Showing posts with label sleep. Show all posts
Showing posts with label sleep. Show all posts

Thursday, June 14, 2012

Another Confession

Greta clears her throat softly, looks into the bright spotlight coming from the back of the room- squints slightly then continues.  Inhaling, the smile comes.  Exhaling, her shoulders soften and the words begin to flow. 

“I am not yet what I wish to be.  I am not yet what I yearn to be.  I am covered in layers of dirt and habits that cover my eyes.  I shred my heart with my own hand.  Those knives!  Gleaming!  Kitchen drawers and the rusty tools of the shed.  Give them to me!  You devils, there is no fire that can cover these tears.  It is only me that begins to claw.  I stand around the corner with a knife, watching myself- we are sharp and gleaming in the moonlight.”

She looks up, seeing nothing but darkness and the brilliant light.

“I always think it's them.  Them with their ill thoughts.  With their conspiracy.  I take the bait when they sit together, gulp it down without thought.  Give me your hooks! Gleaming!  I swallow, tearing at my own mouth, cutting these lips!”

Greta’s eyes are glistening with tears.

“ I go outside to pick yellow leaves. I go upstairs, pretending to read.  I watch them like characters in a movie, wishing I was them. Wishing I lived in a Barbie world with new cars and a large house and fashionable clothes. I see others and envy them. I envy the bed they wake up sharing.  I envy them for the human lives they lead. My mind is full of questions.  I am unsettled- standing here.  Can you hear me?  Bring me the knives!”

She shakes her head.

“I am not what I wish to be.  I am not what I yearn to be.”

Saturday, July 4, 2009

Handwriting

I wrote down my dreams this morning. I reached for the pad of lined paper and the pen laying beside it before my eyes were really open, my fingers clutched the plastic tube while the body tried to catch up with the brain. As I wrote a long sentence about houses and car garages and loading plastic bags of groceries and my sister refusing to stop clipping her nails, I kept leaving out important letters in simple words and everything was slurred and jumbled, looking like the penmanship of a lunatic. The thing that stuck out, the one letter that seemed more defined than all the other ones was the letter “m.”
Meg is my mother’s name. “M” is the letter I tried over and over to perfect as a teenager, when I had access to a car all week and my parents were at work and the day was much too sunny and blue and full of promise to sit in a classroom and pretend to listen to those that had let their passion fall like the crispy leaves of fall. And in the haze of dreams, where little songbirds flew in and out and stood on the ledge of a circular hole in the house for sale, I watched my hand move across the page. I watched with the eyes of a silent observer while I made the exact “m” my mother uses to sign all her checks, the name that I tried so hard to forge and now, through time and accumulated habits, have seemed to have spontaneously imitated and absorbed.

When I was 13 and looking through a bookstore in Laguna Beach, I found a book with a hot pink cover: “How to Find the Right Mate, Lover or Friend Through Handwriting.” I bought it and studied the copied writing samples of John Lennon and Adolph Hitler. What always remains with me is the anecdote the author uses to justify the importance of handwriting to understand what’s happening in the brain. According to the author, there was a small study that observed Vietnam vets that had learned to write with their feet after losing their hands in war. The study found that their writing samples (written with their feet) were nearly identical to their old handwriting when they still had hands. The author argued that the hands are merely a tool, a vehicle that expresses what’s in the mind and emotions. The devil’s advocate in me wondered how come the veterans, who had clearly been through a traumatic event, would be unchanged enough to keep writing in the same style, but today I know that habits can go that deep. It could take more than bombs and missing fingers to release recurrent patterns.

My mother is deep inside me. Her sorrows are mine. Her insecurities, her strangeness. Whatever part of her brain that expresses itself with those curved “m’s” is also deep within me. What wasn’t quite perfect as a teenager has solidified recently. And each time my hand grabs a pen and I write “movement” or “motion” or “mayonnaise,” I see the evidence.

How much of her is in me? Does the killer sleep in my bed, just as Joseph Raymond thought? How much do I wish to destroy? It scares me to think of myself this way and I can see my dad laughing… “you’re going to be just like her,” he would always say, and I would take it as a curse. A grim prophecy of the not too distant future. The dough is ready, all I need to do is sit back and wait for the years to pass through like water. I could become her, fill her shoes, assume her role in this world without much thought or struggle, I could become her reflection. And yet, even though her “m’s” look like mine, three years ago I began the half-conscious/half-unconscious habit of writing “5’s” in a new way. I would watch my hand as it moved in a new way, creating a new shape. I watched as my “b’s” and “n’s” transformed in another form of imitation.
This machine can absorb and release. I can watch the evidence in a dream tale materializing on a blank page.

Tuesday, June 23, 2009

A Morning Train Ride

It was early morning when the alarm started ringing. I ran to my cell phone, more than half asleep with wisps of fast moving cars and a girl who followed me with a toothache. The colors of dreams moved with me as I opened the door from the bedroom to the kitchen. My eyes were almost completely shut and I walked with my arms out, feeling like a blind woman for furniture and a clumsily placed chair and the walls that now seemed to be in my path. I dropped to the ground reaching for my purse as the incessant ringing grew louder with each second, its monotonous call cried for me to join the land of daylight, the place where clocks and appointments and schedules seem to matter. I smelled the leather of my bag and reached into the cluttered guts of my purse. My fingers felt a wallet, a notebook, the red vinyl change purse, a handful of lipsticks and chopstick, I felt a couple pens, a roll of extra socks. My hands, which were now bestowed with the power of sight, whose fingertips were the only eyes I had, finally, in the corner of the bag, found the cold rectangular object. Memorized movements flipped the phone open and they pressed one circular button at the top and then the arrow to the right. The ringing stopped, and the small studio was back to a clear silence.
I walked back to the bed and lay down. My heart beat with the rapid pulse of a machine gun. I wanted to drift back into the current, but a thread of consciousness told me there was no time to spare, the night before I had already set the alarm a little later than I should, bargaining with myself that I could sleep later, but it would mean required swift action as soon as the alarm began.
And so, with a great blast of effort, I stood up from the bed slightly too fast and walked to the bathroom sink. Still mostly blind, I groped for the toothbrush I knew was towards the left of the sink and reached out with my left hand to the ledge by the window where a small tube of toothpaste sat uncapped. The brush entered my mouth and, as mint tingled my tongue, I opened one eye and caught the reflection of a tired looking young woman whose hair could have been a messy wig found in the bottom of an old cardboard box. A splash of water on my face felt good and I buried my head in a soft beige towel hanging from the shower ledge. Opening my eyes and looking out the blinds, I saw that the morning was young, the sun was still hiding beneath a layer of moist silver clouds.
My dresser drawers were messily opened and I reached for the first pair of sweatpants I could see. I put on some tights for extra warmth, then the sweatpants. I was headed for the San Francisco Bay, for the farmer’s market that was just steps from the water and the wind. I would be standing there for hours, ‘til the sun gathered force and burned the clouds to vapors, I did not want to be cold while I waited for the sun to show its strength. I put on a long tank top to cover the soft curves of my love-handles and another two long sleeved shirts and on top of it all, a mohair sweater. I wrapped my neck up with a long sequined shawl and headed out the door. Down the winding street I went, from my home and bed, from the warmth of my little sanctuary, down into the busy streets of Daly City. There were stop signs and red lights and cars and pedestrians, I went through all of them in a haze, as though guided by an angel of mercy. I parked a block away from the light rail system and, as I walked, I caught a glimpse of myself in a car’s dirty window. The image was slightly silly, slightly mad. Where would they think I was going dressed like this? I looked like a slightly stylish homeless person, the only thing that could distract from this perception would be the bright red lipstick adorning my pale lips. I looked again into another car window, “slightly insane”…but I smiled at myself, maybe as insane people do.
A voice rose from deep inside, “It doesn’t matter what anyone thinks anyway, image is a mirage, none of them will ever really know me. The ones who matter to me don’t care how I look.”
I stepped down a flight of cement steps and into the station. There was a mixture of beeps coming from the opening and closing doors on the train platforms above, the low dull sound of a mechanical woman over the intercom system giving security tips and the sound of people and buses coming and going. Pigeons darted in the open-air station, some looking for a quiet place to sit, others searching for their early morning meal and finding no difficulty locating dropped crumbs. I heard their cooing, their flapping wings. As I rose on the escalator to the platform, there was an 8-car train with open doors. I stepped into the yellow-lit car and took one of the few remaining seats. The blond woman next to me, with short hair and a black trench coat, sat hunched over her cell phone, punching in text messages.
I opened my backpack and spent some time unraveling the long cord of my headphones. The night before I had set them and the Ipod next to my bag, in anticipation of the 20 minute train trip, thinking that I would play the “good morning song,” (as I called it) on my way. The song was seven minutes of electronic beats and melody that nearly always had a profound effect on me. For whatever reason, I particularly responded to this song. My chest would open, my heart would flower, everything around me would become more interesting, beautiful, tender, important. I would be in the center of this amazing mass of movement, travelling through it, as though it was all a gift from a god. How many times had I been driving while listening to that song, feeling as though everyone around me, disguised slightly in their metal cars, where brethren, a part of me that defied words or explanation? And so I had planned it the night before, as though I was planning a psychedelic journey or an invocation, I planned for the morning journey.
The train doors beeped and then closed, I watched the people rise from the escalator seconds too late. The train moved and we left them standing on the platform, seconds too late to travel with us. I looked around as I put my headphones on, I scrolled through the Ipod and found the song. It started, slow first, then mounting in volume. I looked at a middle aged woman who sat in the seat next to the doors. She sat with her eyes closed, perhaps wishing she was still in bed. One minute later, we stopped at another station, we lost a couple of bodies and we gained a handful more. A woman with a young child in her arms walked though the doors and looked desperately for a place to hold on to. I started to get up to offer her my seat, but the woman who had sat with her eyes closed got up and walked away. Another minute passed and we stopped again, a horde of people entered and they stood in the aisles, holding on to the metal bars and plastic seatbacks for stability. The song was beginning to enter its peak.
The little girl in her mother’s lap kept looking at the people around her, her head and eyes darted and then she looked at her big sister who stood a couple steps away, holding onto a chair back with one hand and holding the folded up stroller in the other. What was she thinking? I looked at the hairline of the young Asian man in front of me, his body and skin seemed smooth and young, but he had gray hair that speckled his head. There was a man with a dark blue suit standing up, he was wearing a lavender collared shirt beneath his tailored suit, he looked Latin and had dark hair and big dark eyes. He was tall, not needing to stretch at all as he held onto the overhead metal bar. A short white man entered the train at the 16th Mission St. stop. He was blond and had thin arms and legs and a protruding pot belly. He was wearing knee length khaki shorts and tennis shoes with little white socks and a salmon colored polo shirt, there was no mistaking that he was gay, the color of the shirt accentuated it, but it was his being, the way he stood that announced his sexuality. I looked at the man with the lavender shirt, a color many heterosexual men would run from, but there was no denying he was heterosexual, there was something very obvious about it. I felt them both, two men, their sexual preferences evident in their bodies and the way they stood. I looked again at the guy siting in front of me. The little hairs on his neck where dark and I looked at them with the whole of my attention.
To his left, an Arab man with a large nose read from a small book, there was a picture that looked like a very old woodblock print on the left side of the page, it was an ancient deity surrounded by floral embellishments and other blurry details. On the right side of the book was a bold heading which said “Morning Prayer” in English letters. “He’s praying,” I thought. Then he closed the book and put it in his bag and he turned his head in my direction but did not make any eye contact. All of them seemed interesting, beautiful and worth the full power of my attention. The baby with the big brown eyes kept looking quietly at her sister in between moments of staring at other passengers. “What does she see?” I thought once again.
As the last beats of the song faded, I skipped a couple songs ahead and put on a less familiar song. A very simple melody with three notes began to repeat every couple of seconds. There was a beautiful beat on top which seemed to move and move, taking my heart through landscapes and ringed worlds. Tears began to flood my eyes and I opened myself to all of them. I looked at the Latin man in the suit, my head tilted slightly to my right shoulder and I looked at his form. A small salty droplet escaped and went down my cheek, I did not wipe it away. The man, sensing something, looked at me. I looked back, hearing the music in my ears, holding contact, looking at him without thought, he was not good, bad, handsome, nice…I just looked at him from the eyes of an open vessel, he looked at me, held contact for less than two seconds, then looked away. What did he see? His break did not prevent me from looking. It did not stop the tears. I looked at others with the same sense of wonder without structured thought.
I looked out the train window as I felt the brakes begin to work, I was close to my destination point. The song was fading and I looked around me sensing that a wave had passed and now I was wet to the knees at low tide. I scrolled around the Ipod for a second, but turned it off. The train door opened and I stepped out, joining the line of people on the left of the escalator that walked instead of letting the escalator take them. We moved past the line on the right that stood in place. I reached daylight again and the downtown center where people in professional suits and skirts and clicking high-heels and tailored jackets walked past me. I saw my reflection again in an empty storefront. “Still goofy, but it doesn’t mater.”
I spent the next couple of hours setting up an organic peach stand. Michael, Fernando and I opened tables, set up the canopy and opened boxes of summer peaches. I was reminded of the moment in Pulp Fiction when Marsellus Wallace (the ring leader of a criminal organization) opens a briefcase. The audience is never explicitly told what’s inside, but a yellow glow shines on his face, as though the light from a golden sunset is projected straight towards him. When I opened a ripe box of apricots to cut samples, the light from them was just as bright, it was breathtaking and beautiful and I tried to retell the experience of opening the box for a couple of customers who commented on the pretty color of the apricot skin, but something vacant in their eyes revealed that they didn’t quite understand the story I was trying to tell them.
During a lull in customers between the breakfast shoppers and lunch-time, Fernando and I were standing together, gazing at the many types of people that walked by the Ferry Plaza Building. He looked to me and said, “You know, you don’t look like a woman.” I turned to him, all 29 years of me, “What do I look like?” “You are so slim, you look like a teenager, like a kid.” “Oh,” I said nodding. Knowing that in his eyes and mind, his words were not a compliment. He liked women, not girls. Almost instantaneously, I felt small, ugly, worthless. I felt self conscious in my sweatpants and messy hair, undesirable amidst the career women in their shiny high heels and form-fitting dresses. I heard a faint voice again, “Who cares what they think, it’s all image, he doesn’t know anything about you.” But I hardly heard the voice, I started to feel like it did matter. I went to the bathroom and reapplied some lipstick and tried to fix my hair, but there was nothing to be done. It was my internal landscape that had shifted. So open early in the morning, so tender, that a couple of ill-conceived words went in like zig-zagging daggers and sent the entire fragile newborn edifice sprawling to the dust.

Thursday, April 9, 2009

Machine Without A Master

Do you hear the bell toll? Listen to it ring; ding dong, deep and mournful. It began when there was a hand to pull its ropes, and it will stop when the hand is gone. You can read in the news today that 41 people were taken hostage in an immigrant service building in New York State. Some were shot and are critically wounded. You may also watch videos about a called received by 911 in which a woman shouted “Die, Die!” as she stabbed her toddler to death. In the pictures of the week, there is a photo of a man with a bloody mouth and naked baby dolls pinned all over his white dress shirt. At a glance you might assume that he is protesting abortion. A closer inspection of the caption below the image will reveal that he is in fact a performance artist that has positioned himself outside of a courthouse where a man is being tried for imprisoning his daughter in a windowless cell for 12 years and fathering eight children by her. The farmers in the Murray-Darling Basin of Australia are systematically being placed on suicide watch after a seven year drought has turned their ranches into desert wastelands. The frogs of the world are dying en mass. The economic fate of all the lands of this earth was discussed at the G 20 summit yesterday, the problems of a failing global economy were to be resolved in one day by clean learned white apes in designer suits. The president of Brazil has declared that those responsible for the economic collapse are all white with blue eyes; there is not a single black or brown man among them. You can read it all in little lines of text on the Internet if you are not afraid of the virus that was released on April 1st . You can watch video upon video, look in magazines, scan the headlines of newspapers, search every where for the equations whose final result can only be a fading civilization.
What are we really?
Animals that hold the fate of a world clutched in our greedy frightened paws. Because we shower and use chemical body products and shave the hair from our bodies, we forget what we are, we forget that we have risen from the mud of this earth and that it will swallow us again. If you listen in the hallways of public spaces, you will hear the frightened self centered conversations of these animals. Our prized linear intelligence, an abnormality that sets us apart from the rest of the creatures that cohabit this whirling globe with us, makes us fly in random confused patterns, like those lost bees we read about months ago, crashing and burning without direction, without a clear purpose, without a place to land.
Our personal disease is a secret sickness that infects this entire glass snow globe, but its very nature demands that we not take heed, that we blatantly ignore our left hand slowly bringing the revolver to our temple, finger poised over the trigger. We will not hear the bell, we will not hear the shot ring out as we gently squeeze it while holding our martini glass poised in the right hand. That line we began about God and his design will end abruptly and fall flat into the dead silence of that moment in which there is no longer a hand to pull the rope.
The endless void will yawn and swallow our collective dream back up into its eternal stillness, a moment of deep sleep between the cycles of dream. The lands that we have trod upon, and imagined were separate from us, will turn over inside of us as unborn children in the womb of an unsuspecting mother. God’s design will disintegrate with our tongues and will be replaced with the endless machinations of half formed equations that we will pour through the emptiness like water over the mill wheel, mere grease for the ceaseless clockwork of a mysterious hidden gauntlet. This fading dream touches upon the realm of nightmare just before we startle awake and find that the design called for death, but never for paradise. Evaporated mirages break upon an even more startling reality. Silence.