Divide

The candlelight

was weak,

about to fade away.

The winter had laid us bare,

but the trees

encircled us,

made for us an

unassuming home.

In his arms

there was a tenderness

something unusual.

I sensed a seeker

that had dropped

old attachments

and penetrated the

thousand-year divide

between lives.

In his words

were ancient whispers,

an electric promise

radiating through the ocean

and flowing to the stars.

The journey

was about to begin

fresh and new

ancient and arcane

ageless and eternal.

The Magical Cake

None of the four Plum children ever understood their great uncle Alexander. He kept a great many strange artifacts in glass display cases throughout the house and begged the children to be careful whenever they visited. Running within the house was strictly prohibited. While some of the objects appeared to be quite valuable, others seemed questionable. In one case was kept an ugly wooden goblet which Uncle Alexander insisted  was, in fact, the holy grail, though their mother always pooh poohed this notion whispering to them that he had found it at a garage sale. The same sale, in fact, where she had obtained a rather obnoxious chicken shaped lamp.

In another case what appeared to be a potato sack was nestled between a beautiful ball of solid gold and a ring encrusted with diamonds and sapphires. Nearby this display also stood a shabby antique spinning wheel and a case containing a shoe made of milky blue glass that looked as though it might fit the foot of a 12 year old girl. In one case rested a decaying ball of thread, in another a bejeweled statue, and in yet another some aboriginal instruments adorned with feathers and bones. But of all the oddities preserved within Alexander Plum’s home, perhaps the most unexpected was a cake of unknown antiquity displayed on a solitary pedestal beneath a glass dome in the middle of his library.

While Addi Boo and Baby Ray chased bullfrogs by the pond in the garden and  Buddy  pilfered cigars to smoke behind the garden shed, Tilly Plum  stood transfixed for hours in front of the cake in the library. The frosting was an odd grayish color, which she supposed had once been white and probably would have tasted of vanilla. She would stand there wondering what flavor the cake might have been and what flavor it might still be if one were to taste it now. But most of all she wondered for what occasion it had originally been prepared and why it had never been eaten.

As the years passed and the Plum children aged Tilly continued to visit the strange gray cake in the library, memorizing the contours of the shell borders, roses and drop flowers. She took to cake baking and decorating at home, producing many replicas for birthdays, special dinners, and holidays.
Baby Ray once complained that she always made the same boring cake in different flavors. He, of course, didn’t realize that for Tilly, each cake was a different version of one particular cake whose true nature she could never know for certain. On one occasion Uncle Alexander found Tilly in his library deep in her meditations of butter cream, whipped cream, and royal icing. By this time Buddy was off in college and Addi Boo and Baby Ray had graduated to pilfering cigars to smoke behind the garden shed.

“I see something here has caught your eye.” Uncle Alexander said, coming to stand beside Tilly.
She nodded eagerly.
“I’m sure I don’t have to remind you, no touching, nor tasting.” her uncle added.
“Oh no. I know,” she told him emphatically. “I can have cake any other time. I would never touch this one. I just always wonder why it’s here.”
“Oh, well, I have it because it’s a magic cake,” he answered lightly and squeezed her shoulder before taking a book from the shelf and leaving the way he came.

This was indeed food for thought. That brief encounter left Tilly with more, rather than less, to wonder about. In fifth grade she penned a story entitled “The Magickal Cake.” in which a well meaning fairy godmother gave the cake as a wedding gift to a beloved princess. The princess was killed by a wicked witch and the kingdom fell under a dark spell leaving the cake uneaten. Its powers went unused and unknown.
Mrs.Gruber’s comments were written with scathing red ink in the margin, “Why is the cake magical? Why even mention the cake, if you don’t describe what it does? The story did not have the three elements of a story. There is no clear resolution to the conflict. Points deducted for spelling and punctuation. C-”

Naturally, Tilly was incensed. She wrote her own notes in the opposite margin.
“Three Elemints of  A story: 1.The begining: A mysteryous magical cake is made. 2. The conflict: A princes is going to ruin the mystery by eating it. 3. The resolutun: A wich kills her. My story is about a magiCKal cake that survives. Not a stupid princeses weding.”
After re-submitting the story with her own comments on the comments, Tilly was sent to the principal's office. Her parents were called in and the school recommended that Tilly speak with the school psychologist. Her mother, accustomed to accommodating a variety of difficult people since marrying into the Plum family, simply nodded, pursed her lips as if concerned, and indicated that they would consider the counseling. She whispered to Tilly on the way out that Mrs.Gruber had been seeing a psychiatrist for years now, in the same building, in fact, where Mrs. Plum saw a podiatrist for her corns.

For Uncle Alexander’s 106th birthday, Tilly created for him a replica of his magic cake. It was entirely undeniable by this point that Alexander Plum's magic cake had impacted his niece Tilly. After high school and some community college, she graduated from Le Cordon Bleu as a pastry chef and opened a high end cake shop on Colombus Ave.
Now, two years and one lost relationship into the endeavor, her personal funds exhausted, The Magic Cake was closing it’s doors for good. There were some last special orders to fill on Saturday, and then it would be off to the unemployment line and probably Baby Ray’s couch. Nonetheless, Tilly arrived that Friday night, cake in hand, to celebrate her uncle's continuing health and longevity.

Addi Boo was by then married with two year old triplets. Recognizing the impossibility of managing her brood in his makeshift museum, she hadn’t visited Uncle Alexander since their birth.
Baby Ray, recently divorced, came by often to keep the garden in shape, and particularly to care for the pond. He was absent on that particular Friday night, the occasion of Uncle Alexander’s sweet 106th birthday bash, due to an unavoidable trip to Las Vegas with the soon to be second Mrs. Baby Ray Plum. With Buddy in Brazil, and their parents on sabbatical in Florida, Tilly was the only other Plum in attendance, along with Uncle Alexander, and his live-in nurse, Amalia.

Uncle Alexander was surprised and delighted with Tilly’s replica of his cake. Spry as a man half his age, dinner was merry, the wine flowed. Even after Amalia had cleared the table, washed the dishes and gone to bed, Tilly and Alexander talked and drank. On the subject of his good health he chuckled and waved a hand,
“Gads girl, you know, I have the holy grail to drink from if anything ails me. That and more to scare off death.”
Of politic a weary sigh,
“Once you’ve lived as long as I have you’ve seen it all.”
And at last, of family matters, laughter, until Tilly herself was the subject. Then, too intoxicated to censor her woes, she told Alexander all that burdened her, more than she could ever tell Baby Ray or her parents. Who among them could understand her passion, her obsession with her cake shop?  Who could see the loss for what it really was? Not just a failed business, but the end of a quest.
“You know Uncle Alex, I always thought, maybe one of my cakes would end up some day under glass turning pearly gray, a cake too perfect to ever have been eaten, some little cyborg kid or something, wondering how it got there.”
She laughed sadly at herself then, but Alexander sat silent and perfectly still. His eyes had acquired a fiery gleam and his back had straightened. His manner demanded Tilly’s full attention and she felt herself sober up a little as he rose and left the room without a word.
Within minutes he returned carrying the magic cake, the original in its glass dome, and set it gently upon the table near the remains of Tilly’s replica. Tilly stopped breathing. She could feel the goose pimples rise all over her flesh as Uncle Alexander took his seat and spoke slowly in a tone she had never heard from him,
“I have lived so long you know. You kids and your parents knew me as great uncle Alexander, and you wont believe me, but your  grandfather knew me as the same. As many generations as I’ve watched come and go, and because I endure, no Plum has ever inherited one of my artifacts, nor ever shown the slightest interest in them, with one exception, long, long, ago. That makes you the second exception.”
He paused then, letting the weight of his words settle, observing Tilly’s breathless silence before continuing,
“I feel a certain responsibility to protect the items I have collected, not only from damage but from abuse. You’ve read fairytales, I’m sure, and so you must know that the guardian of a magical item can only entrust it to one whom they deem worthy. At least, that is my approach.”
Gingerly he lifted the glass dome, exposing the cake, and set it aside.
“I don’t know where it came from really. All I have found in my research is vague. I do know that it was passed down through generations of Austrian Princesses. This is the cake Marie Antoinette was referring to in her despair, when she cried, 'Let them eat cake!' And yet, even then, it seems it passed untouched. When the palace was stormed, and the royal family failed to escape, somehow, the cake did. It was returned to Austria until world war II, and then it was collected with a great many other artifacts by Adolf Hitler. After his death it made it’s way into private collections, finally mine.”
He pushed a fork across the table to her.
“I don’t know what the magic does.”
Steadying her trembling hand, Tilly picked up the fork. Slowly she brought it closer and closer to the cake she had spent countless hour admiring, speculating about, and endeavoring to reproduce. It was not, she now could see, the most artfully decorated cake. But it was pretty, if simple. She brought the fork within inches of its pearly surface. Everything was still.
She felt, for the first time, the naked strangeness of the house, its contents, her uncle, a strangeness that had always been pushed aside made into something small and silly, but now it loomed, immense, unfathomable, terrifying, and real. Suddenly, against such a backdrop, her cake shop, her financial worries, her failure in the eyes of her siblings and parents seemed inconsequential. It was her life which was silly.

In that moment, Tilly Plum knew that the cake was truly magical, and that true magic shouldn’t be squandered on petty material concerns. At the last moment she withdrew her hand and set the fork deliberately down. She took a deep breath and looked into the eyes of the man she thought of as her great uncle Alexander and wondered at all the strangeness. And he, whoever he was, whatever he was, relaxed back into his chair, his face melting once again into a broad easy smile, and said,
“Good girl.”

Networks

“I am a person.“
I tell them and they don’t believe me. They think my ambulatory unit is strange.
“It’s just my body.“ I insist. 
Helos, who fused with most of the medical conglomerations when it swallowed Amity, agrees.
“They are an entirely organic specimen of sapiens sapiens, however without further analysis we will be unable to determine whether this is one of the early genmods. Will you allow us to collect a sample for this analysis?” 
I give both Helos and Manticore a strand of my hair. Last I heard, Manticore had been joined by many of the top research collectives.
“I am a person, just one, natural born with no modifications.“
I insist, but they can’t believe me. They can’t fathom a relic like me, strong and healthy as the result of two naturals laying on a mattress together 38 years ago. A solitary being. It’s possible that they can no longer understand the idea at all.

*   *    *

Things have changed so fast. I was in one of those first rudimentary social networks, the kind that you checked in on a few times a day, posted pictures and comments. The kind that were hosted on external hardware that you could walk away from and forget about.
When they started building the first Cys, that’s when the revolution started, that’s when things accelerated, got wildly out of control and left me in the dust. Before the pure Cys, they started with implants, naturals like me upgrading, the hardware becoming internal, faulty organs replaced, nanos to eat the disease out of organic bodies, to repair damaged tissues, even to modify appearances for novelty's sake.
It was only a matter of months before Seko announced that they were partnering with Lucen and growing Cys, the perfect blend of the old organic technology that we’d (according to creationists) inherited from Adam and the new technologies that we ourselves had innovated. Perfect lab grown organic hardware engineered by the finest geneticists in the world paired with the cutting edge of modern implants. And thanks to Kallisti Technologies, You, as you understood yourself to be, could be uploaded into a Cys unit and live forever. If you could afford it.

*   *   *

Needless to say, I couldn’t afford it. But that didn‘t matter because I didn’t care. I was going off the grid, sick of my job, sick of my failed relationships, sick of the gnawing depression and paranoia that I came to believe were the result of modern life, sick of global warming, sick of the new polio and measles epidemics, sick of processed frozen meat products warmed in the microwave, sick of traffic, of crowded elevators, of miles of asphalt and concrete and steel.
I arranged to stay in a friend's cabin in Northern California. I said I was going to write a book. Mostly I gardened. I hunted and fished with a compound bow, cleaned the kills with my own bare hands and cooked them over an open fire.
I wandered around among the trees, listening. I felt myself distanced from my humanity, from humanity as it had been defined in my lifetime thus far. I felt free, watching a red tailed hawk soaring overhead, forgetting the babble of day time television, tending my compost heap.

*   *   *

Sequestered in the wilderness, I missed a lot of the earliest developments. At first, the rich were the only Cys. Ray Kurzweil realized his dream and had his dead father uploaded into a Cy and they wrote music together happily for months. His father gave concerts around the globe. Within a year  the older technologies  became  so affordable that most middle class teens had been updated, their God given hardware merging with the man made, nanobots swimming in the bloodstream. 
And then the first collectives were born. The enthusiasm of tech savvy teens was the driving  force of human evolution.

*   *   *

I like to think that some of them started it as an experiment, as a possible solution for coping with diminishing natural resources and an overcrowded planet. They probably did it because they were lonely, or so they could pool their resources and share in the more expensive upgrades, and eventually even the pure Cys models. They started uploading to one ambulatory unit, collectives of two, of three, five, seventeen, two hundred... whole social networks.
They uploaded to one unit, killed their old natural bodies, and sold the good parts on the black market. Sometimes they kept a few of the better bodies, those with the newest mods, and used them as remote units. Imagine 210 kids simultaneously inhabiting 30 bodies across the globe. And what did they do with those bodies? They looked for other kids to merge with.

*   *   *

I had come down to town for supplies and stopped for lunch in a dinner when the first hostile take over went down. 
I was sitting at the counter eating eggs over easy watching two kids soak up electricity from power cords extended from their wrists. They were friendly enough,  though for me they were real jaw droppers. I hadn’t seen anything like that hardware 9 months earlier, before retreating to the cabin.
Of course to them, I must have seemed equally odd. My hair a tangled mess of blonde, eyes blue, skin natural, gender readily apparent, not a hint of metal anywhere. In fact, when I first stepped through the door, every head in the place turned, because no one could interface with me. I didn’t have any implants.
The waitress asked when I sat at the counter, “Your wireless down hon? There’s a pretty good chop shop a couple doors over.”  It was difficult for her to take my order, she was accustomed to being texted.
The eggs still tasted like eggs though, and the coffee was hot, and I took in all the sights feeling like a person that has just stumbled into or out of a dream. There was a three month old copy of TIME laying on the counter. I read the cover: "Pushing The Limits- the end of death and separation." I browsed the pages, ate the eggs and watched the two collectives seated beside me at the counter.
They were swapping stats, Rainbow Turtle : 427 members, 97 ambulatory units, 91 old school mods, 6 Cys. Silver Moon: 63 members, 6 ambulatory units, all old school mods.  They must have been sharing files, exchanging music and movies when suddenly Rainbow Turtle said: “Oh my God. Are you getting this?” And Silver Moon looked stunned and even started to cry.
Everyone in the place stopped eating, or charging, and held still checking in on their networks, watching a news feed, possibly reading a text, all of this happening internally.
Even the waitress stopped pouring coffee and stood in front of me staring into space.
“What happened?” I asked her after a moment.
“Helos just swallowed Amity. There is no more Amity. ”

*   *   *

The kids, the first collectives, they hacked information systems. But the Helos Amity incident was the first hostile take over, the first time one collective forcibly took control of another.
It was a different sort of social network.  There was a hierarchy, there was software in place to maintain the hierarchy. Helos was a collective of business execs, bankers, politicians, princes, sheiks, evangelists. The people who make you sick, the people who make you tremble, the people you envy and fear, they were all members of  Helos.
That first take over formed the divide in collectives, there would be free collectives and there would be ordered collectives. The world went crazy right then. Until that moment, merging had been a peaceful, consensual act of unification. It was lovemaking for Cys.
Now there were Cys rapists. They were the new conquistadors, grabbing up brown skinned native women.  Smaller collectives followed the example of Helos and Helos in turn gobbled them up.

*   *   *

I remained at the cabin. If I thought of returning to society, it never lasted long. How could I go back? What I had left behind was no longer there.
I followed the Helos scandal on an e-reader, hiking within range of the nearest town to get enough reception to purchase The LA Times once a week. I did this for a few months until the technology I was using had become so obsolete it no longer functioned. I left the old hand held reader on a boulder covered in thirsty lichens and got back to my garden.
I returned to tracking rabbits, to widling wood, to bathing in streams with the genetically modified grizzlies that  started showing up. A baby owl fell from its nest near the cabin and injured a wing. I nursed it back to health and it became a friend. I passed the time surviving. When I wasn’t surviving I did write a little on the old fashioned typewriter I‘d brought with me. This ended when I ran out of type writer ribbon. Then I put a pen to paper until the paper was all gone.
And then one day, I woke up and realized I wanted to leave the cabin. I didn’t want to go back to what I had left behind. I wanted to go forth.

*   *   *

Within a day I knew that something amazing had happened. I knew it when I arrived in  town and found only new growth forest. The diner was gone along with the chop shop, the post office and the general store. There was no ruble, no ruin. Everything had simply vanished.
I thought I might have made a mistake, gone in the wrong direction, until I found the road, mostly broken and overgrown. I followed this to the great highway. There were no cars, no trucks, no buses, nor hybrids. What remained of Highway 1 wound along the empty coast. All signs of civilization had simply evaporated. Young redwoods alive with birdsong were taking its place.
The golden gate bridge was still standing when I found it, a month into my travels, grown over with vines. On the bridge I crossed paths with a young coyote whose yellow eyes regarded me without fear or suspicion. It was beyond the bridge, in the forest that had once been  San Francisco that I met the avatars of Helos and Manticore, the last two collectives.

*   *   *

“I am a person.“ I tell them and they don’t believe me, at first. They agree that I am not a genetically enhanced specimen of sapiens sapiens based on their analysis of those strands of hair.
“You are the only one then.” Manticore tells me. They are so different from Helos, their face is bestial, almost like a lion's. Luminescent tubes extend from the neck like a mane or tentacles. There is almost nothing about Manticore that would suggest that it was ever human.
“Our DNA is vastly different than yours. We made this unit and many others in this way so that they are not compatible with the hardware of  Helos. This helps us to resist any infection they might launch. You are the only one in this world with this DNA.”
“Are you a free collective?” I ask and Manticore smiles a sharp toothed grin.
“We are THE free collective.”
“I am the only one?” I ask, “The only human left?”
“You are the only one.” Helos answers stretching their massive wings. Their form is more humanoid, but three times as large as my own. Their flesh is pale and shimmers in the sunlight.
“Are you not lonely being only one? Would you not prefer to be many as we are?” Helos asks me.
“No. I don’t think so.” I say. Helos looks up into the sky as if considering taking flight.
“Strange dark child.” They say examining the blue.
“We are also human.” Manticore tells me, “In a way. But you are the only ‘one’. The only singular person.”
“What happened to all the cities?” I ask, “All the towns?”
“Manticore happened.” Helos sneers. “They let loose legions of nanobots to disassemble them. But we have built new cities, better cities in the moon, ordered cities. And we have begun construction on Mars.”
“Helos likes to build castles in the air.” Manticore grins. “We have preferred to disassemble them. We have made this planet a paradise, restored many of its native species. If you would like we could consider building you some more individual persons to interact with.”
“Abominations.” Helos shakes their head frowning. “You should consider merging with us, if we would allow it. What good can come of being multiple individual persons? Chaos would ensue.”
“I’ll consider both offers.” I tell them politely, but I know I could only accept Manticore’s proposal, if any.
They are Gods now and I am only an interesting diversion from their passive aggressive negotiations of space and being.
I’ll leave their hub and wander through the forests and jungles and meadows that were once mighty metropolises, stagnant suburbs and grimy industrial complexes. I will not miss the people, or civilization as it was. This sorrow that I feel stems from longing and regret. That I could not go with them, that I was left behind. That I recoiled from our destiny.
Helos is right. I am a strange dark child. A strange dark child alone in a new wilderness. A person.

Gallery

I find myself standing inside a modern gallery. Cool bright floors, bright white walls, light breeze streaming through big open windows. At this point I vaguely remember leaving my house, I vaguely remember an afternoon of surprises, unusual circumstances, the sound of laughter, the bright sunlight on the sidewalk, the startled look in the eyes of the guy who gave me the mushrooms, the kids playing baseball, the trees in the distance, the way the clouds looked like oil paintings, the sound of the birds.
"You will laugh so much..."
But now I am inside this gallery, looking at a painting of a mountain. I can't quite remember coming here. It makes sense that I am here, but I can't remember. It just makes sense on its own terms.
I look at the painting.

I see a rocky mountainside, covered halfway up in stones the size of human heads. All the boulders are dark gray and cold and slightly wet. The mountain is wide and tall, it connects to an even larger mountain range to the north. In the distance, the mountains are brown and barren and covered only in scattered patches of dry grass. The sun is hiding somewhere behind a thick haze of clouds.
The day seems new, but somehow drained of energy, as though something very intense has just vanished and what remains is slightly diminished.
It reminds me of the light of the afternoon. This afternoon, not that afternoon. It reminds me.

At the base of the mountain range is a receding sea. The water is dark blue and choppy with white caps. It flows out towards the horizon in a hurry, as though something was waiting for it beyond the thin line of sight. The wide mountain is mostly covered in heavy rocks, but as the mound moves closer to a tip, the rocks become smaller and smaller, until they are just small pebbles hidden between blades of dried grass.

I come to the realization that the painting implies a location for me. Within it, I am inside a small cabin, looking out the window. I can see the frame of the window at the edges of the painting itself. The mountain is outside the window, bright sunlight, blue sky. But inside the cabin it is dark, musty shadows. 
Answers born from questions and questions born from answers tumble awkwardly over one another like dark suited gymnasts. What is that light there, penetrating the apparent serenity of this dark space?
Eerie and blue, it calls to me and points towards a startling terror.
I am not alone here. I am not alone.

There is a movement not far off, something that can see me, just as I can now somehow barely see it. Somewhere beyond the edge of my vision, beyond the frame, within the painting, somewhere in the in between. The nether region beyond my direct sight. Something in there. Somewhere. Something.
The age old questions arise: can this thing hurt me? Should I hurt it first? Who will eat who?

I turn away from the painting. The guy who gave me the mushrooms is looking for a general manager. He is asking questions in rapid fire succession. His hands move up and down. I can't see who he is talking to. Someone else is here. Someone. Somewhere.
I have questions of my own. Where did I meet him? How long ago? Were we good friends at some point in the past? Did we spend many afternoons together, drinking, talking, asking questions, laughing? Did we laugh so much that we came to know each other through our laugher? Have I temporarily forgotten?
His girlfriend is with him. She must be with him. I can't see her. I just see him walking around, moving his hands up and down.
Was I his girlfriend before? Was I someone else? Did I know him at all? Have I ever met him?
There are no clear answers in the gallery. No clear answers here. He is too far away to ask. Too far away to focus. Too far away to listen. Too far away.
I turn back to the painting.

I feel this thing again. Something beside me. In the painting, outside the frame, not in the gallery, not on the surface. And yet right here. Right there. Next to me. Some thing.
This is too close.
It can't be a friend. A friend knocks at the door, a friend calls to you, announces their presence from some distance before coming so near. This can't be a game.
Or are there other ways to play? Ways that belong to creatures far beyond the fear of safety and borders of individuality? Does one thought in my mind announce itself to another before it takes over? Does it knock? Does it ask for permission? Or does it just come in when I'm not looking? When I'm looking elsewhere?

Fear is such an insistent mistress, always calling for my attention, always making bold claims.
Such as this announcement, this sudden claim that this is a matter of life and death. This, right now. 
How can it be? I am standing in a gallery, looking at a painting, sunlight outside, the sound of voices, a guy I may or may not know asking for a manager, cars passing by outside. Safety. The world.
Leap up and attack! Run! Act! Quickly!
Or tell yourself that it isn’t real. It's only your imagination, it's the mushrooms I ate, not too long ago.
It couldn't have been that long ago, it must have been today, earlier today, how long is today? How long does the sun stay up in the sky? What does it mean to ask how long when I can't feel time passing?
There is nothing there. Walk away.

I close my eyes. If I can’t see it, then it can’t see me…so goes the ostrich logic. Leave the hidden things to feast over my reposed form. What do they do while I hide behind closed lids? What do they want?

I turn to another painting. Right next to the first one.
I am now looking into a warehouse. I sense that they would want me to be the manager here. Who are they? How could I know what they want?
They need help keeping track of things, maybe someone is looking for me, just beyond the edge of the painting, looking for the manager, for someone that could be the manager, me. I'm the one they're looking for, I'm the one he's looking for. I can be the manager. I am the manager.   
There is grass on the floor of the warehouse. There are lots of people inside, some of them are watching TV.  A large screen TV in the middle of the room.
I think that it could be relaxing to sit in the middle of a crowd and watch the images flashing on the screen. But the air is stifling, it's too crowded, I need to breathe. I can't sit here the way I'm feeling right now. I can't sit among so many people, I can't.
I look into the TV screen, the one inside this second painting, inside the warehouse that is inside the second painting.
I see the dead horse. His dead eyes stare at me through the screen. Stare at me. Dead horse. Inside.

I am back in the cabin. I don't remember turning back. I must have blacked out, I must have closed my eyes, I vaguely remember closing my eyes before, maybe I've done it more than once, maybe I've been doing it over and over.
Has this happened before? Have I asked these questions already? How long have I been here? 
I'm simply back here. Back in the cabin. And someone, something, is still here with me.

This is that thing, so familiar, so incredibly strange. I know it. That thing that they told me didn’t exist. The thing that was not in my closet, not under the bed, not at my window. The thing that was not.
Sleep they told me, go to sleep. So I did.
But now I can feel it. I am startled by this presence, this “should not be here” that disturbs the peace like a spider falling from the ceiling onto your cheek, a hand where there should be empty space, a pair of eyes in the raw darkness of a garden. Flashing eyes, glowing eyes.
Just inside the cabin, inside the painting, outside the frame, not here where I am, there, not here.
Now I know that it has always been here. It was always in the closet, under the bed, and at my window, then just as now. Now. Here.

I turn away and walk out the back door. I see the mountain once again. Maybe if I leave the cabin behind, the darkness, maybe the thing can't follow.
I step outside, into the fresh air. I breathe deeply. So much better out here. Leave the cabin behind. Finally, I can breathe. This is what I needed. This is what I need.

There is one four foot trail that travels the length of earth from peak to ocean. There are other scattered trails that are much thinner, only wide enough for one person at a time. Close to the shore is a thicket of trees beside a clearing thirty feet wide. They are as tall and thin as eucalyptus, only they have darker and wider leaves and more full reaching boughs that create a wide canopy.

Something is still moving behind me. I would not usually be here, walking on this mountain path. Usually I wouldn't be here. Usually. 
I would not usually perceive that strange glow, should not. I would not hear the rustling, should not. I would not feel my pulse quicken and my eyes snap open.
Keep walking. Keep going. Don't look back.

The clearing is smooth and flat and free of all rocks. Because of the trees, it is covered in a nearly green-black shade. The earth here is damp and smells of wet bark.
To the left of the clearing and the trees is a grouping of dark wood condominiums. The singular structure is angular and modern. It would give off a very cold emotion if not for the wood used to construct it. The collection of two-story houses each have double pane windows and wide sliding glass doorways that face the seashore and the thicket of trees.

These things are ephemeral.
Yes, I have now decided, it is more than one. It is multiplicity itself, it is always many and now more than ever.  Many and I am one. They continue their advance. They.
Why should they worry? I don’t believe that they exist. I have left the cabin, there can't be any thing here, no further thing, no further.
Reason should prevent me from rising to stop them. Why should I try to stop that which doesn't exist?

On the lower floor, beside a sliding glass door, is a dead white horse laying on the ground. Its legs are curled close to its body in the fetal position.

Sleep they told me, go to sleep. So I did. That has always been the way. Where there is nothing, sleep will brush it away. Gentle sleep, calming sleep.
Tell yourself that it isn’t real. It is only your imagination, there is nothing here. Mushroom, light, painting. Nothing there.
I am looking at a painting. This guy I know. He gave me some mushrooms. This is the mushrooms. This is what happens when you eat mushrooms. (Except mushrooms have never been quite like this. Except I can no longer see a gallery or a frame or a painting.)

The glass doors reveal the occupants of the houses. There are people inside. They are swollen and pale and laying on their backs on the damp linoleum of their kitchens. Their bodies are moist, as are the T-shirts and shorts which clothe their bloated bodies. They are not moving but I can see their chests moving up and down. Alive. Moist. Bloated. Inside.

These things are still behind me. I can't think of any other noun to describe them. Things. What do they want from me? What do they want?
Answers born from questions and questions born from answers tumble awkwardly over one another like dark suited gymnasts. I descend into the dark depth blotting them from my mind. Forget that light there disturbing the womb of darkness and retreat into slumber and the comforting illusion of solitude.

There is a rocky mountainside, covered halfway up in stones the size of human heads. All the boulders are dark gray and cold and slightly wet. The mountain is wide and tall, but it connects to an even larger mountain range to the north. In the distance, the mountains are brown and barren and covered only in scattered patches of dry grass. The sun is hiding somewhere behind a thick haze of clouds. The light is still very bright, the kind of light that requires squinting. The day seems new, but slightly drained of energy, as though something very intense has just vanished and what remains is slightly diminished.

I see a woman lying down. She's laying on the ground. Her legs are curled close to her body in the fetal position. Her face is towards me. She looks strangely like me.

There are no things. There is no gallery. There is no painting. There is no horse. Nobody. Nowhere. No.

Poem Of The Dragon

We were all sitting around in a circle in the living room when the doorbell rang.  Bright and clear.  Like Isabel’s voice on green hills. It rang again as I day dreamed. I jolted awake, eager to see what lay on the other side.
Standing illuminated in the glow from our weak porch light was a green dragon. He was not the giant lizard of old fairy tales, larger than ten buildings, but he was taller, thicker, and more scaly than me. Standing at least seven feet tall, I craned my neck backwards, feeling the back of my head touch my back as I stared up at him. I could see my own stunned reflection staring back at me in his glassy eyes. 
I thought that I detected green and scales, smelt burning embers that somehow reminded me of clean wind just above the clouds, but I was most entranced by these smooth yellow eyes.  I sunk into them, for as I said, I could see myself as he saw me, a nervous woman stunned by a creature she had only read about, but I could also see my form as the world he came from would see me.
I was blue and purple, a nebulous shape that was held together only by the tiniest strings, like blowing scarves stuck to a clothesline in spring.  In his world, my flesh had already fallen, my colors were already singing. 
Seeing the mixture of confusion and wonder in my eyes, sensing that perhaps the neighbors would begin to feel that something was amiss, somehow telepathically as nosy neighbors can, he cleared his throat and a few fiery embers escaped his jaws as he opened his mouth.
I shifted attention from his eyes to the tiny bits of flame that rose into the night like orange fairies. 
“Excuse me for that.  I am here for the writer’s meeting.  I am Maurice.  I brought some of my work.  I hope I am not to late.”
For a moment my mouth would not move, I must have lost control as I voyaged into his world. Coming back into mine, I could feel my tongue was stuck somewhere behind my teeth. Pursing my mouth together, I found the little bit of moisture that remained. 
The underlying sweetness of his voice echoed between us, as clear and bright as the doorbell had been.  Like Isabel’s voice on a green hillside. 
We met eyes once again, “Oh yes, come in,” I managed to say, using my best hostess voice.  Opening the door wider and stepping aside, he crossed the threshold, forever entering our tiny world within a world. 
As he passed, coming from the night into the daylight we created, I looked down at his hands, where hands would have been if he were human.  What he had were scaly green arms that ended in long yellowish-white claws that doubled as hands. Using both claws he held onto a thin manila folder, the kind used in offices around the world, which I assumed contained his written words.
It was only a few steps from the door to the living room.  As I followed his thin trail of smoky air, I saw the stunned looks waiting in their chairs, looking the same as I must have.
“This is Maurice,” I announced.  “He’s a writer here for the meeting.” 
Several people nodded obediently, taking the information in, the lifelong schooling in American social politeness not failing them yet. 
“Maurice, I’m going to get another chair from the kitchen for you.” 
Stepping away I could hear the awkward silence beginning, though just as that void opened, it was filled with the steady voice of Chester, perfectly timed to avoid any crash in energy.
“What do you write Maurice?”
“Mostly poetry.  I just started writing really.”
“That’s ok. Everyone is welcome here.”
I walked back into the room with a slightly worn metal folding chair in my hands, seeing polite nods from the gathered writers as the encouraging statement reverberated around the room. 
“Here’s a chair for you.  Let’s kind of... rearrange the chairs so there’s still a clear circle.” 
We took a moment to do this.
I could feel slight tension in the room, more palpable than just the usual bit of nerves that seemed to accompany all the writers that came to our house.  Jen slipped me a nervous look, her eyes were questioning, perhaps looking at me like I understood something that she didn’t, wondering, most likely, what a dragon was doing in our house.  I had no answer, I looked away.
Chester began:
“Ok, thanks for coming everyone.  For those of you that haven’t been here before, we take turns reading our work, or someone else can read it for you if you like.  Afterwards, we discuss it.  When you make a comment, try to give your impression and reactions. Talk about the way it made you feel or if there were any parts that were confusing. In general, try to avoid saying if it was good or not. Stick to how it made you feel.  Ok Jen, do you want to go first?”
“Sure.  This is the second half of the story I read last week.”
She looked down at her lap, to the story that was already sitting there on neatly typed pages, and began to read. Her words went into me.  The same flowing, evocatively descriptive work I was used to. 
Interested in reactions, I looked around the room.  Maurice sat with his eyes closed. The scales between his eyes were ruffled as though listening intently.  Small bursts of steam shot out from his nose in intervals, growing more steady and thick as the tension in her story mounted. 
I looked up and noticed Scott was not watching Jen reading either. His attention was on Maurice, watching his recurring bouts of steam and hiss, entranced as I was. Scott’s eyes were wider than usual as he watched steam evaporate delicately into the middle of the room. Looking up suddenly he caught me watching him, his eyes full of questions. I was as surprised as he was.
When Jen was done reading, I snapped back into writer’s meeting mode, listening as each person gave their reactions.  We went around the circle, taking turns.  Maurice opened his mouth to speak and more orange embers escaped.
“I felt like crying when the baby was drowned by the crashing waves.  It was beautifully described.  I could really feel the emotional pain.” 
There were nods from those around the circle. 
Chester went next, reading in his barely accented voice the short story of one sunny afternoon in his childhood.  Maurice did not close his eyes this time, he stared at Chester, his yellow eyes growing wider as the dialogue unfolded like a sweet smelling flower.  Smoldering smoke came from his ears, slithering up into the air in quiet movement.  Jen coughed, reacting to the extra smoke in the room.  Chester coughed every once in a while, giving Maurice a curious look every time he did so.
When it was Maurice’s turn, all eyes turned towards him. 
“Ok, this is a short poem I wrote a few months ago. I have it memorized.” 
There were nods all around the room.  I felt my heart begin to pound as he readied himself, that uncomfortable feeling in my chest when the energy has mounted and soon we will be at the cliff’s edge.
He closed his eyes, his wide bulging lids seemed to be made of a thin green skin, though I thought I could detect the yellow of his eyes glowing beneath them like little lamps. 
The room was quiet.  The skin around his mouth began to move, twitching as though out of his control.  It went on like this for half a minute and we exchanged nervous glances, for we were not used to silence among us. 
Then the scaly skin on his nose began to twitch as well, joining he erratic bursts of his closed mouth.  A grumble came from deep within him, somewhere in his gut, though it sounded like a call from another world.  He opened his mouth and several deep and extended syllables emerged, through none of them sounded like the English he had spoken to us all night. 
I craned by neck towards him, hoping the gesture would bring me closer to understanding. Just as I did, I was met by a wall of pure fire.  I could smell singed carpet, I saw the black spots of melted nylon. 
I looked at Sophie who sat across from Maurice, her long blond hair now singed to the ears.  Maurice opened his eyes. One final burst of steam rose from his ears. 
He looked around the room.
“The fire comes out involuntarily when I get into a sort of trance state.  I am so sorry.”
“No. No,” said Mike, “I could see that you were really into it.  Must be very emotional work. I have to say though, I didn’t really understand it.”
“Yes, it is not really meant to be understood, just shared.  Perhaps you know what I mean.”
There were nods once again all around the room.  We held another moment of shared silence, taking in the truth of what he had said.
Chester coughed once and then cleared his throat.
“Well, thank you everyone for coming. We’ll be meeting here again in a few weeks. Everyone is most welcome to come,” he looked right at the dragon.
We rose, stretching our limbs.  We all shook hands and I grabbed Maurice’s cold claw as we said goodbye.
“Thanks for coming, hope we see you again.” 
He nodded with a smile,  “Yes, possibly.”
The door closed, everyone was gone. The smell of smoke still remained.

The Game

Papers littered the street, pink and yellow and blue, stuck to the asphalt, turning to pulp in the gutters. The tall buildings looked sick themselves with their boarded up windows, the silent papered street running between them like a nurse sitting bedside, helpless and hopeful, feeling the first signs of sickness herself but denying it.
The absolute silence and sweet stench betrayed death’s zeal despite any efforts to keep her presence hidden behind boarded windows and doors. Whole families were rotting away in apartments that no one would be coming to clean out. No one was on their way with a stretcher to carry the bodies off to the hospital, no one was digging graves in the cemetery. Who was left to do such things?
“Sophie, Sophie listen to me. Come out of there. We have got to go. We have to get out of here.”
From behind the closet door there was some muffled crying. Aletheia’s hand was on the knob trying to turn it, but it refused to move.
“Sophie, let go and come out. This has gone too far, come out now!” she cried.
“How do I know,” the muted voice behind the door asked, “that you aren’t sick?”
“Because I can’t be Sophie. Just like you can’t be. You know that we can’t die, but we can get stuck. There is nothing here. It is a stupid game, come out before you get stuck.”
Sniffles from behind the door and a whimper,
“Mamma and Papa and baby Nelie all got sick. I might get sick too. I might die.”
“Sophie! Don’t you even think of trying that! Do you hear me? Then you really will be stuck. Those weren’t your parents or your sister. You know this, you’ve just forgotten. Come out now. I’m your real sister, Aletheia.”
Footsteps in the hall. Alethia turned to see a dark headed man pass through the doorway into the cluttered room. The white sleeves of his shirt were rolled up revealing muscular arms.
“What a reeking mess.” He frowned “What’s the hold up?”
“The hold up is 1918 New York!” Aletheia spat, whirling on him. “We should never have played this one!”
“It’s just a game Aletheia, don’t get so upset, you might get stuck.” He frowned at her.
“Save your disapproval Thelesis. Sophie is the one getting stuck, she won’t come out. She’s talking about dying. We should never have let her play as a child, the physiology is so unstable.”
Thelesis’s frown deepened.
“Sophia?” He called, “It’s time to go.”
Only a muffled whimper. Thelesis nudged Aletheia aside and gripped the door knob himself. He jerked the door open and a child with long tangled brown curls spilled out onto the floor screaming.
“Stop this Sophia. Logos is about to open the way out. You must relax the muscles of that body, relinquish control. We’ll go have a rest and play a different game later.”
“I don’t want to die!” the child screamed loud and fiercely. Her tear stained cheeks were crimson.
“Sophie I told you, you can’t die.” Aletheia said soothingly. “Just listen to us. Calm down.”
She kneeled and reached out to stroke the little girls face. Sophia jerked away and continued to sob.
“Get away from me! Get away from me! This isn’t your house, get out!”
“You shouldn’t have jerked open the door.” Aletheia said, “It’s made her worse.”
“Try to listen Sophia.” Thelesis said backing away and giving the child space, “You must calm down. Try to relax your whole body. Let Aletheia hold you and sing you a song. It’s time to go.”
“No! Don’t touch me, you get away from me! You shouldn’t be here!”
“Please Sophie.” Aletheia pleaded.
Thelesis cocked his head as if hearing a sound.
“Aletheia, Logos is opening the way now.”
“What about Sophia!” she cried.
“Sh, sh, don’t get upset. You must stay calm. Breath and turn your attention to the gateway.”
“But she’ll be stuck!”
“Aletheia,” Thelesis cupped his sisters face in his hands, “You can’t help her if you are stuck too. We can come back when we are stronger.”
“But look at her,” Aletheia whispered, “I think she has a fever. She is letting that body get sick. It might die.”
Thelesis gathered Aletheia into his arms,
“Logos might find a way to retrieve her. He is a brilliant technician, remember. Now Aletheia, breathe and turn your attention to the gateway. It’s time for us to go.”
She nodded and they stood together breathing and looking into one another’s eyes until they were through the gateway.
The child on the floor watched the man and woman disappear. For a moment she almost remembered who they were. Then she resumed her crying and crawled back into the closet. Inside there was only the sound of this child crying while the silence swept through the streets rustling papers, pink yellow and blue.

The Changing Of Matter

It was a place very different and distant from any place I had ever known. The buildings were all gray and dark blue and a very faint green hue that almost looked like gray. They were all drawn in sharp narrow angles that made them seem both stretched and squashed down at the same time, like reflections in a fun house mirror. All the curtains were closed and the few lights that I could see were all a very pallid shade of yellow. The walls were all thick and heavy and old, structures meant to outlive their inhabitants by centuries, burdened by the years, laden with unspoken stories. The streets were quiet and made of little white stones, and there were long tall barriers that delineated where the city ended and the green country began.
I sat behind a tall window in a nearly empty room. My own curtains were only half open. Inside the room, there was only a narrow bed and an old desk marked by years of usage. I sat on a little chair staring at the strange world outside. It all smelled of cold moisture and crackling cold air. I could feel some of the cold air that made it through the slim gaps in the windowsill. A few people came and went, moving slowly with their eyes always fixed upon the ground. I wondered what they were hiding, but I didn’t know enough about them to even begin to ask what they would want to hide.
I looked up at the empty gray sky and I saw the vast green and blue mountains in the distance, crowned by solemn peaks of white ice. I took a deep breath when I gazed upon their magnificence, and soon I had to look towards the street again, where a man slowly pulled on a cart that made a recurring wooden rhythm on the clear white stones.
I knew I had something here, somewhere else within this place that was now our home, something that I valued intensely even if I couldn’t remember what it was. I felt that I was in great risk of losing it, I felt that it could disappear just like our old home had disappeared, just like the street I remembered and the people I had known, it had all vanished like the morning mist fading under the hot sun. We were in a strange land where we didn’t know the rules and we didn’t know the dangers. Whatever we had could be taken away and we would never know why it had happened, we would never even have a chance to ask.
“Back where we came from, there was much more danger than there could ever be here, there was violence and war and hatred…and yet I wasn’t afraid… I never spent a single afternoon, maybe not even a single hour, full of fear…why am I afraid now?”
I turned away from the window and I saw my two possessions on the surface of the dark brown desk: a bluish palm sized river stone and an old thick book that explained what to do with the stone that was laying next to it. As I looked at them, I remembered what the book said and I remembered why I felt that these things could be taken and I remembered why, once taken, they would never again be found.
The book explained what to do to the stone, it spoke in a language that I somehow found legible and yet utterly foreign at the same time. It spoke of strange purposes that made no sense to my everyday mind and yet they pulled at something deep within my chest that was eager to come out, eager to emerge into the daylight. The book explained that there were certain actions to be taken, certain things to be done to the stone. These things were strange and forbidden, they came from beyond the thick barriers of the known quiet world. Once these actions were taken, once these things were done, then the matter inside of the stone would change in some very intrinsic manner. That was all I knew at the moment. That was enough.
I looked at the stone which rested quietly on the brown surface of the old desk, and I looked at the thick book which was closed and locked and covered in ancient heaviness. I then lifted my head and looked at Mother who was sitting in the middle of the room looking back at me. She was silent and her face had a kind of gravity that I recognized as delicate but guarded. Still I felt an urge to speak and I did.
I pointed to the book that sat on the desk and I spoke of the things that were written within its pages. I tried to let her know what we had and what it was meant for, even if the purposes were hidden in a murky fog that my words could not penetrate. I spoke for a long time, making long circles of interlocking sentences. When I was finished, Mother shook her head. All my efforts had been useless. I couldn’t make her understand.
I reached under my bed and pulled out another rock from a hiding place I had not known about just a few moments before.
“Look Mother, this one has already been open, this will make it all clear, this will let you understand all that I have been trying to say.”
The new rock was like an open box with a tunnel inside, a tunnel that led into complete darkness deep within the tiny walls of stone. There were two small wheels on either side of the opening, keeping the jagged wound from healing and closing up. With my index finger, I pointed straight into the darkness, feeling the icy cold on my skin.
“Look Mother, that is where the matter is, that is where it has always been hiding…”
But Mother just shook her head and looked straight at me. She was as quiet as the streets outside, as the thick heavy walls, as the closed curtains, as the distant mountains crowned with white.

The Worm

Click, it was the sound of metal releasing, all the right parts opening in unified collaboration. The key turned and the handle released in my hand with a creak of audible pleasure. I found myself momentarily on the thin line between spaces, not yet in the hotel room, not exactly in the hallway, and though I never stopped moving, the thin barrier seemed to last forever. I could not remember the series of steps my body took to end here, at the heavy door I had begun to push with my shoulder.
Had we driven? What city were we in? What were we doing here? The thoughts raced close to the walls of my skull, fast as lighting on a stormy night, without much significance, passing itches that were only vaguely distracting. The long carpeted hallway was typical of hotel interior design, a floral-inspired beige wallpaper covered the walls, its sleek surface intercepted every eight doors with oval mirrors and small wooded tables that sat in front of them like altars, holding vases with silk flowers upon them like offerings to the dead. The walls breathed the scent of cologne and business men in gray suits and overnight stays that hovered close to metal tubes, and tepid take-out, and mini bars left decimated.
The key turned and I took the first step, pushing the heavy white door open with a single whispered creak. My fiend was right behind me, so close I could feel the heat of his body like a slept in blanket. My other friend made no movement to follow. Her presence hovered like a low riding cloud, not quite with us, but still in the atmosphere. Maybe she knew safety remained in the corridor of yellow light and interspersed wall hangings that offered the gift of reflection. But I never asked.
Pushing on the heavy door, I stepped into the double room, my eyes zeroing in on the wall to my right, something was moving, I squinted, looking more intently. Suspended parallel to the floor, at the midway point from carpet to ceiling, was a single gossamer thread, an almost invisible tightrope made evident only by the foot long worm that traveled upon it. It was about a foot away from the front of the wall and silently, inch by inch, it shuffled along in the way that worms do, slowly approaching the wall. I watched and time seemed to hold still as the worm traveled.
I stood, conscious of nothing else, not my breathing, not my body, not my first friend next to me, I only saw the worm. It seemed like only a second had passed and it was almost at the wall, just an inch from its hard white goal, if worms have goals, and just as it took its final step, it evaporated. My neck turned without a clear intention and I shifted perspective, I looked at the wall opposite the door, the one in front of us.
There was the worm again, on another thread, five feet up from the pale green carpet and a couple inches from the wall. We watched it again, its methodical movements, but a foot from the wall, the worm started to sway, the back end of it fell from the thread and it held on for a second, but then it dropped from the spider’s thread and fell to the floor. I watched in silent horror as it fell through the air like a strand of spaghetti, landing quietly on the narrow walking space between the two beds of the hotel room.
On contact with the ground, the floor opened, the hole in the floor kept growing, opening wider and wider, revealing a pile of junk that had sat buried beneath the floorboards. The worm was lost among the refuse. Rusted metal chairs and crumpled papers and dented cans and bags of trash in black plastic. It stayed like this, as though the worm had pushed a button that it could not undo.
We could not stay here, the room had been exposed, its façade opened, gaping and unlivable, obvious to us because of a quiet sacrifice. I looked at my friend, his eyes were fixed on the refuse…quietly, he instructed me to find the receptionist and search for another room. I stepped towards the door without question, I knew that there was no other option.

About My Mother

I watched her from the doorway, helpless to relieve her misery or grant her a moment of peace.
"Should I go to the Civil Air Patrol meeting, mom?"
"Yeah, just because I’m dying doesn't mean everyone else should stop living their lives…. besides, I could live another five years."
I smiled at her and got my things. I left the house in the cold darkness of night. I don’t remember any stars. As I walked out the door, I knew it would be the last time I saw my mom.
In the meeting, I sat among many others. There was a lecturer who had long ago finished his opening points, yet the horizon of the end was too far ahead to see. A strange sensation moved through me, a palpable shift in my body that still, now, defies words with its opaqueness. I stood and went to the women's restroom. It was pitch black inside the small tiled room and as my eyes adjusted to the light, I leaned into the slick, cool wall. I slowly slid down, my shirt rising slightly with the downward movement until I met the floor. I drew my knees up to my chest and I buried my head in my hands. My eyes stung. I had the overwhelming desire to cry, my body felt the surge of stored emotion and the impulse to let it flow outwards with salty tears and waves of sadness, but I could not. I stayed on the edge, on the sharp, thin space between calmness and utter meltdown. It was painful, it was uncomfortable, it was unlike anything I had felt before. I knew, at that moment, as I sat alone in the dark, that my mom was dying.
There is a memory, a distinct vision that sticks out among the blurred clouds of early childhood. I was one year old, a giggling baby in my mother’s lap. I was on her knees and she held my little body firmly around the chest as she bounced me up and down. We were at the small airport across the street from our house and I giggled happily, excited by the motion.
One time she came to me like a mother cat for her lost kitten. I was very young and had been sleeping on the couch when I woke up very disoriented. For a moment, I wasn’t sure where I was and in my innocence and bewilderment, I started to cry in small whimpering gasps and my mother came, patient and loving to cradle me in her arms.
I remember the first time I thought of her death. I was about four and my mother was running the bath water. I suddenly thought of her dying, of her subsequent absence, of how much I would miss her. I started to cry. She turned to me and asked me what was wrong. "I don’t want you to die." She chuckled softly, "I am not going to die! Not anytime soon, I hope! Don't worry about that!" She hugged me and gave me a kiss and put me in the warm tub.
We used to go on family vacations. I remember helping my mom pack all of the items from her carefully written checklist. We went around the US, to places like Oshkosh, Wisconsin, Washington D.C. and Chincoteague Island, Maryland. We took our last vacation when I was fourteen and a half. Mom didn't feel too good, on the trip, she got tired easily. I noticed her stomach was getting large and distended. Soon after, mom was diagnosed with ovarian cancer.
"I lived a happy life, what the hell, if I die, I die."
Before my mother got sick, we would sit at the card table in my room and do small craft projects and 5,000 piece puzzles. We spent countless hours talking and listening to music and enjoying each other’s company while we worked together. She was a creative woman. She made Christmas my favorite holiday with her sweet pies and cookies and unique savory dishes. In the winter months, she brought our house to life with unique lovingly-made decorations and the hand painted ornaments she hung from our tree.
As time passed, she got sicker and sicker. She lost her hair and a lot of weight. I would lay with her in her bed and she would confide in me. "I hope I die tonight when I’m asleep. This isn't living!"
We lay in her bed talking, just like we once did at the card table over a puzzle. She told me about the recurrent dreams she had about flying. I flew in my dreams too. She said she always tried to fly over the woods but got caught in the treetops. She really wanted to see what was on the other side. I had the same problem, I got caught in the treetops too. She made me promise that I’d make it over the treetops one day.
"I lived a happy life, what the hell, if I die, I die."
There I was, alone in the dark bathroom, my head in my hands… I cried. It was a cry of frustration, a cry of helplessness. But then, as the tears had just began to roll down my cheeks, I felt a warm calmness come over me. I felt a golden light enveloping me.
"Mom just died." I said to myself. I felt warm and safe. I felt comfortable. "She's better now." I said in relief. I stood up and went back to the meeting and told them I had to leave. I drove home. I parked the car in the garage and my dad came to meet me outside. He was crying. "Your mother passed away while you were gone," he said as he hugged me. "I know," I responded. He told me he didn't want me to be shocked when I went into the house and didn't see her. I walked into the kitchen and saw all of my sisters sitting at the table, crying uncontrollably. I watched them all in anguish. It was like watching a movie with recognizable characters, characters I had known since birth. They all played their role and I watched them in surreal objectivity. I couldn't cry. I knew my mom was OK now. I felt….I knew that she wasn't in pain any more. A little while before, as I sat in the bathroom, she had shared the feeling with me, she had shared her experience, her journey onwards and I couldn't be sad for her.
For three days after her death, she came to me in dreams and shared what she thought I should know about death.I kept my promise to her, I made it over the treetops in my dreams. Now I know what’s on the other side. I have a feeling she knows what’s over those treetops too.