Showing posts with label music. Show all posts
Showing posts with label music. Show all posts

Monday, April 28, 2014

Open Up



Open up and sing
the body is ready for death
the mouth, a portal to the end
the stadiums outside are filled
and the onlookers are hungry,
the preachers
the women with their diapered babes
the wolves at their side.
The prayer has begun,
The song, still ringing.
The chant builds,
The body is ready,
The flesh has a message.
And our book is open
And I see a torn page,
an invitation to the end.

A single tear rolls, takes speed.
Falls to the ground,
spreading its salty spirit,
its whispered secret.
In ten years there will be a sapling,
bleeding its ocean blood.
I watch it disappear,
a single drop into the earth,
dark as coal.

Pale pink petals float by,
a gift of the wind.
One sticks to my lip and I draw it in,
move it around like
my favorite piece of paper,
Then let it sit at the base of my tongue.
It can stay as long as it likes,
no longer alone in the wind.
Here it has a home,
till we open up, and sing.

Saturday, March 30, 2013

Marks



She sees a numeral, a 3. An upside-down triangle.
Beside it, a triangle which points towards heaven.

The sun is long past its peak. The light that now spills over the city is golden and fleeting. The walls of the many downtown buildings glow in a muted shade of orange, the sky above has turned to a pale blue that only holds a faint promise of the darkness to come. There are no clouds, just endless pale blue ever so slowly shifting to gray.

There are more symbols. She can feel them, almost hear them as if they were talking with soft words in a language she can not understand. The shapes have obscured themselves, blending into each other like colored oils. 

She has awoken on a warm bed of light green grass. She had dreamed of a closed door and two men with white horns. But as her eyes flutter open, she is surprised to find herself alone. She lays still for several minutes, tuning into the metronome of her heart, listening to the sounds of the city.

The street is wide and made of multiple lanes of traffic going in both directions. The city is a mixture of ancient and new, old edifices and architecture combined with new street lamps and signs. The street itself is covered with a fresh black layer of asphalt, but the sidewalks are old cobblestone, worn to a shiny finish from years of use. Modern buses wait patiently in traffic beside buildings hundreds of years old.

Two men with white horns. They were speaking. What did the men say? What were they saying?

"In music I will give you the mystery of the baptism of those of the Midst and the manner of invocation for reaching their regions."

A typical late afternoon, a known rhythm. She can sense it all without looking.
Though the sounds seem familiar, there is another sound that lays the foundation to all that she hears. She lays still, focusing, listening. 
It's the sound of distant bells. Earlier they lulled her to sleep here in this quiet little park. Now that same repetition has somehow called her back from the dream. 

"And in gestures I will announce unto you their ciphers and their seals. It will be a dance and the steps will change even as the music changes. You will never know what step comes next just as I never know what step comes next. The sequence will seep into your consciousness like water being absorbed by cardboard. I want your consciousness to become soggy , a formless pulp."

The street is exact and completely straight, breaking from its course only when it meets perpendicularly with another wide road at an intersection. Each lane is full of cars. They wait bumper to bumper, occasionally letting out a desperate honk that does nothing to move the cars ahead of them. 

She brings her warm pink hand to her face, slower than she would have usually moved her arm, so much slower than her habits would dictate. The hand comes towards her as though it needs attention, as though it has just been birthed from the warm folds of silk and is now taking its first breath in a new waterless world. 
Here is bright light.  Here is something that can see. Eyes and a face, a mind to comprehend.

The dainty white hand hovers a few inches above her face, just close enough for minute ripples of alarm to spread as she sees the short sequence of numbers and shapes on her index finger. This was not there when she went to sleep in the middle of the park just a few hours earlier. 

Dark exhaust streams from the back of the city buses. They wait as still as the cars. Nearly hidden inside them are scores of passengers that stare out from the tinted windows with a mixture of helplessness and resigned desperation, unable to do anything to change their fate. An occasional motorcycle weaves its way through the congestion, finding the small pockets of space within the mass of metal and exhaust and horns beeping in useless exasperation.

"And I will give you the baptism of those of the Right, our region, by letting the sun scorch your skin and the eagles eat out your eyes."

It is not just crowded streets, the sidewalks on either side of the traffic are full of pedestrians. Many of them are tourists, clinging to their maps and cameras and staring open-mouthed at the architecture. There are large baroque buildings that take up entire blocks and between them are grand cathedrals on every other corner.

She had gotten into the curious habit of studying her body in the mirror before bed, looking for such strange signs. Why did she start? What made her do it? No clear answers to be found, no clear answers to be stated.
It had turned into a compulsion. She didn’t know what she was searching for when she started. She smiled shyly at herself in the mirror  under flickering candlelight, a bit embarrassed by the nightly ritual. But she did it again and again, looking for something. Night after night, she had only found pale skin and freckles.

But this afternoon something has happened.  She searches her dreams for a clue. A door, white horns. She looks deeper, allowing her body to relax and drift, to begin the journey once again.

"I will give you the great mystery of the Treasury of the Light where all my wealth is stored."



Horses,
a field with a book,
a man’s face she could not see. 

She pulls herself out of the waves and looks at the symbols once again.  She closes her eyes slowly, feeling her heart.  It is calm, there is no fear.  The ripples have faded. 

"I will give you gnosis in order that ye may be called 'children of the fullness, perfected in all the gnosis and all the mysteries."

The tourists walk in small groups, adorned with hats and water bottles. Locals weave through them like the motorcycles, finding the spaces between gawking groups of picture-happy tourists.

She has grown to expect strange things, to hope for them perhaps, though a part of her mind holds onto modesty and stable things like stones and plastic. 
But all things are possible in the labyrinth. Puppets and humans alike play, devising ways to come through the tunnels left wide open in dreams.

One of the oldest buildings in the downtown area is an old church with a long, narrow steeple made of metal. The building itself is constructed from bricks and rises five stories high. On the body of the building, close to the steeple, are open square windows. Inside the windows, within the church, she can see the silhouettes of ancient people, wide open eyes staring out. 
The church building sways softly in the wind, moving slightly to the right and left, then forwards and backwards.

"Blessed are ye beyond all men on earth, for with access to these spheres you will have room to breath. For the children of the Light are come in your time, you are they.
All that is required for an achievement of gnosis is everything.
You who have abandoned the sky father and the earth mother because I have asked it, unto you will I give all mysteries and all gnosis."

A numeral, a 3. An upside-down triangle.
Beside it, a triangle which points towards heaven.


Thursday, August 23, 2012

Perfection On The Corner

Parker sipped at the jar that held her morning cup of tea.  Just 15 minutes after the water had boiled and the milk was added to the decaf earl gray, all the aromas and flavors were blended and it was now the perfect temperature.  She held the jar with her right gloved hand, finding the glass too hot for the touch, but just the right heat for her tongue. Steam danced in brief swirling movements off the top of the liquid, smelling of earthy bergamot and sweet cream. 
She guided the cool plastic steering wheel with her left, ungloved hand, turning it expertly as the road curved just slightly to the left, and then a moment later, to the right.  On her left was the Alemany farmer’s market, which she knew started very early. 
It was 7:30 and already there were groups of two or three middle aged Asian women crossing the street, leaving with heavy bags of produce and vegetables she could not name. She surveyed the sea of white canopied tents from afar as she waited for the light to change. When it did, she was off, scanning the road for potential hazards, as Mr. Dutton had taught her in driver’s ed. 
She went underneath a freeway overpass and was once again delighted to see the mural on the large cement pillar that held up part of the overpass bride.  It was bright, with all the rainbow represented.  The painting wrapped around the wide cylinder and there were huge purple and yellow flowers that guided the eye smoothly towards the predominant subject: the torso of a smiling black woman nearly enveloped in foliage and colors.
She hit another light as she emerged from the shadow of the bridge.  She sat, watching the various lanes of cars take turns moving through the intersection. A Beatles song came on the radio and she sang along with the lyrics. 
“Jai Guru Deva. Om... Nothing's gonna change my world.” 
She noticed the vacant lot on the corner edged with wild fennel over five feet tall.  Where some of a fence remained, scrawled graffiti speckled it like bird droppings on a rusted car. 
“Nothing's gonna change my world.” 
She sang, and it was one of those moments, so early in the morning, when everything seemed perfectly in place. All the thousands of moments that had filled her lifetime, the people she had known- those that had been forgotten and lost, the moments she remembered and the pain that had etched itself into her story, everything at that corner seemed so delicately perfect.
It was now a familiar sensation that seemed mostly to come on these early morning drives, sometimes with a warm jar of tea in her hand and a sense of something at the edge of her skin and awareness more beautiful than she could ever really describe, a wonder that went beyond the knowable.
“Jai Guru Deva. Om... Nothing's gonna change my world.” 
As a tear swelled up and pushed itself over the lip of her eyelid, she remembered that she had cried at the very same spot during a Beatles song just a few weeks before. The same song. The same moment repeated.  She let the tear flow, letting the tiny river stay on her cheek tingling with life. 
Breathe, she remembered.  Her chest expanded as the light changed to green and she pressed on the pedal.
Later she would think about the corner- what was it about that spot, so early in the morning, that brought her to life?  Later she would caress the edges of consciousness and marvel at the mystery of the recurring story.
But for now, before the human remembered itself, she sang and let the tears fall as they would. 

Monday, August 13, 2012

Moonlight Lady

The cheese section was illuminated brightly at the supermarket.  An enormous selection of soft and hard cheeses, swiss, cheddar, brie, goat cheese covered in blueberries or herbs- they snuggled up against an assortment of packaged salami and prosciutto. 
Ethella picked up a few cellophaned chunks of cheese and checked out their weight and country of origin.  As she put the French brie back in its place beside its brothers and placed the cheaper American-made one into her red store-issued basket, she heard the song. It was immediately familiar. 
Most supermarkets play the same songs, about 100 recycled tunes from the last 50 years of rock. This particular familiarity, instead of getting lost in the mire of repetition, struck emotionally, blasting a buried memory into perfect, ringing clarity.  And the cheese, the shoppers around her, the weight of the basket, it all wove into a multitude of threads, experience and perception becoming both more bright and blurry at the same time. Tears came to her eyes and she moved her head softly humming along.

She had a babysitter named Jennifer one summer when she was 10. Jennifer was 15 and had long blond hair and wore red lipstick. She suggested that Ethella and her younger sister prepare a romantic surprise dinner for their parents. They planned a menu of spaghetti and red sauce, salad and dessert, they had Jennifer’s mom drive them to the supermarket to buy the ingredients and flowers. 
At 4pm they started cleaning and creating the space. Ethella set the formal dining table with their nice linens and china reserved for special occasions. The dining room was separated from the kitchen by a decorative angular archway and Ethella tacked a large tablecloth in front of it to block out the view and light from the kitchen. 
Before her parents came home she went to the stereo in the living room.  There was a clutter of tapes and records- none of them familiar to her.  She picked one up at random and put it into the tape player, she listened to it for a second and thought it was perfect.  Smooth, low vocals- it seemed right for a dinner set to candlelight.
Her parents came home. Ethella’s mother changed into a nice dress and sat at the table with Ethella’s father, both of them going along with what the girls had created.  After dinner her mother asked how she had known to play that particular tape, “it’s the most romantic music we have.”  Ethella shrugged, not yet having words to describe intuition and mood.

A familiar song played in the grocery store.  She only remembered hearing the music that one night so many years ago.  She walked through the aisles, past other shoppers oblivious to her joyful tears and open heart.  She swayed her head while singing the few words of the chorus she could make out.

Sunday, November 27, 2011

Singing With Babies


Pale sunlight streamed in through the glass windows on either side of the narrow room. It was almost 7pm and soon she would have to put the babies to bed. She would somehow convince their little bodies that it was time for sleep even though it was still light outside. But before she tucked them away for dream time she sat each one on the padded dinning room chairs that surrounded the oversized antique wooden table and turned on her black laptop. Jonas sat closest to her and Noah on the chair beside him. She pushed the computer to a center point on the table between them.
Noah started to clap his chubby hands as he saw the LCD screen come to life. Jonas, looking so small in the straight-backed chair, waited patiently, watching curiously and quietly as the Windows sound and screen prompts popped up one by one. Noah let out a small excited wail as she plugged in the computer’s mouse and then found the right folder and file and pressed play.
“Meow meow meow meow meow meow meow meow meow!” It was part of her daily vocal training and she sang the syllables loudly going up the musical scale. The wooden floor and furnishings bounced her voice right back and the sound was crisp and resonant.
Jonas seemed stunned and looked at her excitedly with a big bright toothless smile that puffed out his fatty cheeks, a smile that showed he was not quite sure what he was hearing, but he liked it. For him, it was all new. His experience was fresh and his eyes widened when she sang. He laughed too, with every meow meow phrase he erupted into tiny giggles of delight.
“Meow meow meow meow meow meaow meow meow meow!”
She sang along with the prompts of the recording. Jonas looked back and forth from the psychedelic screen saver that accompanied the music to her, mesmerized by the combination of what he saw and heard. She wondered if music and those transforming colors of never ending possibilities would always be linked in his mind, she hoped so.
Jonas started clapping his tiny hands, bobbing his head up and down rhythmically to his own beat. Noah sang a little under his breath, a sound that seemed sort of like speech, but was flavored by melody. She looked at them as she sang, opening her eyes wide, raising her eyebrows, sending her energy towards them in pure unabashed delight.

Thursday, November 17, 2011

There Was A Song About Them


There was a song about the houses, the little boxes made of ticky tacky… you know the song perhaps? Maybe you heard it first sung by an Indian gentleman on a short plane trip from San Francisco to Los Angeles or in endless variations on a late-night television program or on an old recorder long ago dumped in the trash. Perhaps you know the song about the houses.
If you have never seen them, the houses of blue, green, red and yellow, you might think that it was only a song, a silly song, a symbolic song highlighting the rote and under-whelming achievements of modern man. You might think that they were not literally boxes if you had not seen them as I, Earl Winters, have seen them.
They line up as neatly as boxcars on rails of track along the faces of those low, verdant, mist shrouded hills, traversing from the fringes of San Francisco into the deep dank moors of fog-covered Daly City. If you know anything about moors then you know that they conceal mystery and hide their phantoms. You know that hidden in that ever-present gray are the deadly secrets of the transmutation of matter and their link to moon cycles. To see these little boxes, however, dispels any fear of the unknown, blots out any possibility for variance, and suggests infinite uniformity, for though there’ s a green one and a pink one and a blue one and a yellow one, they’re all just the same.
See the all-American family seated together in the dining room, hands clasped, heads bowed in prayer, meatloaf garnished with a sprightly sprig of parsley grown in the victory garden out back. After dinner father reads the paper, mother washes the dishes, little Sally and Tom play with the silky terrier, and the baby plays on the rug in the living room.
If you wish to enter this century, well then, mother throws out the designer paper plates before heading for the bath and father examines the world news on his iPad while Sally texts her boyfriend while baby snuggles in her lap and Tom plays a graphic and gory first-person shooter game designed by the US Army recruiting agency on the Xbox.
Pick a year, 1956 or 2011, if you peek into the little boxes and peel away the curtains, if you can somehow manage a glimpse into their tightly sealed world, you’ll find the inhabitants doing the same things at approximately the same time from one box to the next. You can depend on it. Most of the time.

I have suggested that this century is the 21st and that I, Earl Winters, am familiar with the box houses and what goes on inside of them. I know what goes on in much of the world in fact. It is my job to know. If you have ever listened to Half Moon Bay Radio KWMA, my name may have seemed familiar to you. I am radio journalist, Earl Winters, former host of Important Points, your daily investigative news journal. There is nothing about the workings of the world that I haven’t learned either as a kid on the streets of New York or in some press conference or news room or even on a battlefield or two. That is to say that I knew quite a bit before I ever visited 119 Santa Clara Avenue in San Francisco, right on the cusp of the moors.
I have told you that I am a journalist, but have I mentioned that it was terrible soul bruising work that turned my eyes into bleeding wounds and the only balm I found to sooth them was poetry? To smooth the broken glass and barbed wire of guerilla warfare from my voice I went twice a week to a café on Shattuck Ave. near the radio station where I worked, Café Nouveau Paris. I went to read things I had scribbled down in tiny notebooks to a room full of self-proclaimed poets and orange walls and glazed croissants.
That is where I first saw Theodora, smiling at a tiny round table, golden strands of hair falling over her gray-blue eyes, nervously shuffling sheets of paper with long bent fingers. I came in from the streets and noticed her immediately. The rest of the night I tried to be near enough to speak to her. I looked for an open seat or table, I thought of trite scenes I had seen in movies, dropping my napkin or spilling my tea, whatever I could do to prick her effervescent bubble.
I stood mostly paralyzed by the wall until the opportunity came. She was standing under a lamp and reading a small hand-written sign that asked for donations in a roundabout way. Poetry is all about the roundabout. Here, even a sign was indirect, diffuse in meaning, forsaking meaning for ambiguity.
I told her I liked her poems even though I could not remember them. I said that I had felt something kindred in them even though they were entirely incomprehensible, possibly only gibberish as far as I could tell. The poetry of her was in her smile, her posture, her tousled hair.
I suggested getting together to share more poetry. I gave her my card and as she read it, waited several long seconds for her to recognize my name. The recognition never came. In fact, studying the card she had to ask:
“Important Points, that’s… a radio show, or internet based thing?”
She liked that it was radio, I could see it in her smile. And that smile filled me up with a mint-scented air that I could sense cleansing the deepest part of me, moving through me as incense drifts though a room. She told me eagerly, as if this now assured me that we were friends, that she created music with a group that called themselves Pleroma. I said I’d love to hear their music, and she eagerly gave me a card which contained the internet addresses in which to find their sounds.
That night I went home and found the place in space-time where Theodora’s voice existed, her screams and deep guttural tones came through my speakers and filled me with a light I had not seen before.
Four months passed in which I sat at that round table next to Theodora reading her my poems, listening to hers, telling the stories of my life to her round blue eyes and trying desperately to wring some from hers. I endeavored to create other meetings with her, suggested a visit to the rose garden, expounded upon my desire to collaborate, prayed for a rainstorm so that I could offer her a ride home.
For all my effort, I saw her once a week in the same place at the same time, in the Café Nouveau Paris for the open mic session on Thursdays. Each week I asked for something and got a basket of smiles and an invitation to come improvise and record something with Pleroma in the house at 119 Santa Clara Avenue in San Francisco, right on the cusp of the moor.
Four months passed and I thought she must love me. Four months passed and I knew that I loved her. Four months passed and she gave me so little, but it was something. At last when she stopped coming to the Café Nouveau Paris I felt it was time to be bold.

There was a song, about the houses, the little boxes made of ticky tacky… you know the song perhaps. The house at 119 Santa Clara was one of these little boxes on the hillside, an orange one with a sage bush out front and a white car in the driveway. It was into one of these boxes that I, Earl Winters, set foot on a summer evening in the 21st century.
Yes, Theodora was there to hug me at the door and invite me inside, to offer me tea and introduce me to Leigha and Ferdinand and the others that had come to call that evening. Leigha was petite with dark curly hair and heavily shadowed eyes. I thought she was quite lovely, the complete inverse of Theodora, brooding where the other woman was flippant, unhurried where the other was fleet, dark where the other was light.
Unlike Theodora, Leigha was aware of my radio show and comfortable with bringing up politics and the things of the world to which I was accustomed. Ferdinand joined in our chatter. We stood in the bright living room and yes, I smelled the faded sweetness of amber incense, saw the chalice on the mantle, the flickering candles and a bowl full of silvery leaves, but I thought little of it.

They took me downstairs to the studio that Theodora had often times referred to as the underworld in her invitations. Poetry is all about the roundabout. Every sign is indirect, diffuse in meaning, forsaking meaning for ambiguity. The underworld was filled with electronic gear, guitar and microphone cables were spread over the floor like the thick dark chords of an enormous spider’s web. Lines from Theodora to Ferdinand, from Ferdinand to Leigha, Leigha to the Russian fellow that had arranged some of their live shows (Theadora had introduced him as their priest)…electronic lines to a guitarist, lines to me, to a microphone placed inches from my mouth.
I turned on my small laptop to find the poems within. In the walls of this unfamiliar lair, surrounded by large pieces of artwork and installations within the confines of open cabinets, I grasped at the known, the familiar. I held onto my computer and tried to smile though I was aware that the tiny, scared boy of fifty years ago was slipping through my eyes.
After Leigha lit small white candles and turned off the lights Ferdinand took a seat at the twelve o’clock position of the circle. It was then that I noticed the shadow cast on the wall behind him, the silhouette of Ferdinand with horns rising from his temples.

In the other boxes on the hillside there were cars and washing machines and children’s bicycles in the same spot where we sat entangled. All-American families were seated together in their dining rooms above their garages, hands clasped, heads bowed in prayer, meatloaf garnished with a sprightly sprig of parsley. Where there should have been a garage at 119 Santa Clara there was instead an underworld in which I had unwittingly descended pursuing a poem.
A poem composed of more than words and letters. A poem of soft white flesh and laughter that could lift me from the sadness of my afternoons. Poems that multiplied, mirroring each other in their glory, just as the sun is more beautiful followed by the cool light of the moon. I basked in both lights at once, amazed that such a thing was possible.
Whatever else I saw that night, whatever transformations occurred, I wrote them off the following day as tricks of the night, as the side-effects of medication from my minor eye surgery.

In the light of day I thought of the slow, moon-shrouded poetry of Leigha, who I felt was more receptive to my attention than Theodora had ever been. Her eyes were ink pools waiting for entrance. Poetry is about the roundabout. Every sign is indirect, diffuse in meaning, forsaking meaning for ambiguity. She had looked into me, found me waiting there, had welled up with emotion as we created music together.
Leigha, petite with dark curly hair and heavily shadowed eyes, I sent her an email and told her how I loved her, just as much as I loved Theodora. In my carefully thought out verse I confessed my desire to know her, to be with her alone just as I had been alone for many months with Theodora. I suggested a picnic and drive to Bolinas. I described watching the colors of the sunset and sharing dreams. I imagined sitting beside the soft poetry of her body, touching the warmth of her hands.
The response I received turned my chest immediately into stone, leaving me more than cold, as I read the words the poems in me crumbled into nothingness. It read as follows:
"Thank you for your email and working with us today. We read your email carefully. We understand what you are perceiving and feeling, but there are just some things that cannot happen. We are trying to do something unusual. This means there are some things we do not do. We would like you to be part of our creative projects, but the kind of thing you described in your email would be outside of the possibilities. We hope you understand. We like you very much and would like to keep doing creative projects with you. We know that the kind of contact we have had is rare, and we would like to maintain that kind of rare contact with you. It will just have to stay within certain limits. Love, Theodora, Ferdinand and Leigha."

It was the impossibility that the three of them had read my email together and responded in concert that led me to uncomfortable conclusions. Whatever I had seen, whatever had happened, it was the email that guided my regard of the happenings at 119 Santa Clara.
I responded to the email saying that I was hurt with Leigha’s disclosure of my message to the others. She responded that it had not been their intention to hurt me, it had simply been their intention to tell the truth. A week later I wrote Thedora;

“It is not possible that I was understood by the collective mentality of your exalted group, as exalted as you may be. I poured my heart out to you, and then you and your intensely felt colleague and house mate. So now, the three of you know the heart of my heart of my heart, based on a trusted and risky effort at sharing, and I know almost zero about one of you, and a little more about the others. When I asked to get to know one of your better, I got a group speak response, that felt very cultish in style. May this life, Theodora, bring you endless joy and creativity along with the suffering and struggle...EW”

Her response was an obscure:
“No problem EW, farewell.” Concluded with a smiley face.
I looked up from the short message, unable to focus on any shape around me. The familiar colors and furnishings of my living room were dirty and old in the bright afternoon light. With those final words I felt the last bit of mint drift out of me. The poem had faded, taking my stories with it.

Perhaps you know the song about the houses. If you have never seen them, the houses of blue, green, red and yellow, you might think that it was only a song, a silly song, a symbolic song highlighting the rote and under-whelming achievements of modern man. You might think that they were not literally boxes if you had not seen them as I, Earl Winters, have seen them.
Poetry is about the roundabout. Every sign is indirect, diffuse in meaning, forsaking meaning for ambiguity. And yet all these houses, all these familiar little boxes, they are all the same, they must all remain the same.

Tuesday, November 23, 2010

The Best Night Ever

I witnessed the best night ever. It didn’t happen to me, but I was part of it, guiding the events, letting out a tune every once in a while until we broke out into a spectacle of fireworks that moved around the room disguised only slightly by the turning disco ball.
We both drank slowly from our plastic containers of lemonade. Every time she took a sip her eyes would squint involuntarily and her cheeks would pucker. It was a look of pain, but she kept drinking more. It was the most rich, sweet and sour drink I had ever tasted, I couldn’t imagine it with the thousand extra taste buds of youth. She took another sip, wincing in pain and I laughed.
“Do you want me to get you a glass of water so you can mix the two? Then it won’t be so sour.”
“No, I’m ok.”
I offered to get her water several times until I realized that I needed some. I got up without a word and poured two cups from the self-serve plastic water container on the counter of the restaurant. When I brought them back to the table she drank greedily from the cup, perhaps unaware until that moment of how much her body desired something neutral.
Eating from my plate, I realized that this was not kid-friendly food. It was rich and intense. The mac and cheese was mixed with hot sauce and other spices that made it almost too overwhelming on my tongue. Next to it were two types of tofu burgers, one was fried, seasoned and crispy while the other was drenched in deep red bbq sauce. She picked delicately at the only quiet thing on the plate, a small piece of yellow cornbread.
“Don’t worry, I’ll take you to get a kid-friendly burger next door.”
I looked around the restaurant. The walls were a bare white except for the two large portraits of Big Mama Thorton and Muddy Waters behind me. Each portrait was five feet tall and four feet wide. They were painted with one shade of maroon that reminded me of a film negative.
Besides the paintings, the place was bare. The seven tables in the front section were clear of any decoration. Around the corner in the dimly lit section that might have been an old blues club, a disco ball turned its light on an empty collection of tables.
Before we left she tossed another penny into the fountain by the front register and the hand written chalk menu on the back wall. We walked next door to Nation’s burger. I had eaten there twice. Once years ago after I had been drinking with my friend Julie. I thought it was delicious, the best burger ever. After a few weeks and fond memories of my meal, I went back sober. The experience was night and day. My burger was greasy, flat and tasted of oil.
We walked next door hand in hand. There were several tall black men standing by the register, one had a head of dreadlocks hidden behind a large knit cap. As we walked in and I saw him I felt safe just because he was there. Another older man showed us his plastic bracelet, he had just gotten out of the hospital.
The man with the bracelet looked down at her and she was already smiling,
“You must be ten,” he said happily with his red eyes and deep voice.
“No! my sister is ten! I’m nine!”
“oh!” he said laughing.
She smiled and held onto the purple pillar by the cash register. A crew of three young Asian men worked behind the counter.
“What do you want?” I asked, “they have hamburgers, hotdogs, grilled ch-“
“A hot dog and French fries and a piece of cherry pie!”
“hot dog, French fry and cherry pie!” the man with the bracelet said out loud, sounding like Samuel L. Jackson on the verge of laughing.
A young Asian guy with acne took our order and we took a seat in the booth by the front window. The man with the bracelet followed us back to the table.
“scuze me, do you have any money I could use ta get something to eat, I bin in the hospital and you wouldn’t believe the weight I lost.” I reached in my bag and got a dollar.
Our ticket number was called soon and when I went to get it I saw the biggest piece of cherry cheese cake, a foot long hot dog and French fries.
“Wow,” she said amazed, “this is such a nice restaurant, they have such nice food and they must have spent a lot of money to put all these nice vases and flowers on every table. This is such a nice restaurant, I love it here!”
I looked at the red plastic vase on our table and the two red carnations in it. One carnation was dead and dried up, the other still had a bit of vitality. I looked at the rest of the tables, each with a matching vase and flowers.
As she ate her hot dog I looked around the space. I was slightly uncomfortable, several homeless men came in to get cups of water. There were two old black men sitting against the wall at a table, I wondered just how prejudiced I actually was given my anxiousness to leave.
One of the older men sitting against the wall seemed to be staring at me. I held his gaze, unsure if he was looking, then looked back at the paper in front of me. I read her a list of activities that were being advertised in the local free weekly while trying to give the appearance of confidence and relaxation.
A while later I looked back at the older black man. He nodded to me, not smiling, but acknowledging my presence.
She kept turning around to the man with the bracelet who now sat in the booth behind us completely focused on his food. She looked like she wanted to talk to him and she positioned her body in a way that did not completely shut him out with her back.
“I can’t eat any more without some water.”
I went to the register and got a cup for water. As I was walking back, a middle aged man, perhaps of middle eastern origin smiled at me. I smiled back and wondered if people were friendlier if they saw you with a child.
When she couldn’t eat any more and I put a limit on the amount of pie she could eat, she walked up to the counter to get a box for the extra slice of pie. She walked back with it, now confident of her place in the space. She looked over at the homeless man eating, looking shyly at him for his eye contact. I could tell she wanted to smile at him, to talk with him, but he was focused on his food. As we were putting on our coats he looked up and she waved,
“bye!” she said.
He smiled brightly, “bye!”
We walked out the front door and she closed it gently, looking through the glass in the door as she did so. She caught his eyes again and smiled and waved her small little hand.
“I like black people,” she said as we walked from the restaurant, “actually I adore them!”
We walked back into the vegan restaurant to use the bathroom and sit in their more empty section in the back to wait for 9pm to roll around. There were several more tables with benches for seats. We sat next to the wall facing the small TV which was shining with images from Soul Train, a show I had heard referenced so much but had never actually seen.
In the back the lighting was very dim, the light source came from the bright area in the front of the restaurant and the rotating disco ball.
A group of four young white people sat in the darkness at a table close by. At first she lay on my lap and tried to sleep since it was almost nine, but then she sat up to watch the images of a crowded room full of afros and dancers.
Playing constantly on the loudspeaker were old Motown classics. I began to lightly tap out the rhythm on the table. She did the same, using my left leg as a drum. Soon she hit the beats harder and harder, pounding into my muscles. When a slow song came on, I grabbed her hand and swung it in the space between us. She insisted on trying to pull our hands down every few beats to try and hit me in the leg. Sometimes she succeeded, other times I was able to pull our hands towards her, though our force never reached her leg. She would laugh each time she hit me, each time I diverted it, each time she was almost hit with the energy of our combined hands.
We were both singing, me knowing some of the lines, she just grabbing what she could at the moment. At that moment I was free, singing openly, letting my energy spill out without a care for its interpretation or judgement, for there was none. It was a state I may never have been in before, singing so openly-playing so effortlessly.
She looked at me, “this is the best night ever!”
Now I nodded my head, it was indeed a great night. Maybe the best night ever.

Monday, November 15, 2010

Radical Feet


“DO YOUR PART!”

The letters swept across the face of the floating billboard in a font Dayne recognized as Aero Brazil, something from the pulp adventures of early 20th century North America. Under the excited slogan a there was a picture of a smiling young blonde woman posing with the bulging black hulk of an antimatter gun. Her crisp blue uniform fit her smartly and Dayne felt that she wanted her own breast to stand so pertly at attention, she wished that her lips and cheeks could be so rosy, her eyes so sparkly and blue. She could vaguely remember the ancient black and white films of 1941 and the brighter than life Technicolor of 1952 that her mother had spent hours manipulating on the ComPad, creating new material from the fecundity of publicly accessible digital archives.
That had been before the arrival of the Aeons, before the archives were destroyed and the artists, videographers, musicians, and poets were rounded up and executed. All creative work was banned. The Aeons, emissaries of The Absolute insisted that it was a crime to emulate The Absolute with acts of creation. Creativity was a source of confusion that led to a path of madness like that which led Sophia to steal the creative light of the Pleroma, inseminating herself with it in order to birth Yaldabaoth the architect who in turn created this dimension and the first creatures that inhabited it.

“Where are you now grandfather?” Dayne asked the fallen God under her breath, her feet hurrying away from the billboard, slapping against the concrete with a clack. “They punish the children for the sins of the parents.”
“THE ONLY GOOD ARCHON IS A DEAD ARCHON.”
Another billboard announcement, depicting the Archon Astaphanos being dethroned by the beautiful blue uniformed mob of the New Earth.
Dayne hurried by as it drifted nearer. The children are punished for the sins of the parents. Dayne herself was like Astaphanos, a child of a renegade creator.
“But where are they now Astaphanos? Your father and my mother? Where are they while these angels punish us and pit us against our parents?”
Betrayal was so common. How many shining young faces had proudly delivered their mother or father into the hands of the Aeonic Avatars, other pretty boys and girls in crisp blue uniforms, for a crime such as making up little songs while doing the housework, or whittling a useless little sculpture of an owl? Even the Archon prince Horaios had aided the Aeons after his capture in the pursuit of the terrible architect Yaldabaoth.

“There are no parents in this age, isn’t that right Astaphanos? No brothers, no sisters. An end to family. The end of history.”
Weren’t the sidewalks crowded with the citizens of New Earth? Stations were set up every three blocks or so where a citizen could become a member of the armed forces and fight alongside the stewards of New Earth. One could enlist to help storm the stronghold of Archon loyalists bunkered down on Mars or travel to another sphere of light under the wings of these angels to make war with strange alien demons in parallel worlds. Or one might stay home and police the streets as an Aeonic Avatar.
What will it be Dayne Strothe? The army or the police? A different sort of civil service perhaps? Food industry, garbage disposal, weapons manufacturing? There was an appropriate outlet for that inappropriate urge to create, make antimatter guns or sew little blue uniforms. Forget your mother making videos on the little ComPad, forget the music of Bach, The Beatles, that little band that played in the garage next door…
Administrative work perhaps, making and issuing the papers of identification.

Dayne’s feet carried her swiftly, independent of her mind, clack, clack on the concrete. It was of course always dangerous to walk alone on the street. Only dissidents sought solitude. So hurry, hurry to the place your mind hasn’t fully realized it is traveling to. Ah there it is, now that you see it, you know where you were going, where you meant to go all along…

Dayne slipped into the alley without a hesitating glance over her shoulder. She had been watching the reflections in the glass buildings all along, taking notice of those who did or did not notice her. In the last 8 blocks the beautiful glass buildings and clean but crowded streets had given way to bombed out brick ruins, to buildings of charred plaster and mortar. The streets were empty.
Dayne could remember those films her mother clipped and pasted in the ComPad. In those films, on a street like this, a piece of old newspaper or a plastic bag, or a leaf might have danced a lonesome dance and folded into the gutter.
Not now. There were no newspapers or plastic bags left in the world since before the Aeons arrived, and the trees that were here once had since been burned. It was even more desolate without a desolately drifting newspaper. A little water in the gutter, a few broken windows to search for reflections, but there was no one behind her, no one ahead. So Dayne slipped into the alley without a hesitating glance over her shoulder.
Her feet, her radical feet, carried her to the grimy yellow door. She found herself standing before it, felt her hand lift and tap out a little beat, heard her voice, alien to her own ears, singing waveringly:

“Are you going to Scarborough Fair?
Parsley, sage, rosemary and thyme
Remember me to one who lives there
She once was a true love of mine.”

Then the silence rolled over at her feet. The sound of rats scurrying, a sound more silent than silence. Suddenly there was the sound of a bolt scraping and the yellow door swung inward on to a darkness deeper than that of the alleyway.
After a moment she made out the silhouette of a bearded face. It leaned out the door and scanned the alley in both directions and then jerked for her to follow it back into the darkness. Her eyes slowly adjusted to the deeper gloom as he re-bolted the door. Picking up a little saucer upon which a nub of candle glimmered faintly, he motioned for her to follow. They crossed the room entirely concealed in shadow and began the descent down a flight of stairs.
Dayne heard her voice bubble up in her throat once more,
“I am a great granddaughter of Sophia.”
“All of us here are.” The man ahead of her answered and she felt her shoulders relax.
The descent went on and on and Dayne heard the rumble of drums, the wailing of a flute, strange music swirling down in the dark depths. There would be no questions here, no need for answers, no papers of identification. Here perhaps Iao, Sabaoth, Adonaios, and Elaios were hiding from the prying light above.
‘Mother,” she wondered silently, ‘Could you have escaped the executioners? Are you down here, cutting and pasting, cutting and pasting the history of 1941 and 1952? And what about the terrible architect? Is he here too? A golden child nursing at Sophia’s breast, still dreaming worlds for us to inhabit, spheres where we may sing and dance and cut and paste without regulations, without jealous eyes watching?’
The music was growing louder the deeper they descended and Dayne’s feet drummed on the steps, clack, clack, radical feet carrying her to the place she dared not imagine.

Thursday, November 4, 2010

The Orange Guide

Jonas jumped off the worn metal bench as soon as he saw the balloon catch flight. It was a warm breeze that opened its arms, smelling of salt and pink flowers that bloomed in a garden not far away. He had been on the bench for hours, watching toddlers wander through a desert of sand, infants in their strollers electrified by the world above, young mothers pushing swings and sharing weary smiles of happiness with their children.
He sat there waiting, needing inspiration of some kind, an inspiration to do something he could only fail to describe. But he waited, understanding his need. This was where he turned to in times when he grasped for something, and since he lacked the ability to understand what that something was, he came to the place where little creatures acted instead of thinking.
The park was a constant teacher. Crying, young laughter, the tinkling music of an ice cream cart, old tears that quickly turned into shrieks of delight. Those little legs and arms, they all moved without rationalization or intent, it was pure movement released from the invisible binds of causality.
He needed more of what they had, what he had lost along the way from infant to man. He was constantly stuck in his mind, a rotating wheel of four thoughts that shifted in color and shape. Four different thoughts but he understood them to be the same. To escape, he came to the wide-open lawn of soft grass, to the world of sand and slides and swings. He watched carefully, always open to the possibility of newness, of great teaching.
Over the course of an hour he kept a careful gaze on a short dark haired boy in a stripped shirt and tiny tan shorts. The child was barely a few feet tall, but his eyes were of an ancient stone, something created only once in a century. The eyes of the gods looked out from the body of that little boy, searching the greenery of the neighborhood park, looking up into the fluffy clouds of an otherwise clear day, at the other children in various moments of play.
The young boy held onto a nylon string from a tethered orange balloon. From the bench where Jonas sat, he had focused increasingly on the small pudgy hand of the boy that was smeared with chocolate stains. Jonas watched the hand of the child, willing that hand to open, to give him a guide to follow.
Jonas felt a breeze on his back and a slight rustling of his dark shaggy hair, momentarily his eyes diverted from the hand of the child and darted to the left, to nowhere in particular, they just darted away as his body was overcome by the feeling of the breeze.
When he looked back up, the youngster was looking at him. They held eye contact for just a second, and in that time, Jonas saw dark mountains and red trees and rivers that flowed with blue and white foam. He was called back from the vision when the child’s hand opened, releasing the string and the balloon on its leash.
The balloon drifted easily away from the boy, content now with a new task. Jonas gave a quick nod to the boy, knowing that a guide had been sent. He jumped from the bench and walked towards the sidewalk that delineated the park from the street.
The balloon drifted away from the playground and the screech of children skidding down warm metal slides and the watchful eyes of young mothers with bulges below their loose shirts. None of them could see the door open and follow quickly, both because of their physical limitations and the children they were tending, so it was only him that was free enough to move from the worn green bench, him that had not just the luxury of time and open eyes, but the ability to act when a god released its guide.
Jonas followed the balloon in its path down the green lawn, over the stairs and then down the sidewalk. They moved into the world swiftly, he with absolute devotion, absolute certainty that this was the path to walk, that he would be shown things that needed to be seen, that he would hear music and horns and conversations wanting to be heard.
He managed to keep up with it until the edge of the park. There along the street, late morning traffic was moving along at a lazy pace, the hot sun glaring down on windshields and the people that waited behind them for a green light. He looked briefly into a dark blue car, noticing a young woman at the wheel. He wondered where she was going, what she was thinking about behind tinted glasses and frosted lips.
When he looked back into the sky, realizing his deviation, he saw that the orange balloon had befallen the grasp of an old tree on the corner. Or maybe it was resting, he couldn’t tell. The balloon hung onto the very thin outer branches, as if awaiting another signal.
Jonas stared up at the orange guide, and while he did, he sang. His body was straight, his arms were at his sides, his head bent backwards keeping the balloon in his sight, watching attentively until it would be time to move again.
As the song progressed and his heart began to open, his arms started to sway. His head and upper body began to rock gently, the melody integrated with his muscles and he moved like he was the song. It was long, an old ballad his father used to sing every night as he walked the perimeter of their farm and locked all the gates. The old man had once said that his father had sung it as well, walking the same land, tending the same perimeter. And now, travelling through the generations, it was that song which had embedded itself in the heart of Jonas. It came to him in dreams. Came as he walked down sidewalks, when he needed to catch what his hands could not grasp.
Two young mothers pushing matching strollers approached him on the sidewalk. He knew where they were headed, going towards a god they would not recognize. He turned to them slowly as he felt them approach, he turned to them with a smile on his face, the lyrics still on his lips, his eyes overcome with emotion as he saw their moving bodies, the young skin of their cheeks and the infants watching the sky. His eyebrows were dancing as much as eyebrows could, his eyes, dancing as well. He directed the song to them, to the two young women walking towards a god they could not see.
“Solo mi amor.”
When he was a boy, listening to the love songs of his father, he had understood that lyrics were a vehicle for emotions that had no names. And so he looked at them, the two young mothers, letting the words carry his love towards these women who would perceive him as a stranger in the park. He was their fool, their lover, their servant.
The words were not important, they merely gave shape to something else, and he let that something else come from someplace deep inside, move up through his throat gathering conviction and strength, up into his mouth, gathering a bit of sentimentality that spun the notes slightly, adding a glossy sheen.
He sang it for them until they made eye contact, one smiled shyly and the other looked away quickly, diverting her eyes to the ground, a little embarrassed by his attention. He smiled with the song on his lips as they passed. Then he took a quick breath and turned his attention back up to the balloon, which was just beginning to catch a ride on a light orange-scented breeze.

Sunday, July 4, 2010

In The Theater of Red Twilight


We walked down a narrow alleyway, an inconsequential little street I knew from another time full of gentle repetitions and harmless routines. Now, even though we were still in the world as we knew it, even though the cars still honked at each other in the broad main street we had just left behind us, even though there was still the sound of drum machines and glasses clinking against each other coming from the bar that stood in front of the spot where we left our car, even though people still turned away to avoid our eyes and there was still a general sense that there was a world and that it moved in its usual ways, the ways we had come to expect from years of recurrent reassurance, even through the world was still normal, whatever it is that we really mean by that, even though all this was true, there was already a sense that something was different, something was not as it should be, something was already in the process of changing.
We turned into an open black doorway, a gateway that led into red and black shadows. We stepped into this other world and by then, by the time our feet had crossed the edge between two lights, it was already too late, the change had happened and all that had been vaguely prognosticated by the tiny hints outside came into full manifestation before our eyes, under our eyes, all around our eyes. The world then ceased to be a rough mixture of faded colors splattered over gray concrete and blue asphalt. Instead it became a thick sepia that invaded our senses like smoke, a dark twilight that covered our faces with a sense of a long awaited goodbye, a final embrace before the looming journey. The long walk up the stairs finished formalizing the change that had already been evident as soon as we stepped into the twilight. The stairs were dark red and the banisters were covered in gold or in something that looked like gold in the shadows, and we quickly surrendered to this new state of things, to this new world where the rules had changed and consequences flowed in all directions.
Mother moved slowly and I was painfully aware of how slowly she truly moved, slower than I had realized, slower than ever. I slowed down my own movements so that I would stay by her side and it was clear that the walk up the long staircase was a very painful journey for her increasingly fragile body. She exhaled loudly every few steps, took a moment to rest and then made an effort once again, holding on tightly to the golden banister with wrinkled weak white hand. I helped her when I could, and I talked to her so as to distract her from her discomfort. I talked of anything and everything that came to mind, as all words had changed meaning as soon as we crossed the doorway and I was still in the process of discovering what there was for me to say in this new chamber we had only begun exploring. Soon we would be up where we needed to be, soon we would find our seats and begin the process of waiting. After a space of uncertainty that had lasted weeks, now everything was clear and certain, everything rolled like a mechanical train on perfect tracks across a red landscape frozen in time.
It had been harder than expected to be here. It had been easier than expected to be here. Both sentences were equally true and neither would surrender its truthfulness to the other. Neither could be resolved by pushing down on the other one, neither could be broken by the cutting sharp edge of the other one’s knives. Nor were they neutralized by each other’s presence. They were both true in a way that was resonant, a way that staked its claim to reality in a radiant pulsation that could not be denied.
My heart was hurting in a way that I had learn to accept, it was no longer truly painful, it was more a kind of intense pleasure that was difficult to sustain, something that would be delightful for an instant but which became like torture when it went on for minutes, hours, days. Here, in this world of twilight, the pain increased with each step up the staircase. Up, up, up we had to go. Further than it seemed necessary. All the way up, as high as it was possible to climb. And Mother was moving slowly and breathing heavily and I was making an effort to keep on talking, even when the air itself seemed so thick that I could only barely manage to take it in and then use my still open eyes to explore this newly discovered land of murky brilliant shadows. There was pain in the air itself, a pain that mirrored and resonated with the pain that I felt within me, but it was not being talked about, not by me, not by anyone else. It only floated on the surface of the twilight like a shallow coating of transparent milk, only barely visible if one looked at it sideways.


When we found our seats, the place was still mostly empty. There were small groups of fellow attendees that talked incessantly, maybe doing what I had been doing as I walked up the stairs with Mother who couldn’t speak. It was then, when the seats were mostly vacant and there were only a few people here and there looking to find their place in the red and black world, it was then that I began to realize it, it was then that I began to notice that I knew everybody, every single person there, everybody. I noticed that I knew them all or that I should, or that I would, or that I could. Everybody. Every single one. All faces jumped out at me with a burden of stories that I could only barely begin to disentangle before another face stood in the way, also carrying a new offering of memories that I couldn’t place, dreams I could not remember, unknown places that I couldn’t shake away, false histories that I tried in vain to disentangle from others that were true, others that I believed to be true and yet here they had become undistinguishable from the others.
There, that old woman, did I not spend years working with her, in weekly meetings in a basement off of 16th street, surrounded by smoke and the smell of old printers and photocopying machines, did we not share a hundred hardships travelling over land to Central America, trying to learn to haggle with merchants of the road, trying to deal with soldiers who looked at us as intruders and possible victims, as vulnerable strangers who had clearly overstepped their bounds without a clear sense of consequences. No, that never happened. Not to me. Not to the me that could still remember walking in here with Mother, walking up a red stairway and moving through the red twilight. Not to that me. There, that young girl in a black dress that revealed her slim brown shoulders shining in the twilight, did we not love each other desperately in a house in the Sunset district, just a few blocks away from the ocean, thick brown curtains and empty cartons of Chinese take out spread all over the floor, a stereo playing old rock songs in the room below us, the sound of waves in the distance, always seeming to come closer, closer and closer, as if the salty water was about to burst through the windows, splashing us with its taste of cold freedom, did we not become drunk with each other’s ecstatic exclamations for nights and days and more nights of sexual abandon, long hours when her body became mine so completely that I could no longer distinguish where her flesh began and mine ended, moments when her eyes rolled back towards the top of her head and I recognized an instantaneous and eternal Nirvana in her momentary silence before breaking into thick exhalations of physical recovery, did we not stay like that, together in her private darkness, until it all became too much and we had to say goodbye, if only to save our lives, our individual sanity, our sense of place and time and memory? No, that never happened. Not to this particular man who now sat next to Mother, waiting for something to happen, waiting while everything was happening all around us already, waiting for another event in a sequence, just as events themselves seemed to have slipped out of sequence altogether and were now fumbling about in all directions, without a clear sense of cause or effect. There, the overweight man with the little black beret, did we not play protest songs for years, did we not learn to know each other’s musical habits so well that we no longer needed to plan ahead for a performance, did we not learn to perfectly harmonize each other’s improvised melodies, did we not smoke marijuana for days on end until we no longer needed to speak out loud to hold a long and rambling conversation, until the distinction between music and silence became irrelevant and the sounds of the city itself became our endless lullaby, did we not together find a kind of silent love that was only possible though acoustic guitars and the gentleness that came with the sound of nylon strings vibrating? No, that never happened. Not to the one who now writes these things that you are reading. Not to the one I have come to know as me.
“She is bound to be here,” Mother said and I agreed. She is bound. To be here. She is bound.
And there, that girl in a thick white shirt and long dress pants, did we not meet in a faraway place of thick sweat and long green leaves and the recurring calls of endured hardship cutting through the thick heavy air full of black smoke? Did we not turn each other’s lives around in a whirlwind of passionate love and obsessive desire that changed what could have happened and what never did? Did we not discover that all things that are so pleasurable are also paid for at a very high price and the price is never stated clearly at the outset? Did we not learn to forget what we had known and ultimately stare at each for only seconds at a time while cold entities of the world decided our fate and dictated our divided future? No, that never happened. It couldn’t have. Not to her. Not to me. Not to the one who looked down at her as she walked up the steep steps between the red seats that were quickly filling up.
“There she is,” Mother said and then she was silent. Unsure as to how to proceed. Did the moment call for silence or for an outburst of speech? Did it call for roughness or kindness? Did it call for empty gestures or subtle sincerity? And if we took one route, would we ever find out what waited at the end of the other one?
I smiled and waved at her and she approached us, smiling tentatively, as if embarrassed to show her underlying happiness, as if swallowing into herself years of decisions that had turned her past into a soft gooey mulch and her present into a many colored vortex made of living questions.
I reached over the metal barrier that separated us and I placed my arms around her shoulders. I kissed her on the cheek and she smiled when I did, she smiled hesitantly but truly, she smiled from deep inside and her face had just a bit of trouble catching to her inner impulse. Then she greeted Mother as well and Mother responded with a smile and a warm greeting. That was all. No true silence, no true explosion, and yet a silence of sorts, an explosion of a certain kind. All in that one passing smile, all in the kiss, all in her eyes. She left, to join all the others that were here, all the others that I knew, all the others that were here that I didn’t know, all the others that I couldn’t know and yet I did.


We had come one last time together, here in this twilight world, to pay homage to a dream that had been slowly dying, a dream that it was finally time to release into the great open void so that it could be finally broken apart, ready to be reconstituted into new dreams that none of us yet suspected. I knew it. Mother knew it. We all knew it, even if some would have been very reticent to express it, even if some still vainly struggled to keep it alive. But it was no use. It was time for a dream to die.
Some souls did cling to their dreams more tightly than others. Some still screamed for armed revolution, for a free Cuba, for an insurrected freedom that would slide through the sweat of cracked brown hands and reinvigorate the earth itself so that it would become fresh and new again, all in a cloud of burning gunpowder and young men in improvised sweaty red masks. Some still believed, some still wished to believe, even here, in the theater where all such things had to finally come to an end.


“Sueña lo que hago y no digo
Sueña en plena libertad
Sueña que hay días en que vivo
Sueña lo que hay que callar “

“Dream what I do and don’t say
dream in full freedom
Dream that there are days in which I live
Dream what must be kept quiet…”

It was to dream that we were here, and it was his job to lead us in our collective dream through the shapeless shadows of emptiness, it was his job to lead us back to when the colors of the old stories were full and strong and they hadn’t yet faded into barely recognizable hues, to bring us back to a place of collective hope that sparkled with the incandescent shape of infinite possibility. He appeared so suddenly that there was no time for wonderment, it was simply him and he was there, in full physical form in front of us, something that couldn’t happen and yet it was happening, now and not later, now and not before. And once he was present, there could be no further questions.
When I felt that I knew him, that he was clear and evident before me, and that I shared the life of his dreams and that I shared their death as well, their long agonizing decline, then it was clear that I truly did know everyone here, as much as they knew me as well, as much as they knew me so well that they would search in vain within the valise of their memories for a clear signal, a solid reply, something that would finally tell them who I was in their life and why I was here, why we were all here to listen to this man tell us our own dreams that had slowly escaped from our grasp.
His voice was soft and pure as always, crackling with age and experience that wasn’t quite there in the recordings I remembered, and yet a young boy still peered through the gaps between the syllables, letting us know that nothing ever truly ends, it only goes into temporary hiding. And yet, in those times when it is hidden, it is as if it had gone forever, it feels that way, it feels like the colors won’t ever return, like life had been banished and it won’t ever come back. When he sang, everyone responded, people screamed with exclamations that came from deep within them, deep in their bodies and deep in their shadow minds, spontaneous invocations that proclaimed the ideals of a time that had already passed, a time that was already a double exposure on the old black and white photo of history, a wish that had turned its eyes from the future into the past but we just didn’t quite know it yet.
I could only wonder if this theater of dark colors, this theater of gold and red and sepia that was itself revived from a time that nobody truly remembered, I wondered if this theater had never really been opened at all, if in fact this theater was still closed and forgotten even as we all sat within it, and we were all just wandering ghosts that had been called forth by a master magician that had sneaked his way into an empty stage, in the hope of reviving voices that had long been kept silent.


“Hoy llevo el doble dando coordenadas
pero nadie contesta mi llamada.
Que puede haber pasado a mi senal?
Sera que me he quedado sin hogar?”

“Now I do my job and send my coordinates
but nobody answers my call
what could have happened to my signal
could I have been left without a home?”

Each of them that I had loved, each of them that I had lived a long life with, a life that was as much mine as it was theirs, each of them was a lost segment of time that I could vainly hope to recover, an old photograph slowly dissolving into nothingness under an unforgiving rain. And so it was with her, the one that sat behind us, only a few feet away, so close and yet so far away, so familiar and yet so strange, so present and yet so absent But maybe it was only that the memory of her was freshest within me, maybe it was only that I could still smell her sweat and taste her lips, maybe it was that her one memory had jumped out among the others and projected itself into the past so intensely that it had blurred away all the others, made them less tactile, less firm.
Each one of them gave me their memories, and to each of them I gave mine, and to each of them I silently called, even if it was only by looking and looking and looking again, into their clothes, into their bodies, into their faces, into their shapes cloaked in twilight. There had been no clear response, no clear reaction that would let me know that there was someone on the other side. But I knew that they were there.
It was difficult to know when to call and when to wait. Here was a moment when an outside force had been necessary, something greater than any one of us, something greater than all of us combined, and this great outside force had turned into a guitar and a small man, a man so tiny I could only barely see him, down there in the bottom of the great theater where he was almost lost in the enduring twilight of red and black and gold. This tiny figure with a voice so sweet, so tender, so forgiving, he was the one who now called and we all responded, in a way that obliterated all differences, it was a call that we couldn’t help but answer, it was a call that emerged fully formed from deep within us, deep within the us that was not a plural but a singular, the us where we could no longer be distinguished into me and you and them. It was only much later that we could then say that it was a man, that what we had seen and heard had been a man, only a man, a man playing a guitar on a stage, so many feet down below us, so far away that he was almost lost.
There was a call, a signal, and an answer, and in this place of darkness and ghosts, we all found a home and in this place we were also to finally understand that all homes are temporary, that everything truly changes, changes as much as we could have ever imagined and even more so, that everything must end sooner than we expect and that what is left is always, will always be, as beautiful and perfect as what was there to begin with; that it will then, as now, be our duty to find once again the beauty that we thought was gone, the beauty that was only hiding. The tender call of the tiny man with a sweet voice, the call told us all of this, and we responded by becoming one, by becoming one as we always been one but had forgotten, we responded by remembering and forming the lost home that once we had so yearned for, the lost garden that we had dreamed of, for so many years, for so many eons, for so many lives.


“Hoy viene a ser como la cuarta vez que espero
desde que se que no vendras mas nunca.
He vuelto a ser aquel cantar del aguacero
que hizo casi legal su abrazo en tu cintura.
Y tu apareces en mi ventana,
suave y pequeña, con alas blancas.
Yo ni respiro para que duermas
y no te vayas.
Que maneras mas curiosas
de recordar tiene uno,
que maneras mas curiosas”

“Today would be about the fourth time I wait
since I know that you won’t ever come back.
I have once again become that song of the tempest
That made hugging your waist almost legal.
And you appear in my window,
Soft and small, with white wings.
I don’t even breathe so that you can sleep
And you don’t leave.
What strange ways
We have of remembering
What strange ways…”

And it was the fourth or the fifth or the hundredth time since I had known that you would never return. It became clear one day but, like all such days of intense clarity, it is now lost in the subtlety of its own absolute knowledge. Big empty things are easy to remember, true knowledge is easy to forget, all it takes is a moment of distraction, a moment of looking elsewhere, a moment of falling in for an old habit, a moment of saying those sequences of words that you know so well, saying them quietly to yourself while nobody is listening, saying them in the most silent voice that exists, the loudest voice that rules our dreams, your dreams, my dreams, and then it is over. We have once again forgotten and it is time to start again from scratch.
And it was that one day I knew that you were gone and you would never come back, maybe it was a windy afternoon with a gentle sun that refused to fully show itself and refused to fully die, or maybe it was very early in the morning and the birds were just starting to sing outside my window and maybe one of them was click clacking with its beak against the glass and I thought of you and knew all I would ever need to know, or maybe it was a dream where you sat by a rolling cliff, with your long white dress rolled up to your knees and your eyes down turned as you told me “I understand what happened but she won’t ever understand, and so I won’t ever come back, even if I want to, even if I really want to…” Maybe it was none of those and it was some other time, some other dream, some other afternoon that was as lost as she was. But one thing was clear. It was too late, definitely too late, much too late to try anything, even if I still would keep on trying, anything, everything, much like an actor that continues in their role minutes and even hours after they have left the stage, maybe even hours after every single last member of the audience has gone home. So I would continue to try, I would continue to call and explain, and come up with new ways of saying what I had already said, and I would run my eyes over a white wall marked by graffiti while I heard your voice through my cell phone, saying “yes” and saying “no” but always saying the same thing, the thing that would not break apart, the thing that somehow withstood all my attempts at contact. I would continue to try even if I knew it was hopeless, even if everyone around me knew it. I would continue to try only to fulfill the temporal shape that was my duty, the duty of my role in this drama of which I form only the tiniest part.
But I knew, ever since that moment of clarity, that the result was already written, maybe I knew it even back then, when that other woman of wisdom said “she will do what she will do, you can’t stop that from happening, just be as kind as you can be and let things go where they will..” and I listened and knew that she spoke the truth and that it would be just as she said that it would be but I still had to try, I still had to make an effort, I still had to sing the main theme as softly as I could manage, even when it became too soft for anyone to hear.
And now, when it was so late that it seemed that the bridge that once connected us had altogether disappeared (even though I still felt it, I could only resign myself to knowing that you had bombed your side of the construction, destroying it permanently and making sure that it would never be built again) then a window opened, and you came through, a ghost being called by another ghost for the sake of a third.
Did I call her or did she call me? Such questions become pointless when you sit in an enormous old theater full of ghosts, an abandoned husk where only wraiths can congregate. We all called each other through the voice that we manifested from nothingness, the voice of our purest dreams, our most hidden fantasies, our most perfect heavens, our most desired hells. And there she was, soft and small, and I couldn’t bring myself to breathe much, so that she wouldn’t leave, even though she had to, sooner than later. It was all such a delicate maneuver, holding onto a single instant of time long enough that it would become eternal, and then it would make no difference if she left or if she didn’t, then it would be too late, for we would once again be together, forever, like before, like later, like always.
Where we then remembering the lost dreams of a generation or the private dreams of two people that swam in each other’s waters so deeply that we nearly drowned and only barely managed to come back to find the light? It was both, there was no distinction here in the world of the twilight. A voice had seduced us into believing in revolution, a voice that I once only knew as an old fragile cassette tape that had to be hidden under layers of wood and clothing, so that soldiers would never hear it, so that soldiers would ever find it. It was the same voice that had seduced us, me, us into believing in eternal romantic love, one single voice, here manifested as a small man with a guitar, almost lost in the shadows.
To believe that all things could change and become as they should be and stay that way was as illusory as believing that two people would be joined once and for all time, and nothing would ever come between them, that all it took was that single moment of recognition in a narrow living room of books, small paintings and diplomas and that single moment had enough fuel to last a lifetime. Two illusions, two symbolic beliefs. In both there was a true eternal effort that was occluded, in both the effort was hidden by stylized drawings made in chalk, in both there was hope without work, there was belief without knowledge, there was wishing without sweat.
But the voice itself was made of effort, it was made of work and of knowledge, it was made of all that we had hidden from ourselves, its fundamental materials were in the shapes that our minds could not decipher, it was in the curves in the air that we had come to call sound, it was in the mathematical symmetries that we have come to call form, it was in the repeated patterns that we have come to call beats, it was in the nothingness that curled up around itself to become something, even if it was only briefly, even if it would eventually return to the void.
We took the voice in, but we only took part of it. And we came here now to listen again, maybe this time the message would at last be completely received, maybe at last it would finally come through with all its truly shining colors. Maybe some of us, maybe one, maybe later, maybe now.
But before and after, there would be that you that smiled for a single moment, there would be that you that offered her cheek and took my kiss as if we had always been together, as if nothing had happened in between that first kiss in the living room and that new kiss in the theater of ghosts, there was that you that was shining through trembling eyes, the you that looked downwards with an innocent embarrassment that once seemed to have died under layers of acquired sophistication and anger. And you were an old thin woman that I used to know, a “gringa” that helped me when I was sad even if it wasn’t your job and we had much more important things to do with our time, what with the war and the violence, and you were a young girl that I used to know, a girl that kissed me with tenderness in the darkness of an afternoon touched by sunlight and reminded me that days can last forever, that days can last too long, and you were a fat man that I used to know, a man that, after too many songs would lean back with a hand made joint in your hand and would point out my mistakes with such sweetness that I couldn’t help but laugh and accept and try to fix them, and you were a brown girl that I used to know, a girl that stood by a black window in the middle of the night and offered all that you had to give, offered it all to me, even if you didn’t know who I was, even if you didn’t know who you were, even if you didn’t know what you were giving. You were all and none. There was only you and there was no other. Nothing, no one, nobody other than you. And I could only hold my breathing, hoping to hold you for just that instant of recognition, and that instant was all I needed, that instant was all I could ever have. You that came and went, as you had to, as you would have, as you always would, as you always will.


“…esta la escribi porque cuando era chico en mi cuarto habia un grabado de dos angeles que llevaban a un chico atravez de un puente…”

“I wrote this song because of a portrait I used to have in my room when I was young. It showed two angels who were guiding a young boy to safety across a bridge…”

I leaned back and gave myself to the red darkness and allowed him to sing purely into me, I allowed the theater to fade and all the others who were my true companions to fade away as well, I allowed the shadows at the edges to grow and grow until they swallowed all and everything that was around me. When I was done, he came fully into me, in a way I didn’t know was possible not too long ago, in a way that was easy to forget. I saw across the gap that divided us, for he was only a man, a man with a guitar, a man so small and so far away that he nearly faded into the same shadows that had already swallowed everyone else in the theater. I saw light all around him, bright clear light, and I saw the same light around the beings that were around him, the ones who were his companions, the ones who were his help. I saw that here, in this chamber that was truly eternal, completely separate and away from the flowing current of time, as eternal as all true chambers are, I saw that here they were the guides and it was my job to let them guide me, to let them take me where they wanted me to go and to simply follow. I focused as much of my attention as I could manage, trying to release all that had previously distracted me. There was no further reason to think of you, I had swallowed you in that moment when I kissed you and you now lived within me, as strongly as you ever had, and there was no further reason to think of the old woman, or the thin young woman, or the middle aged musician with the beret, there was no further reason to think of Mother who believed, who still wanted to believe even though I could see the belief sliding out of her skin like tears flowing from every pore in her body. There was no reason to think of anything or anyone at all.
And as I let them into me, as I let it into me, for in that moment they were no longer several but one, one that was several, and as I saw the bright light that was there all around them, all around it, I suddenly knew them for what they truly were, I could see then what had been hiding. I knew then that belief ended tonight, there was no more use for it. There had been a time when belief was necessary, there had been a time when without it the entire world would have turned to a strange nothingness without a beginning or an end, a hot soup ready to explode to form the universe of twilight in which I now breathed. There had been a time for belief, but that time was over. What was left was only clear light and a voice, the real sound of waves moving through the air, waves that were the gift of the Absolute that is nothingness, a gift that I received and tried to transform in my own way. That was all I could do, that was all I could ever do and I was finally truly knowing it, now and not later, now and not then, now and not forever.
As belief faded away, what was left was not a vacuum, it was not sadness, it was not disillusion, it was not hopelessness. What was left was five figures in the distance surrounded by bright clear light, and the sound of ghosts responding, grunting and screaming and singing and calling, and it was Mother sitting quietly, with wide open eyes and shifting hands, and it was all the ones that were here and all the ones that were not here for this one night (for there were so many that were heavy and present in their absence), all that I had ever known, and all that I could ever know, for they were one and the same, they had always been so, only now it was evident. What was left was all stories and all legends and all myths, all breathing and living here in this place that had gone past the boundary of belief into the gaping mouth of the twilight.
And just as I had swallowed you, it swallowed me. I surrendered, and in surrendering, I allowed myself to be guided and I went where they took me with no wish to return.


“Si no creyera en la balanza
en la razon del equilibrio
si no creyera en el delirio
si no creyera en la esperanza.
Si no creyera en lo que agencio
si no creyera en mi camino
si no creyera en mi sonido
si no creyera en mi silencio.
Que cosa fuera”

“If I didn’t believe in balance
in the order of equilibrium
if I did not believe in delirium
if I did not believe in hope.
If I did not believe in what I work at
If I did not believe in my path
If I did not believe in my sound
If I did not believe in my silence
What would it be?”

In the end, some would release and some would hold on, and that was the way it was, and that was the way it should be. Some would call for the words that they knew, screaming their requests over and over, demanding that the guide should speak in the precise way that they desired, in the phrases that they were accustomed to hearing. “Sing the song about Chile! Sing the song about Nicaragua! Sing the one about the Bay of Pigs!” Some would simply proclaim their love in a thin trembling complaint that would echo in the halls of the old theater and then be lost without reply. “I love you! Thank you!” But all of them, screamers and silent mouths alike, they would all know that they had gone somewhere, somewhere that was not so easy to reach, a place that they very rarely went to, a place they might not find again in a very long time.
For me, for there was still a me even if it had been blurred into near complete dissolution, even if it had been rendered completely out of focus, and yet there was still something within my breathing body that clung to a presence, to an identity, something that could set out the limits of what was possible and what was not, something that could plan and worry and lay out entire worlds in great detail, for me I could sense that as belief vanished, only clear and intense work remained. Even as knowledge came over me, it immediately tried to escape, it tried to fly out of my ears, it tried to find a secret door out of the pupils of my eyes, it didn’t want to be here, in the here that was me, the here that I still imagined was me, this me didn’t want knowledge to reside here.
Soon it would be gone, there was no way to hold on to it for too long. But the passing of knowledge would leave behind a trace, and I had now learned that a trace was enough, a trace was all that was necessary. I would use that trace as a map, a map to that place where an eternal question could be answered: what would it be if I had none of what had made me, if I had lost what I had been? And the answer would not be a word but an action, and the trace spoke of the action in just enough detail that I could begin to act. That was all that I needed, that was all anyone could ever truly need.


“la era esta pariendo un corazon,
no puede mas se muere de dolor,
y hay que acudir corriendo pues se cae,
el porvenir…
por cualquier hombre del mundo,
por cualquier casa,
por cualquier casa…”

“The time is giving birth to a heart,
it can’t handle it any longer
it’s about to die of pain,
and we must go to help it
we must go running
for destiny is about to fall.
We must do it,
For any man in the world,
For any house,
For any home.”

Here, in the final words, was encapsulated all that I had seen and all that I had been unable to describe, all that I am still unable to describe even if I persist in trying, all that escaped from between these sentences that I now try to put in some semblance of order, something that might approximate a clear communication. It must undoubtedly fail in this task, even if it will dissipate into incomprehensibility the moment it is touched by alien eyes, even by my own eyes after some days have passed.
It was that time, the time when we all dreamt of a change that would be unchangeable, a change that was not touched by the dirt, by the shadows, by the night, a change that we would all bring about together and that would save all of us at once, it was a time of flowers and guns and strong unified calls and lonely horrified screams of ultimate loyalty, it was a time far enough away to be forgotten but not so far that it couldn’t once again be remembered, here in this final theater of twilight. Everyone here, Mother, me, you, her, him, them, we had all tasted of that same dream and we had all lived long enough to see that it, like all other things, was bound by change and by the law of falling. It was drawn in blood and blood must eventually turn to dirt and rain and ocean water, and all things that were united once must some day be spilled apart, and all things that break apart hold within themselves the possibility of uniting once again, one of many, many of one.
And so we all had dreamt, we dreamt wide and far and in all the imaginable colors. And here, in this theater, the Real, hidden within the illusion, had come back to pull us back up, to pull us through the narrow gap between Mother’s legs, to pull us beyond the words we had known, the words we would always remember, it had come back to tell us, yes, the time, this time, this age, is birthing a heart, exhaling a heart. It is happening. It is happening now. We, you and me and all the others, we were that heart, we are that heart, now, not so many years ago, not in the past, and not in some future that is yet to be determined. It was here once again that the time breathed and was ready to give birth and it was us that were born from it. We had come as ghosts and we had returned to life, even if only for an instant, a brief instant that was more than enough for eternity to hold, frozen and perfectly alive. We would leave as ghosts once again, but that instant would remain, like all the others and maybe even more so.
As we left, some of us stayed behind, trying to hold on to that moment a little longer, trying to grasp at the wet remains of a wave that had washed over all of us and was now returning to the unknown place from which it came. I saw a woman staring at the closed curtains with a sense of loss, her eyes lost in a sadness that couldn’t be placed because it was not borne of matter. I heard a man trying to put into words what had been spoken to us from a land where words don’t matter. I felt the crowd wishing that it could always be so, that the grayness didn’t have to return, that the colors could remain.
We walked out together as we had come, Mother and I. It was clear that we had always been together, for this night held Always within itself, it held Always in the palm of its sepia colored hands. We were back on the street but the theater still lived within us, and the voice was still singing behind our ears, still whispering in phrases of delicate perfection. It was only temporary, this separation. It was only temporary that we drove away, that we began to talk as we were bound to, that we began to worry once again about the future and the past. She would look for money to pay the bridge, I would worry about my schedule for the next day, wondering how to best arrange the various units of time.
It was only temporary. Sooner or later we had to return. We had to return to the theater of twilight, we had to return to the encounter with the ancient voice, we had to return to the songs that flowed like mathematical flowers swimming over oceans of infinite fractal complexity and simple rainbow perfection. We had to return.
And when we did, we would find ourselves once again in the presence of the one true voice, the one voice that had so many shapes, so many names, so many bodies, so many songs. When we returned, we would realize, once again, as we always did, as we always had, that we had never left, that we could never truly leave. And even then, we would realize, that soon we would forget again and an old song would start all over again.