it is there, blinding as the sun,
hiding in the mist, flowing along the carved channels of my arm.
The small dark crystal awaits,
we bring
Destruction.
The crumbling of empire, of rock and continents
and the heavy bodies that come with them.
It is coming.
My computer beats out the song.
Listen, you mad genius.
You naked warrior,
You goddess of sex,
dripping labia exposed to the mass of small and crumpled men.
Listen.
Open up, the communication is coming.
The beat, the hypnotic chant will break the rocks apart,
brick by brick, the city will fall.
Vulnerable, bright and shining against the window
the visions slide
down my cheeks, leaving
no marks.
My mouth open,
your machine on,
the computer blinking, whirring.
I must be brave,
the red and black give their command.

Eternity

Everything about her was different. I felt something with her that I had never felt with other women. Sisterhood. Something.
Whenever we walked down to the beach we saw dolphins. I never saw them when I went without her.
She wore this perfume, Eternity, and it was the only perfume I had ever liked to smell. Others gave me a headache. And maybe it wasn’t just the perfume, maybe it mingled with her perspiration, the trace minerals in the water that ran from her tap, the aroma of foods cooked with lemon and basil. It was colored by the timber of her voice, a soft but deep sound, slightly nasal, her laughter, a thing like a wave crashing against the walls of her chest before it hissed and bubbled out of her open mouth. 

She was the only Greek woman I had ever met, a student on a visa, sitting alone on a balcony overlooking the pacific where it met the Golden Gate Bridge and the Northern California coast, a princess trapped in a tower, watching the mist roll in to swallow the Presidio.
Who could save her? Who in a land of strangers, in a culture where it was politically incorrect to be a prince, where individuality and isolation deserved merit and everything else required therapy, who could rescue her?
That question, the answers she found in books and yoga classes and homeopathic remedies, everything else I have mentioned, that scent mingled with all these things. And as I have said, it was called Eternity.

In October I found a bottle of cheap perfume among a line of scents that called themselves “impressions of the world’s most popular scents.”
Yes, I found an impression of Eternity for seven dollars in the drugstore. I wore it to a PTO meeting. Leaves twirling in empty space between sky and earth, the fog of Pacifica thick and briny, the taste of hot chocolate from the Café’ near the elementary school, my children, still children in that moment, laughing and skipping and running into the arms of their playmates. Their little hands, tender and warm and smelling of dirt and graphite.
That scent came to be entwined with these things too. With sweaters and sitting in a room full of women snipping satin ribbon, the sound of shears cutting through new fabric, their voices, their stories, their children, my children, prancing in the halls beside us as we prepared for the Winter Bazaar. 
I felt a glimmer of it then, like butterfly wings on my cheek.  Strange familiarity or familiar strangeness, warm and glowing, like almost remembering the words to a forgotten lullaby, or waking in a dream.
Sisterhood. Something.
Eternity.

She was gone by then, in October.
Once when we had gone down to the beach we saw a bride and groom with a photographer. The bride's dress was long and white, the veil billowing behind her in a sea breeze as the groom, dressed in black, darted out of the way of the breaking surf. 
She had been married in Greece, when she was 18, and something terrible happened. Her love had abandoned her and she had been dragged out to sea with the other emotional and inarticulate things that whirled about in the cold dark currents.
The noose her groom had  placed around her neck was made from the rope attached to an anchor, and it pulled her into the icy depths where she forgot all of her names, she forgot that she had ever been human.

When the dolphins at last found her and carried her back to the shore, she came to America. In the United States the broken hearted, uncommitted, and antisocial are hip. So here, she lived with an American man who was teaching her how to be alone in the company of others. He was teaching her to loose heart with a smile and a shrug.

But in September, she called me, crying, and she asked if she could stay a few days. I wanted to tell her yes. I wanted to say, “Of course, you’re like a sister to me.” But I couldn’t.
Shortly thereafter she returned to Greece. There were no goodbyes.
At some point I sent her an email remembering the time we stood together in the water at Coyote Point. Children were flying kites and the sun was warm. Standing there in the water with her, I felt as though I was wading in the same sea that brushed the mysterious shoreline of her heart.
Afterwards we lay in the sun and she told me about men she wanted to introduce me to and old friends left in exotic places. The scent of  grass and sunscreen and sweat, mingled with her voice, her pretty vision for me, her sad stories.
And of course there was, encapsulating it all, Eternity.

Construction

Nothing inside, nothing outside. The construction continues.

There is really only one space that we occupy, it is our relationship to the flow of energy through ourselves and the space which gives the space shape. The form comes from within, from a certain nothingness that hides itself in endless dancing.

A night not too long ago. She was awoken from the silent sweetest of dreams. It was precisely when the first bomb struck the earth, only a block from her house.

She lies now on a hospital bed with her arm nearly severed. Her nervous system recurrently informs her that something has gone drastically wrong. Somewhere, something has gone wrong. It is difficult to place it, difficult to ascertain the nature of the problem. But it's there. Palpable, close.

On the corner of the hospital complex a re-construction project is underway. If she lifts her head up onto the pillows, she can see it from her window.
A flimsy chain link fence surrounds the dusty site, the worn woven metal providing little more than a psychological barrier between the hospital and this budding new project.

She can not recall the details of that night. A night not too long ago. Certainly no details of the day after. No details there. Only dust and clouds and a kind of nothingness full of expectation.
No details.
But she remembers waking in the middle of the night. She remembers smiling, she remembers the feeling of lightness and air. Something rising, something expanding and seeking freedom.
As she was pulled into waking consciousness by sirens and the sound of splintering metal, she felt the softness drain from her mind. Some things can only be felt at certain times, some times are more rare than others. The smile was gone before she knew where it came from.

There is a big gap in the fence, making it easy for the workers to enter and exit. If she lifts her head up onto the pillows, she can see it from her window.
The enclosed area is large, big enough to contain the planned 5000 square foot clinic that will sit here in the near future.
She watches them from her window every day, hour after hour. They provide a kind of solace that she can't find elsewhere, not in the words of the doctors, not in the voice of her relatives through the phone, not in flowers, not in light.

The boy no longer cries. She may feel despair, fear, anger, or more likely a sensation that escapes definition but is nonetheless extremely unpleasant. Her eyes are certainly wide open, watching the strange movements outside. The construction continues.

The ground is made of dirt and the 12 inch boot imprints of construction workers poke the dusty surface. A small handful of construction workers are present, all looking identical in their uniform of blue jeans, white sweatshirts, tan boots and white hardhats.

The crucifix hanging over the bed seems awful, like a foreshadowing of impending punishment. Sacrifice, death, pain, sudden change, sacrifice, punishment, pain, change. The entire mood is sinister.

A night not too long ago. The sound of sirens, a loud explosion, a smile that vanishes.
Before her brain could catch up to her movements, she was already running for her son. The loud echoes of the bomb were still in her ears. There was nothing to do but run, run for him.
A bomb, so close, too close.
After gathering the crying infant in her arms, she ran once again for her husband. She asked what was happening.
"It's them..." was his only reply, and then he left to turn on the TV.  The news sounded like the singing of birds, the words didn't make sense but it seemed as if they were saying something.

Construction has just recently begun, only a dozen metal beams have been put in place to create the foundation of the building. Three steel beams, each almost four hundred feet tall, stand vertically. If she lifts her head up onto the pillows, she can see it all from her window.
Despite the size of the proposed project, there is a quiet calm within the construction site, like the relaxed mood of a warm Sunday afternoon.

She may feel despair, fear, anger, or more likely a sensation that escapes definition but is nonetheless extremely unpleasant.

The small group of men work efficiently with the instilled knowledge of their craft. They move confidently and smoothly, knowing all the necessary steps needed to complete the project. Hardly a spoken word is heard throughout the construction zone, every man knows his role and performs each small task with an effortless ease.

A night not too long ago. The night before the day. The day she can't put together, the missing pieces she can't remember. The day she tries to build within her mind and yet fails, over and over again.
She spent the rest of that long, black night alone in bed, trying to console her crying son and failing once again with the sound of a new explosion. One after another. Sooner or later the sound would be too near, sooner or later the sound would be so near that she would no longer be able to hear, no longer would be able to see, no longer would be able to remember.

Four of them are working on raising a metal frame, the dark metallic frame looks purple in the sunlight and the huge square piece of welded steel rises vertically into the air, forming the skeleton of the new building. With only a couple of men, they manage to lift a thousand tons of metal, there are no cranes or mechanized machines in sight.

Her nervous system recurrently informs her that something has gone drastically wrong. (Memories, flashes of insight, understanding that fades as soon as it announces itself with finality.)
She lies now on a hospital bed with her arm nearly severed. The boy no longer cries.

The form comes from within, from a certain nothingness that hides itself in endless dancing.
There is really only one space that we occupy, it is our relationship to the flow of energy through ourselves and the space which gives the space shape.

The cries of the little boy lasted through the night, never ceasing, never slowing. It was as if he already knew what was coming. As dawn broke, the sounds of explosions continued.
Eventually she got used to the sound. It took a long time. She got so used to it that she forgot all about the danger, all about drastic possibilities of irreversible change.

The boy. A construction worker every so often descends from the top of the highest metal beam.
No longer. His toes are tucked into a groove in the small metal beam and he slides down to the earth slowly, like Dracula with his arms crossed at his chest and still wearing a hardhat.
Cries.

Nothing inside, nothing outside. The construction continues.

Gallery

I find myself standing inside a modern gallery. Cool bright floors, bright white walls, light breeze streaming through big open windows. At this point I vaguely remember leaving my house, I vaguely remember an afternoon of surprises, unusual circumstances, the sound of laughter, the bright sunlight on the sidewalk, the startled look in the eyes of the guy who gave me the mushrooms, the kids playing baseball, the trees in the distance, the way the clouds looked like oil paintings, the sound of the birds.
"You will laugh so much..."
But now I am inside this gallery, looking at a painting of a mountain. I can't quite remember coming here. It makes sense that I am here, but I can't remember. It just makes sense on its own terms.
I look at the painting.

I see a rocky mountainside, covered halfway up in stones the size of human heads. All the boulders are dark gray and cold and slightly wet. The mountain is wide and tall, it connects to an even larger mountain range to the north. In the distance, the mountains are brown and barren and covered only in scattered patches of dry grass. The sun is hiding somewhere behind a thick haze of clouds.
The day seems new, but somehow drained of energy, as though something very intense has just vanished and what remains is slightly diminished.
It reminds me of the light of the afternoon. This afternoon, not that afternoon. It reminds me.

At the base of the mountain range is a receding sea. The water is dark blue and choppy with white caps. It flows out towards the horizon in a hurry, as though something was waiting for it beyond the thin line of sight. The wide mountain is mostly covered in heavy rocks, but as the mound moves closer to a tip, the rocks become smaller and smaller, until they are just small pebbles hidden between blades of dried grass.

I come to the realization that the painting implies a location for me. Within it, I am inside a small cabin, looking out the window. I can see the frame of the window at the edges of the painting itself. The mountain is outside the window, bright sunlight, blue sky. But inside the cabin it is dark, musty shadows. 
Answers born from questions and questions born from answers tumble awkwardly over one another like dark suited gymnasts. What is that light there, penetrating the apparent serenity of this dark space?
Eerie and blue, it calls to me and points towards a startling terror.
I am not alone here. I am not alone.

There is a movement not far off, something that can see me, just as I can now somehow barely see it. Somewhere beyond the edge of my vision, beyond the frame, within the painting, somewhere in the in between. The nether region beyond my direct sight. Something in there. Somewhere. Something.
The age old questions arise: can this thing hurt me? Should I hurt it first? Who will eat who?

I turn away from the painting. The guy who gave me the mushrooms is looking for a general manager. He is asking questions in rapid fire succession. His hands move up and down. I can't see who he is talking to. Someone else is here. Someone. Somewhere.
I have questions of my own. Where did I meet him? How long ago? Were we good friends at some point in the past? Did we spend many afternoons together, drinking, talking, asking questions, laughing? Did we laugh so much that we came to know each other through our laugher? Have I temporarily forgotten?
His girlfriend is with him. She must be with him. I can't see her. I just see him walking around, moving his hands up and down.
Was I his girlfriend before? Was I someone else? Did I know him at all? Have I ever met him?
There are no clear answers in the gallery. No clear answers here. He is too far away to ask. Too far away to focus. Too far away to listen. Too far away.
I turn back to the painting.

I feel this thing again. Something beside me. In the painting, outside the frame, not in the gallery, not on the surface. And yet right here. Right there. Next to me. Some thing.
This is too close.
It can't be a friend. A friend knocks at the door, a friend calls to you, announces their presence from some distance before coming so near. This can't be a game.
Or are there other ways to play? Ways that belong to creatures far beyond the fear of safety and borders of individuality? Does one thought in my mind announce itself to another before it takes over? Does it knock? Does it ask for permission? Or does it just come in when I'm not looking? When I'm looking elsewhere?

Fear is such an insistent mistress, always calling for my attention, always making bold claims.
Such as this announcement, this sudden claim that this is a matter of life and death. This, right now. 
How can it be? I am standing in a gallery, looking at a painting, sunlight outside, the sound of voices, a guy I may or may not know asking for a manager, cars passing by outside. Safety. The world.
Leap up and attack! Run! Act! Quickly!
Or tell yourself that it isn’t real. It's only your imagination, it's the mushrooms I ate, not too long ago.
It couldn't have been that long ago, it must have been today, earlier today, how long is today? How long does the sun stay up in the sky? What does it mean to ask how long when I can't feel time passing?
There is nothing there. Walk away.

I close my eyes. If I can’t see it, then it can’t see me…so goes the ostrich logic. Leave the hidden things to feast over my reposed form. What do they do while I hide behind closed lids? What do they want?

I turn to another painting. Right next to the first one.
I am now looking into a warehouse. I sense that they would want me to be the manager here. Who are they? How could I know what they want?
They need help keeping track of things, maybe someone is looking for me, just beyond the edge of the painting, looking for the manager, for someone that could be the manager, me. I'm the one they're looking for, I'm the one he's looking for. I can be the manager. I am the manager.   
There is grass on the floor of the warehouse. There are lots of people inside, some of them are watching TV.  A large screen TV in the middle of the room.
I think that it could be relaxing to sit in the middle of a crowd and watch the images flashing on the screen. But the air is stifling, it's too crowded, I need to breathe. I can't sit here the way I'm feeling right now. I can't sit among so many people, I can't.
I look into the TV screen, the one inside this second painting, inside the warehouse that is inside the second painting.
I see the dead horse. His dead eyes stare at me through the screen. Stare at me. Dead horse. Inside.

I am back in the cabin. I don't remember turning back. I must have blacked out, I must have closed my eyes, I vaguely remember closing my eyes before, maybe I've done it more than once, maybe I've been doing it over and over.
Has this happened before? Have I asked these questions already? How long have I been here? 
I'm simply back here. Back in the cabin. And someone, something, is still here with me.

This is that thing, so familiar, so incredibly strange. I know it. That thing that they told me didn’t exist. The thing that was not in my closet, not under the bed, not at my window. The thing that was not.
Sleep they told me, go to sleep. So I did.
But now I can feel it. I am startled by this presence, this “should not be here” that disturbs the peace like a spider falling from the ceiling onto your cheek, a hand where there should be empty space, a pair of eyes in the raw darkness of a garden. Flashing eyes, glowing eyes.
Just inside the cabin, inside the painting, outside the frame, not here where I am, there, not here.
Now I know that it has always been here. It was always in the closet, under the bed, and at my window, then just as now. Now. Here.

I turn away and walk out the back door. I see the mountain once again. Maybe if I leave the cabin behind, the darkness, maybe the thing can't follow.
I step outside, into the fresh air. I breathe deeply. So much better out here. Leave the cabin behind. Finally, I can breathe. This is what I needed. This is what I need.

There is one four foot trail that travels the length of earth from peak to ocean. There are other scattered trails that are much thinner, only wide enough for one person at a time. Close to the shore is a thicket of trees beside a clearing thirty feet wide. They are as tall and thin as eucalyptus, only they have darker and wider leaves and more full reaching boughs that create a wide canopy.

Something is still moving behind me. I would not usually be here, walking on this mountain path. Usually I wouldn't be here. Usually. 
I would not usually perceive that strange glow, should not. I would not hear the rustling, should not. I would not feel my pulse quicken and my eyes snap open.
Keep walking. Keep going. Don't look back.

The clearing is smooth and flat and free of all rocks. Because of the trees, it is covered in a nearly green-black shade. The earth here is damp and smells of wet bark.
To the left of the clearing and the trees is a grouping of dark wood condominiums. The singular structure is angular and modern. It would give off a very cold emotion if not for the wood used to construct it. The collection of two-story houses each have double pane windows and wide sliding glass doorways that face the seashore and the thicket of trees.

These things are ephemeral.
Yes, I have now decided, it is more than one. It is multiplicity itself, it is always many and now more than ever.  Many and I am one. They continue their advance. They.
Why should they worry? I don’t believe that they exist. I have left the cabin, there can't be any thing here, no further thing, no further.
Reason should prevent me from rising to stop them. Why should I try to stop that which doesn't exist?

On the lower floor, beside a sliding glass door, is a dead white horse laying on the ground. Its legs are curled close to its body in the fetal position.

Sleep they told me, go to sleep. So I did. That has always been the way. Where there is nothing, sleep will brush it away. Gentle sleep, calming sleep.
Tell yourself that it isn’t real. It is only your imagination, there is nothing here. Mushroom, light, painting. Nothing there.
I am looking at a painting. This guy I know. He gave me some mushrooms. This is the mushrooms. This is what happens when you eat mushrooms. (Except mushrooms have never been quite like this. Except I can no longer see a gallery or a frame or a painting.)

The glass doors reveal the occupants of the houses. There are people inside. They are swollen and pale and laying on their backs on the damp linoleum of their kitchens. Their bodies are moist, as are the T-shirts and shorts which clothe their bloated bodies. They are not moving but I can see their chests moving up and down. Alive. Moist. Bloated. Inside.

These things are still behind me. I can't think of any other noun to describe them. Things. What do they want from me? What do they want?
Answers born from questions and questions born from answers tumble awkwardly over one another like dark suited gymnasts. I descend into the dark depth blotting them from my mind. Forget that light there disturbing the womb of darkness and retreat into slumber and the comforting illusion of solitude.

There is a rocky mountainside, covered halfway up in stones the size of human heads. All the boulders are dark gray and cold and slightly wet. The mountain is wide and tall, but it connects to an even larger mountain range to the north. In the distance, the mountains are brown and barren and covered only in scattered patches of dry grass. The sun is hiding somewhere behind a thick haze of clouds. The light is still very bright, the kind of light that requires squinting. The day seems new, but slightly drained of energy, as though something very intense has just vanished and what remains is slightly diminished.

I see a woman lying down. She's laying on the ground. Her legs are curled close to her body in the fetal position. Her face is towards me. She looks strangely like me.

There are no things. There is no gallery. There is no painting. There is no horse. Nobody. Nowhere. No.

Until The End

The law would not bend to her will.  She wished to reverse time, to stop decay in its path, to find the fountain.  Her bones were made of steel. The taste of metal lingered in her mouth; even after brushing her shiny teeth she could sense the elements and polished earth.
The years since her birth had flown like a blue feather on a hurricane gust. Childhood had at first been painfully slow, but the moment her breasts were upright and singing, the years gathered strength and momentum, rolling faster and faster until she came to the edge and her pulse slowed. She grew out her hair in an attempt to capture what had been.

Now, her white mane long and clean, her hair had become a symbol of the past, like some sort of guiding line attached to a place she could not quite remember. The girl that had been, she had never known her.
She had watched herself from a distance, seeing the movements and thoughts of a skinny girl from an outsider’s perspective. Her dancing and singing was put under scrutiny, not by all those teachers and fellow students, but by the loud voice in her own mind that beat its comments into an ever-present rhythm she confused with the body’s pulse.
Her hair was long now, longer than it had even been.  When naked she could feel the soft ends of her white waves rubbing against the back of her thighs. 

Sprouting life seemed to grow unabated just beyond her fingertips.  The tree outside the window, once a sapling she had planted with her own hands, had grown into a massive fruit bearing vine.  It had pushed its way through the cracks in the house foundation, had climbed up the interior wall in her bedroom and spread along the ceiling. 
There were flocks of bright colored birds perched along the ledges of her roof and in the garden. A once carefully tended plot of vegetables had exploded into a new life form.  The tentacles of squash plants covered the land, expanding outwards, resolutely mounting wooden fences in its path, winding its way over forgotten toys and sun-chairs in the neighbor’s yard. 

She wished she could bend that universal law into a pretzel, making time into a new shape so that she could experience it all again in a different way, perhaps with more clarity, perhaps with more wisdom.
She was old and her bones were metallic.  Little walks around the block towards the park sent sparks through her, sometimes igniting the dried up lawns beside the path.
If only the proliferation of vines and thick weeds and the sun could wait for her, could keep her in their company.  She would like to see it all to the end, every moment of existence before it all went up in a colossal puff of smoke. 
She swung her hips as best she could, leaving a trail of embers on the sidewalk.

Almost Forgotten

Out comes the rain
playing with the spiders that hide in my thoughts
out comes the rain
washing me out.
pools and puddles
all that blackness reminding me of the leaky drain

rain
wash me away
every part that answers when they call my name

were it easy
were it easy
were it easy the rain might
grow bitter

I remember
when I looked into the moon
and saw them kissing.
We sat in a café as the bright silver plate filled the sky.
And then it rained and I came
Driving through puddles
The freeway was just a long river towards
Blue eyes and a sea hidden by clouds.

I thought the spiders would slip out
But more came in
You pushed them inside me
On those rare occasions.
You pushed them inside me with all those
Cigarettes and the tiny little lies that turned into mountains.
You pushed them inside those places I let you carve.

When you went away
The pools felt like they would not end.
When you went away the clouds lifted
When you went away there was joy
When you went away I opened for the first time.
Caressing the wounds, I let you fade.
And then today- your birthday.
I had almost forgotten.

Has the rain found you
and all those spiders you sent?
Happy birthday,
I am hidden in the clouds,
may we never meet again.

Dermit

Dermit has a skin problem. There is a name for his condition, but those who are blessedly free of it are oblivious to that name. They simply see Dermit’s splotchy red skin and put an extra foot of space between him and their own unblemished surfaces.
Dermit lives on the third floor. He rides the antique elevator up and down twice a day; once on his way to the post office where he works and once again on his way home. Occasionally he sees Tabitha from number 5 riding in the elevator to or from the second floor. When Dermit sees Tabitha his palms grow sweaty and the red patches of his skin feel particularly itchy.

Tabitha wears a goldenrod beret and matching crocheted scarf. Her pea coat is navy blue, her ballet flats are red and she wears a hue of lipstick that matches the color of the shoes. Her hair reminds Dermit of a dark polished wood like mahogany and maintains a stylish bit of waviness that he is certain comes naturally to her. Her eyes are remarkably blue. Dermit thinks that women with dark hair and pale eyes are a rare treasure.

Dermit wears his post office uniform. He covers his arms with a navy blue cardigan. He hides his legs in the dark blue trousers and avoids the shorts that some of his colleagues wear in the fair months. Despite this, the condition shows itself on the backs of his hands and sometimes flares up along his neck and behind his ears. He spends too much time in front of the mirror adjusting his wire rimmed spectacles and buttoning and unbuttoning the cardigan, helpless against the unwanted patches of irritated flesh.

Tabitha has noticed Dermit in the elevator, fussing with his sweater buttons and staring zombie like at anything but her. She has taken the extra steps to put space between herself and the guy with the rash.

One day, after work, Dermit boards the elevator.
“Hold the elevator please!” someone calls from the building entrance.
Dermit waits listening to the hurried scuffle of shoes on marble and Tabitha appears. Her eyes widen when she sees who it is she is boarding with. Dermit closes the accordion style gate and presses the number three button.
“You’re on two right?” he asks her.
Tabitha forces a smidgen of a smile and nods curtly. Dermit presses the button marked two. He begins to turn to stare into space as is customary, but suddenly looks directly at Tabitha and blurts:
“My name’s Dermit, I live in number 8.”
He extends his hand and Tabitha merely stares at it, at the red splotch that has swallowed it. After a moment Dermit retracts the hand.
“Sorry,” he says. “It’s... it’s not contagious.”
Tabitha swallows. Dermit tries again.
“I’ve just... seen you a lot and wanted to introduce myself. Maybe we could get a cup of tea around the corner sometime. It’s nice to know your neighbors.”
The elevator stops at the second floor.
“I’m really busy, a lot of the time,” Tabitha says as she opens the accordion style gate, steps out and closes it again behind her. She is already out of sight when the elevator resumes its ascent.

Alone in his apartment Dermit adds this year's special edition valentine stamp to his collection before feeding his cat, Archimedes. He vows to take the stairs for the rest of the month and looks for a new dermatologist in the phonebook.

One night after work, Dermit stops at the corner drugstore to pick up the cream his new dermatologist has prescribed. There is a woman in line ahead of him and it takes Dermit a while to recognize her as his unfriendly neighbor from the second floor. He abstains from greeting her.

At the register, Tabitha swipes her debit card to pay for the tampons and Advil she has brought to the counter. An uncomfortable minute lapses and the cashier says,
“I’m sorry. It says there are insufficient funds.”
Tabitha fumbles as she pulls out another credit card and takes the debit card back. She swipes it and is once again denied after an anxious wait. She tries again with the first card, her shoulders creeping towards her ears, her cheeks reddening. She can feel the eyes of those in the growing line behind her. As she takes the card back from the irritated clerk a fourth time, a man steps up beside her at the counter and hands the clerk his own debit card.
“Here, try this one.” Dermit says as the hot silent tears start slipping out of Tabitha’s eyes. “And I’m here to pick up a prescription for McLaughlin."
“Thank you.” Tabitha sniffs as the clerk turns to fetch Dermit’s cream. She is unable to look at the stranger beside her and instead stares down at the counter trying to stop the tears.
“It’s all right.” Dermit tells her.

When the transaction is complete Dermit hands the paper bag full of Tampons and Advil to Tabitha and she looks at him for the first time. She starts to cry silently again, walking with Dermit towards the exit. After a few sniffs they step out into the cool night and Tabitha says,
“Thank you again, uh, Dermit. I’ll pay you back. You said before that you’re in number 7 right?”
“Eight.” Dermit tells her, “But don’t worry about it.”
“No, I will.” They start walking towards their building together. In silence they pass through the lobby and board the elevator. Dermit presses the buttons for both floors. The elevator stops at the second floor and Dermit opens the accordion style gate for Tabitha.
She steps into the hall and presses her lips together. Her cheeks are still burning crimson.
“My name’s Tabitha.” she tells him. “I live in number 5.”
Then she vanishes down the hall, her ballet flats thudding softly on the carpet.

The Lecture

Fall was touching the ‘city on the hill’, interspersed between the mountain’s thick evergreen and redwood forests were yellow and red trees shedding their thin leaves. In the air was the ever-present smell of fireplaces alight and the crisp bite of the air required a thick cozy sweater and, just for pure tactile pleasure, a warm cup of hot coffee.
The sun was just beginning to fade as the doors of the lecture hall were closing for the 6pm class. It was an amphitheater-shaped building where two hundred students could comfortably fit. Pale gray metal chairs with dark gray cushioned seats and backs were arranged in a semi-circle that rose above the narrower main floor, which is where Professor Habiman stood at the wooden podium with his lecture notes. Isa chose a seat in the far back right corner, just four rows back from the wall in an aisle seat where she had a perfect view of the professor.
As the class began, his scrawny teaching assistants handed out the multiple-page syllabus which was stapled in the left hand corner. Isa flipped through the list of required reading and assignments as Professor Habiman outlined the material and course work for Drugs and Society as well as what they would be expected to learn.
Twenty minutes in, Mr. Habiman began the lecture with an overview about the roots of addiction; being a sociology class, he mentioned societal factors including poverty, class, gender, and education. It was then that Isa had something to say. Without thinking, wondering, or waiting, she raised her hand.
Professor Habiman called on her, though it was not the custom (unbeknownst to her) for lectures to be interrupted with questions or comments, which were either asked at specific times designated by the instructor or after the bulk of the lecture. As he raised his eyebrows and waited for her to speak, the full attention of every student in the amphitheater turned towards her. Projecting her voice so everyone could hear, she said:
“Also, I’ve found that Pisces tend to have addictive personalities.”
The class was silent. Mr. Habiman, a man in his mid-50s, with a slight paunch protruding from his button-up white shirt, a neatly trimmed 3-inch white beard and combed back gray hair, stood quiet for a second, seemingly stunned, as though he was still processing what he had heard. Then he found his words.
He looked around the class, gathering the confused attention like a good stand-up comedian, his eyes sparkled and drew the audience into the folds of his emerging joke. Through a faint smile tinged with anger, he replied:
“Astrology? That’s not science. In this class, within the discipline of sociology, we study science.”
He shook his head slightly, shaking off the pitiful comment like unwelcome rain. Isa heard chuckles reverberating around the room as though in stereo sound, echoing without end.
“As I was saying,” he continued, “there are various roots of addiction…”
She sat there, her cheeks burning with embarrassment and anger, her body suddenly more aware of the creaking folding metal seat cradling her form, her feet acutely aware of the cold cement floor. She shrunk slightly and stared straight ahead, hearing nothing but bass tones, seeing nothing but yellow light and muted colors on the periphery of vision. Her cheeks were beyond blush, she was red, sweating and covered in the odor of failure.
Isa sat there for five minutes, for what seemed like hours pushing back stinging tears. The laughter, the quick rebuttal to her theory, the anger in his voice, it swirled through her like a tempest of hurt, gathering speed and fury as she thought about it more, as she fed it with her rage.
As the tears were just about to break the surface walls, she gathered her purse and scarf from the empty chair beside her and quickly climbed the few remaining stairs to the back of the amphitheater. With the raw, aggressive force of her burning body she pushed into the long metal bar (which was the ‘knob’) and heard the quick blunt sound of metal hitting metal.
Beyond the door was a cement stairwell that led to the ground and the night air, now completely black and dotted with stars. She felt a sting as her hot cheeks met the cool air like a slap and she screamed ‘FUCK!’ as she quickly descended the twenty-five stairs. On the last few steps she heard the door close behind her and the yellowish light from inside the lecture hall disappeared.

* * *

The following Wednesday night, Isa went back. Without meaning to, but following a mechanical tendency, she sat in the same place, towards the back right, not too far away from the exit door, in the aisle seat with a clear view of the professor.
The class quieted as Mr. Habiman began:
“Before we get into the material, I wanted to ask, is the young woman here who made the comment about astrology on Monday?”
A girl with short dark hair sitting just one row in front of Isa turned towards her. Isa met her eyes quickly and then looked straight ahead, saying nothing while everyone in the room turned in the general direction of the back right corner and waited. When there was no raised hand they looked around the rest of the amphitheater blankly, searching for a recognizable face. Isa stared straight ahead in silence and was thankful the girl in front said nothing, playing along with Isa’s mute example.
“Well,” he continued, “if anyone knows or sees her, please give her my apology. I shouldn’t have said what I did.”

Soulless Things

Later, much later, Andrina was caught in the net of a fisher of men. She was a soulless thing like all of her sisters, except for the youngest who had earned hers through sacrifice. But when that priest looked into her eyes she felt a pang in her chest.
What eyes they were, round and silver like moons with amber striations radiating from the darkness of his pupils. His hair too was silver streaked with black, like lightening flashing in a tempest, it hung long around his face, undulating as the sea in the brisk gale that blew over them, rocking the tiny boat.
Helpless in his net, Andrina gazed back through long black lashes and the pale hair that hung limp and heavy around her face. She had never seen a priest before, and so his long black habit revealed nothing to her of his occupation, but it impressed her nonetheless. She had never seen a fisherman wear such a garment.
He did not speak to her at all before he cast her back into the sea, and after following him and singing her most alluring song to no avail, she at last swam reluctantly back to the depths.

As the tides ebbed and flowed the pang in her chest grew into an unbearable torment. Creatures such as herself do not sleep, but they dream with eyes wide open, concealed in kelp forests whose swaying lulls them like a silent song. But her dreams were only of those eyes and the way he flung her into the sea and never looked back. She could not bear to dream, and soon could neither eat nor sleep. She found no pleasure in the arms of the sailors that she dragged into the watery abyss and sucked their last breath from them with deadly apathy.

Desperately, she followed her younger siblings' example. After arduous searching, she found the sea witch in her caverns, gumming the bones of dolphins and drowned children.
The witch drew herself up out of the silt, stirring the water momentarily to muck. Then her one remaining golden eye locked onto the pale face of Andrina and she commenced to indulge in a laughter which began modestly but soon rumbled through the caverns, disturbing other dark things that once lay sleeping.
“Another little mermaid tormented by love.” the witch gloated, “And with a priest, no less. This should profit me well.”
“Love?” Andrina felt insulted. “I cannot love. I’m sick, witch, and I’ve come for a remedy.”
“Silly thing.” the witch said rearranging some bones to form her magic circle. “You are sick with love. You were contaminated by that priest. You’re only hope is to make him love you back. You must seduce him if you wish to be released from your torment. I will do for you what I did for your sister. I‘ll give you legs. Now hurry and leave before you transform. I love to eat things that have legs. You have one year, and if he hasn‘t made love to you by then, I get to eat you anyway.”
The witch quivered as she spoke this last line. Then her laughter swelled again, shaking slimy things from hidden crevices in the deep.

Andrina arrived with the storm, tossed onto the earth by titanic swells of white capped water. She hated the legs from the moment she stood on them and each step brought pain as though a dagger had been thrust into the arches of those horrible feet. Andrina dragged herself away from the angry mouth of the sea and staggered up the first path that presented itself, up to the church on the cliff. Above her the stained glass sparkled in the darkness, red and blue and gold, candle light flickering from behind so that the colors blinked like stars. The priest's boat was torn from the dock behind her and smashed in the waves while the wind howled and the icy rain pricked her flesh like needles falling from heaven. Naked and shivering, she burst into the chapel where her priest kneeled at the feet of the virgin. He turned as the doors were flung open and she limped, wild eyed and chest heaving, across the threshold to collapse in a pale heap.
With the same somber attitude with which he had cast her out of his net, the fisherman priest rose and shut the chapel doors against the storm. When he lifted her from the floor, Andrina wrapped her arms around his neck and pressed her lips against his, but the priest held still as though a snake were at his feet, his lips unyielding. Then very slowly and gently he pulled his head away from hers as she lost consciousness again.

Having never slept before, Andrina lost a week to slumber in the priest's bed. When at last she awoke he fed her broth and bread, things she had never tasted, things that made her stomach sour. He tried to speak to her, but though her eyes remained fastened to his, she could not understand a word that spilled from his tongue. She tried to kiss him again, but he pushed her sternly, though gently, away.

He converted a store room into quarters for her and showed her how to stuff her own mattress with straw and scented flowers. He made her wear a scratchy gray dress and showed her how to draw water from the well. She was made to kneel before the altar with him several times a day. He attempted to teach her to speak his language though she could scarcely manage to feign interest in the coarse sounds that he uttered.
He taught her to tend the garden, but things of the earth withered in her care.
He built a new fishing boat and took her out with him, and here she excelled. She would cast the net and sing in her own tongue until it was heavy with fish. After discovering this talent he sent her to fish alone and tried to teach her to sing his own music. She would not look at anything written on paper, but he taught her to repeat after him and was amazed by the perfection of her memory. She could perform complex melodies if he sang them or played them for her on the organ but once.

Thus routines were established and Andrina fell into step with her priest, each footfall filling her body with searing pain. Every Sunday he rang the bell and one old woman would trek up the path and take a seat in the pews to listen to the mass and take the sacrament and hear the priest play the organ as Andrina sang. Andrina grew weaker with each passing day. The priest was immune to her physical charm. His eyes were more hypnotizing than her own, his passion distilled into religious fervor. Only her voice could reach him and this he bent into his songs of worship, his will stronger than her heart.
Andrina’s pale hair grew brittle and her eyes lost their sparkle. There were days when she could not move about without the assistance of a cane, and yet worse days dawned when she could not rise from bed at all. Her priest ministered to her then and she followed his eyes with her own, as entranced as if she were in the kelp forests of her home.

The seasons passed, 1, 2, 3, 4 and the old woman from town died. Her casket was carried up the cliff by two men with coarse faces and tight fitting suits. They lowered her into the ground and left the way they had come, walking stiffly down the dusty road. Andrina, supported on her cane, watched them go and thought of how she would like to draw them down into the darkness and suck their last breath from them. The priest prayed for the old woman and buried her and made Andrina come into the chapel and sing.
His language was beginning to make sense to her.
“Ashes to ashes.” she heard, “dust to dust.” It terrified her that she could understand this, she who had once been immortal, she who was now running out of time.

That night, she slipped into her priest's bed and he flung her out, just as he had flung her from his net eleven moons ago. He made her kneel with him and prayed for her forgiveness and salvation the rest of the night. As the dawn broke over the sea outside and peeked through his small window he clasped her face in his hands and said:
“My child, god's love is infinite. Seek his love, not mine. The flesh will die, your immortal soul will go on at his side if you abide by his commandments and do his work.”

Andrina formed her mouth awkwardly over the words leaving large gaps between each utterance:
“My flesh was im-mortal…I lost that to be at your side. I have no soul. Your love is my on-ly salvation, since you caught me in your net. Save me, please, save me, my love.” she wept and the priest, taken aback by her first words since her arrival, turned pale and released her warm cheeks. He clambered to his feet and left her alone on the cold stone floor.

Andrina went out in the boat and sat upon the sea weeping. The wound in her chest had only grown in the months that had passed. She whispered farewell to the sea and the long life which now seemed like a distant dream. She wondered if it had been real at all, or if she had always been a mortal creature, the crippled daughter of a fisherman perhaps, weak minded and fanciful. She wondered if she might escape the witch’s appetite by running from the sea and settling inland, she wondered if she would die somewhere surrounded by stone and root and if some priest would lower her stoically into the earth mumbling about ash.

At that moment the sea hissed and bubbled near the small boat and a black dagger broke the surface of the water, a pale hand wrapped around its barnacle encrusted hilt. As the knife rose into the cool air the sea quieted beneath it and Andrina could see the face of her sister, Arista, just under the shimmering surface, black hair radiating from around the pale oval like the rays of a dark sun. Andrina recognized the dagger that had been cast away by their strange youngest sister long, long, ago in the moment of her sacrifice. Andrina herself had been the one to place it in her hand. Now it was Arista who offered it up. Trembling, Andrina seized the dagger, her finger tips brushing against the cool slick flesh of her sister’s hand before Arista sunk back into the depths. Andrina concealed the dagger under her dress and turned the boat back to shore.

The priest was gone for most of that day. Andrina waited for him in the chapel, but would not kneel at the feet of the virgin. She paced and felt the bite of the earth sting her feet. As dusk approached she nearly gave up hope that he would return, but then he came into the chapel looking pale and weary. She limped to him and shaking he pulled her against his chest. For a moment the pain in her heart was eased, almost transformed to euphoria, but then he spoke into her hair, the heat of his breath touching her scalp:
“My child, my vow is to God. I can do nothing to break my covenant with him.”
She tried to turn her face up to kiss him.
“Save me, please.“ she begged, but he held her until she stopped struggling,
“No!” he cried fiercely though softly, “What you ask for is not saving, you would damn us both!”
The sun was slipping away behind the stained glass, leaving them wrapped in gloom. The moon would rise soon. She fell limp in his arms and wept for a moment longer. Her hand was wrapped around the dagger's hilt as she spoke into his chest:
“I will not die for your God.” She plunged the knife into his belly and he gave a little startled cry as he crumpled heavily around her. “Now you can feel my love, as I have felt yours.” she whispered.
The chapel doors blew open, a sudden gust coming up from the sea. Andrina pushed her priest off of her onto the stone floor where he lay bleeding and gasping like a fish. She took hold of the hem of his habit, and wincing from the pain in her feet, she dragged him out of the chapel and onto the dirt path.

Storm clouds were gathering over the sea and the lightning flashed over the water. Silver against black, like his hair. She pulled him through the dust, ashes to ashes, down the path cut in the cliff, the dagger lodged in his belly, his blood spilling into the earth as they went. The moon was rising, silver over the water, like his eyes, as she stumbled and fell and crawled still dragging him behind her. Her knees were torn by the rocks so that she too bled and her blood mixed with his and with the earth.
On the beach she struggled to her feet and dragged him into the surf, then collapsed with him where the sea met the land. She wrapped her arms around him and sang her most alluring song to him, waiting for the waves to pull them free. The mouth of the sea opened hungrily around them and swallowed them up, pulling them into the deep.
Now Andrina gave him her kiss, drawing him down, down, down with her into the inky depths, far beyond the place that nets can reach, mortal dreams peeling away from them in their descent. She was a soulless thing like all of her sisters, except for the youngest who had earned hers through sacrifice, but when that fisher of men looked into her eyes it left a wound in her heart that not even eternity could heal.

The Bird

Light comes in, bursting through the colored landscape with speckled dots of brightness. Moves in like the unwanted visitors who stalk restful sleep. Soon she will remember where she is. The little white room, the single bed with a tri-colored crocheted quilt over her naked body. The little stars of light break through the story of her dark dream. Images of hillsides and trees and a rusted red car leak from her memory, fading fast, spilling, spilling as the light gets stronger. She cannot fight it, it is day and with day comes a bright reality. Four white walls, a single sized bed, a narrow window that looks out into the long, narrow garden. As the colors of her dream drip back into the unconscious, as she fights the tide of consciousness that rushes in, she finds herself too tired to reach for her pen and notebook just inches from her bed on the wooden nightstand. She cannot will her arm to move. It is all right there, but she lets the dreams slip, just like so many other things that have washed back into the dark unruly waves of her nighttime voyages.

Minutes pass, maybe more. Her eyes are open widely surveying the room. The sky outside is cloudy, a thick blanket of white, the same as most mornings here by the sea. Maybe soon, as all things are temporal, the fog will come in full gusts, will water the plants in her backyard with its fine stingy spray. She pushes the quilt off her body with a shove of impatience, the move, though coming from her own limbs, startles her. The impatience seems foreign, though it is all her own. Suddenly, her skin, all warm from a night of thermal incubation meets the cooler air of the small white walled-room. The meeting of two worlds are like tiny alarm clocks on her skin, a thousand little electric needles to her fleshy whiteness. She tosses her legs off the bed and reaches for the sweatpants and oversized white t-shirt on the carpet, the small pile of clothes she wiggled out of more than eight hours before. The t-shirt is thin and white and soft from bleach and time and washings. The tiny alarm clocks begin to fade as the clothes wrap around the contours of her body, all full of curves and roundness, each one calling out in its own voice for touch.

She stands up and looks at herself in the long mirror nailed to the back of her bedroom door. An image familiar, an image that looks like a vision from a dream. Wild shoulder length hair of dark waves that have taken on a medusa madness in the night. Her brown eyeliner is smudged below her eyes and she looks like she should be on her way to some hole in the wall industrial show in the depths of San Francisco, not waking up in her small white walled room, a ceiling of clouds speaking to her through the window. She is different. A different animal than the one who closed her eyes and fell asleep on a flattened pillow. She searches for what has changed, something beyond the mess of hair and piercing eyes, eyes that saw other worlds during the long dark hours. She looks deeper, but realizes suddenly it is not just her, it has all changed. A new layer of dust added to the bookshelf, the slowly dying geranium outside her window, it was all new and different, as altered as she had become by the dream of a rusty red car that would come for her on the street where she lived.

She walks to her bedroom window. The window is narrow, entry or exit from it barred by a crosshatch of decorative iron bars coated in a whitish oxidation along certain edges. The garden outside is lush. Bright bushes of blue hydrangeas are in full bloom which compete with overgrown weeds competing for the same sun. Along all edges of the wooden fence are bushes of deep red geraniums she planted a few months before and a tiny morning glory in a little plastic container that she hopes will one day cover the yard in its curious creeping vines and purplish blue flowers, though right now, the plant is just a few inches tall. Along the back fence, more than a hundred feet away from her window is a massive black walnut tree whose canopy is so wide it covers much of her yard and much of her neighbor’s too. She stares out into the garden many times a day, her patience sometimes rewarded and surprised by the iridescent green shimmer of hummingbirds as they dart quickly among the azaleas, poking their long beaks into the heart of each flower face. More often though, she watches the tiny song birds, more frequent visitors to the garden. Their little brown bodies and fat breasts make her smile with their constant play.

She’s looking out the window and sees a slight movement along the back fence, just a vibration really against the wooden planks but then two pale hands reach up from the neighbor’s yard and grab onto the fence, within seconds a man easily draws himself over the boundary between the two yards. She is startled and still, her mind actively remembering each lock in the house she secured in the night before she slipped out of her clothes and into her soft bed. She does not make any move, her breathing slows. He looks up into the wide canopy of the black walnut tree, his hands on his hips. He is a white man, thin but not frail, though nowhere close to fit. He’s wearing brown slacks and a short sleeved white button up shirt, his clothes reminding her of a mid-level bureaucrat from the fifties or perhaps a director of a small funeral home in the middle of the country where time and fashion is still decades behind. She has never seen him before, is startled and alarmed at first by his presence, but her fear turns into curiosity when he does not walk towards the house but instead, climbs the black walnut tree along the back fence. He perches on one of the lower branches, squatting slightly. She notices his feet are bare and very white.

Her attention is diverted from the man as a fat songbird flies close to her window, circling in front of a small geranium bush with deep red flowers and then makes a straight line to the man in the tree. The man watches as the bird approaches and he opens up his hands as it flies nearer. The bird lands in his cupped hands and stays for a few moments. Both the man and bird are still, looking at each other until suddenly the bird takes off and flies up, landing on a near vertical branch at the top of the tree.

The man closes his eyes. He stays like that for a while, though she cannot see his slightly creased forehead, she can sense his intense concentration, his stillness, he seems to both expand and contract, yet is still, getting lighter, lifting as though the wind were picking him up in a gentle embrace. Wind full of summer jasmine and the threat of seaweed-scented fog. She watches him through changed eyes, sight altered by dreams and time. She notices his white shirt, the way his chest begins to protrude just a bit more, pushing against the plastic buttons along the front, the same sort of movement she has seen the little brown songbirds doing in the puddles of her concrete patio after a rainstorm. As she watches, his pale white skin turns a pale shade of blue while thin, long blue and brown speckled feathers sprout on his thin arms. His bare feet turn darker, then become black and claw-like. A weak breeze moves through the leaves of the tree, the tiny song bird at the top takes flight. In a moment the man is covered in feathers. He opens his arms wide, ducks below the lowest hanging branch of the black walnut tree and flies away in the direction of the ocean, his blue and brown feathers becoming a dot, then vanishing completely against the white overcast sky.

Dinner For Alice

The hunger was undeniable. Alice would awaken in the dead of the night, stomach growling, feeling stretched as though it might break into pieces. At first, always at first, she would try to be quiet, she would try not to wake up Ben, then she would remember that Ben was gone. She was alone.
It was the cold hard fact of this singularity that drove Alice into the yard, into the victory garden that had fallen into fecund disrepair since his departure. After a day spent in tears and rotating cycles of hair tearing and screaming, she would fall, utterly spent upon the bed and almost forget his absence in the dark desperation of sleep. Until her stomach called her awake, gurgling, forgotten and denied during the regularly scheduled emotional storms of the daylight hours.
In the endless torrent of wishes for her own death, for the death of Ben’s new flaxen haired lover, for Ben’s death, there was no time or motive to take sustenance. But in the darkness, after the exhausted blackouts, her appetite would take control and lead her barefoot into the yard. Under the pale white face of the moon Alice would kneel in the dark soil between the bug eaten chard and rhubarb. With one trembling hand she would scoop up a hand full of dirt and greedily thrust it into her mouth, wriggling worms and all. Turning over rocks she would lick at the scurrying surface, swallowing things that were still moving.
She fed with urgency and abandon, alternating between unturned bricks or stone and fistfuls of cool moist dirt. And when she was satiated she would return to the house, crawl with dirty fingernails back into bed and sleep until dawn, whence the appetites of the night would give way to the convulsive grieving of the day.
The nighttime excursions came to be extended. Rather than returning to bed Alice spent the rest of the night walking through the neighbors' yards, skirting around the edges of houses and tool sheds and compost bins, sometimes stopping to feed in a freshly tilled flower bed. In the early hours of morning before sunrise she would creep home, entering through the side gate, back into the yard, through the back door.
Pleasantly tired, she could sleep away the hours of the day. She tacked cardboard over the windows to keep the light out. As long as the sun was barred from the house, grieving could be suspended. Alice rested peacefully in her dirty bed, a layer of soil accumulating between the sheets. Waking after dark, her stomach crying with pain, she came to rise instantly with the knowledge that she was alone, that there was no one who could see her, no one who could stop her from doing what she wanted to do, no one to stop her from eating what she most craved. And what she craved for a time was the earth itself and the things that hid within it.
The change was gradual. Her skin first developed a certain sheen. It darkened. Then it began to harden. Her legs and arms had grown just a little longer. Her movements during her nightly excursions were quicker. There was a sound that her altered feet made over the concrete and asphalt, a soft skittering as she moved fleetly into the shadows along the walls.
Alice herself, resigned weeks ago to dying, accepted the changes unquestioningly. With a goal as simple as death, anything that happened in between was superfluous. As the changes came, however, as Alice pursued her appetites without regret, the death wish diminished, even vanished. Alice no longer thought of herself at all. She simply followed her instincts.
Her new form demanded greater sustenance. Neighborhood cats began to disappear. Soon the power lines bore pitiful photocopied announcements of reward for the safe return of a handful of different family dogs. One night Alice went out into the garden and spread her new pair of shiny black wings. In the city she kept to the alleys, terrifying the homeless drunks hidden beneath papers and soiled sleeping bags.
They had nothing to fear however, Alice had a hankering for something particular. She found it around the corner from a popular new nightclub; a young man laughing and wobbly with intoxication tugging a pretty young woman into the alley with him.
“What was that?” the young woman asked sharply peering into the darkness ahead of them.
“Nothing, nothing baby.” he cooed. Alice shuffled closer.
“Uh uh, no way, I’m out of here.” The woman broke free and hurried out of the alley, back to the street and its lights.
“Mary hold on.”
He called after her, but only managed to lean against the wall catching his breath. He laughed a little as he started towards the street and lost his footing. Alice scurried forward and took hold of him, mandibles sinking into his soft pink flesh as he screamed. The sound was drowned out by the beat from the club next door. Soon it ceased entirely, transformed into the gurgling of his own crimson internal fluids as they spilled from his lips.
Alice thought that he reminded her of something called Ben, although she could no longer quite recall what Ben was. Nonetheless, she felt sure that Ben was what she wanted, and this was almost it. She found it deeply satisfying.