The Wanderer

He expects nothing of anyone.
He looks out into the dust of the world, scorching fallen bones to white stones.  Water is perhaps days away and he does not expect to find it.  The desert floor is scattered with the fallen, both man and beast have succumbed to their thirst in this vast yellow wasteland, all of them left there uncovered as food for the scavengers. 
He expects nothing and gives nothing.
He takes what he finds, what he needs. Men have died beside him and he has stepped sideways as they fell. It is by chance that bullets and arrows have all but missed the target. 
He continues on, his face cracked and blistered and burning, an unrelenting sun high above that has no mercy for the weak. Sucking on stones as he stumbles over the few patches of withered grass, he has not lost the desire to live, just the expectation that life somehow belongs to him. 
There is no god above to save his soul, to pluck him from this dry bed of dust and wind. There is nothing, no one beyond his own skin, nothing but the determination to keep moving and follow the stars. Perhaps he will stumble upon a watering hole. 
He does not pray for rescue or grace, does not hope to find some other man along the path with a full canteen and dried meat. There are no friends in this place, not in this desert or in any town he has ever been. There is no sweet smelling woman that does not hold her hand out for coin or gift, no act of mercy ever granted without expectation of consequence. 
The men out here come as vultures and thieves and even those he has ridden side by side with watch him with suspicion, as he does with them. 
He expects nothing of them and he gives them nothing. Each man rides until he is unable to do so any longer. Then he is left and forgotten, stripped and left to the sun and rain, to the vultures and time.
Scanning the ridges of far away mountains for signs of smoke and silhouette, for enemies and arrows and bullets aimed at his chest, he walks on, his mouth dry as the desert sand and cracked earth.
The wasteland is for the solitary drifter, each man experiencing the earth with eyes colored by his path and choice.

When Genres Collide

 

You know how art imitates life, and then sometimes life imitates art imitating life? After a while you have to ask yourself  what is life and what is art.  More important: what’s real?
But if you were art and you asked “What is real?” would you really have a hope of finding an answer? I mean if you’re unreal and your world is unreal, what would you have to juxtapose that unreality against? You could hope, I suppose, that the author has left you some clues as to her reality, but what if she is art imitating life, and you're just art imitating art imitating life?

I ordinarily wouldn’t be allowed to ask questions like these because I’m a romantic comedy. Lucky for me, however, I’m a romantic comedy that centers around a cute 30 something who happens to be an aspiring author, a little nerdy (sans glasses though, that would be too stereotypical) , but pretty. The kind of gal that keeps looking for love, but misses the opportunities because she over intellectualizes everything and often misses the obvious. For example, last week I was signing my self published transcendental comics at an expo and had a near miss with a handsome fella that works for the book store that invited me.

Wait, we should back track here. I’m leaving out the details that really define my genre.

So I was invited by a bookstore that has been carrying my self published graphic novel. They were exhibiting at this big convention in Oakland. My creative partner, the one who draws, the one who usually deals with the guys from this store, couldn’t go. Her sister's baby shower fell on the same day.
Thus I found myself strapped into high heel sandals and squeezed into skin tight leggings paired with an oversized t-shirt that hung off one shoulder as I wriggled my way through a convention center, toting a small blue suitcase full of our books, alone.
I never actually wear high heels, so I was totally unprepared for the pain and obstruction of mobility. As I approached the entrance hall, I attempted to call my contact from the bookstore, who I’d never met. In theory he would bring out the badge that would gain me entry.

The call went straight to his voicemail.
“Hi, this is Annabelle from Sophist Comics, I’m just outside. Give me a call back when you get this.”
I stood there holding the phone in one hand, the suitcase in the other, my oversized water bottle tucked under one arm, my purse under the other, teetering like a two year old's block tower, alternately fumbling phone and water bottle, biting my lower lip anxiously.
I called again with the same result and realized that he probably wasn’t getting reception in the bowels of this beastly mega-building. I’d have to convince someone to walk me to the booth, or page them on a loud speaker or something.
But just then my bladder was too incredibly full, so I waddled to the ladies room. I’d just locked myself in a stall when the cell phone rang. I hesitated. It’s kind of weird to talk to a strange guy for the first time from a bathroom stall. I might not get another chance though, and he doesn’t need to know I’m in the bathroom right? So I answered.

“Hi Annabelle? This is Rory from Amazing Comics. I‘m outside, you must be here somewhere.”
“Hi Ro-”
Flush, flush, FLUSH. Suddenly the toilets in the neighboring stalls become active and somehow this triggered the motion detecting unit in my stall to flush too. Loudly.
“-ry. I just stepped into the bathroom. I’ll be right there.”

Bladder not relieved, I hustled back out of the stall, but I had to wash my hands to prevent the spread of disease. I pumped soap from a plastic dispenser into an outstretched palm then waved it under the faucet. Nothing happened. The motion detector didn’t respond.
There was another silver protuberance hanging over the bowl so I waved my other hand frantically under it and it promptly dispensed more foamy soap. I then had two hands full of soap and the water still wouldn’t come on. I began to pass my hands under the faucets of every sink in the row to no avail.
I started panicking. This was taking forever. Rory would be wondering what was keeping me, and would, no doubt, come to the simplest vulgar explanation.

At last, an aged and diminutive Chinese woman holding a broom and upright dust pan emerged from the side lines. Wordlessly, she shook her head and pushed a small black button at the base of one of the faucets. Water gushed freely.

Despite my embarrassment and nervousness, or perhaps because of it, Rory was extremely nice to me. He sat beside me at the table where I waited to sign the comics that nobody had ever heard off. We chatted casually and soon I was completely at ease.
We joked about his name, about attendees in ninja turtle t-shirts. He confided that he used to have to wear huge glasses until a recent eye surgery. We had one of those sweet awkward moments of intense eye contact after I blurted that I would have liked him even more with the glasses. Then at last I packed all of my books back up and started saying good bye to the surrounding exhibitors.
“Can I help you carry your things out?” Rory asked, his hand lingering on mine after the parting hand shake.
And here’s where my quirk, the overly analytical mind, provided the necessary plot driving obstacle to the romance.
“Uh, I got it in here. I guess I can get it out again. Thanks. It was really nice to meet you!”
Smiling one last time, I waddled , awkwardly, painfully away, a modern, self sufficient gal.

Only later did I realize it had nothing to do with whether or not I needed help carrying stuff out. That was just an excuse so we could leave the convention together, share an elevator ride, stop at the hotel bar for a drink, exchange numbers, meet in a few days at a coffee shop, rendezvous for dinner a week later, escape for a weekend in Quebec, lick frosting from an engagement ring plucked from the crest of my birthday cupcake, etc.

I slap my palm against my head when my creative partner explains all of this to me. We will have to plot another encounter, a trip to the comic book store, a walk past the French school where he also teaches, a slutty dress worn to somebody else’s book signing where I will hide behind a shelf when I see him laughing with a pretty woman who will turn out to be his sister.
You understand, a romantic comedy. That’s me.

When I walk down a sidewalk there’s a smile on my face and my hair bounces in slow motion. I say hello and good morning to the elderly. I don’t know how pretty I am. The sun comes out when I stroll through parks, poets stand me up for dates in tea houses, I’m accidentally rude to nice guys, I rescue kittens from fire escapes and handsome divorcee Dad’s rescue me when I get stuck on fire escapes with kittens. That’s just how it is. And I don’t mind at all. Well, maybe a little, but for the most part I’m content. Embarrassment and awkwardness may fill every scene of my life, but we know two things for sure: I am pretty and eventually I will live happily ever after despite all obstacles. So it’s totally worth it.

That’s why as I shop for groceries on a Wednesday afternoon I smile at everyone that crosses my path. My floral patterned dress is conservative but flirty, my cardigan bright. Tonight's the night you know, I’ll go out for coffee with Mr. Wrong and meet his best friend Mr. Right.
An old woman smiles back, so does a middle aged man, a teen in skinny jeans ignores me, and then it happens. I have an encounter with another genre.
It’s not his clothes. They’re almost unnoticeable. T-shirt, jeans, black jacket, everything slightly rumpled. It’s in his eyes, in the deadened but slightly predatory way he glances at me.
My smile evaporates, I divert my eyes, suppress a shudder. Here is a man accustomed to hurting others, a man who wouldn’t think twice about it if the opportunity arose for him to gain something by it. The knowledge is very clear in me. I need to get far away from him fast before my genre changes in kind.
I will not be a  surprise turn for the worst Takashi Miike story. I hurry out of  the store, heart still racing.

The parking lot seems different, grayer, awash in a dingy murk. The shopping carts look rusty and run down. There is some trash in the flowerbeds. The music of the world has shifted.
I rush forward to my car. Don’t look back. Don’t fumble with the keys. You’ll play right into the thriller author's device.
Once inside the car I avoid rushing to lock the doors. Striving to maintain calm, I start the engine and drive.

Three blocks away I reemerge in my genre when a man in a red convertible pulls alongside me at the light, looks my way and flashes a smile.
On cue I spill iced tea into my lap. I’ve never been happier to be a klutz. I am back.

Mask

I dashed out of the house and ran to the bus stop, clumsily arranging the thick scarf around my neck.
I had spent the last few hours stressing and obsessing over my attire. The annual office Christmas party was scheduled for today. An email had been sent yesterday, reminding everybody that the party was at the Four Seasons Hotel. We were all required to look “presentable.” The men were required to wear a coat and a tie. The women had to look just elegant enough without going past a certain invisible line. Not too much, not too little. Just enough.
This is where the ordeal started. I pulled out almost every outfit I owned, every last shoe, everything I could find in my closet. My cousin was on the other side of the video phone watching me as I tried on one outfit after another, approving and disapproving my choices with a clear discernment that I simply didn't have. I had no idea how to dress, what to wear and what not to wear. The subtle rules of this masquerade escaped my mind, I had never been privy to these intricate instructions.
I thought of this while I ran to the bus stop early in the morning. Why did I worry so much about what to wear?  Why was it so important to control how I looked, how others saw me? What was the meaning behind the requirement to look presentable? What did it say about me? What did it say about them?
Through a change in clothes, I would disguise my wild and chaotic nature, I would pretend to be in complete control of my own persona, my actions, my thoughts. I could be as normal and as mature as they were, as they seemed to be, as I assumed they were. There I would be, looking like them, wearing the uniform, part of the group. A question wrapped in a lie, a stumbling fish trying to swim over quickly drying mud.
I was gasping and stepping into the bus stop when I was suddenly greeted by the face of a dirty homeless man. He was so blonde and fair, and he was so happy, so happy I thought the sun had come down to say good morning through his wide open eyes.
"Look, look!" he said cheerfully, “A guy just dropped three thousand dollars in cash!"
I looked down at his hand. Between his dirt encrusted fingers there were rolls and rolls of $100 dollar bills, a package of myriad possibilities squeezed to the size of a fist. As I looked at him again, I saw him turn back into a dull, dirty old man. It was the bills that were shining like gold on his fingers.  
I realized he was probably right. To judge by the amount of bills he was holding, there was probably a good three thousand dollars there, or even more. 
"Put that back! Put that back” I told him, realizing suddenly that his appearance and the money didn’t go together, they would clearly stand out like a sore thumb in this mostly empty street.
He was putting himself in danger by boldly showing this treasure he had just found, this anonymous treasure that had just found him through some unknown random process that had now chosen to include me.
There was an obvious disagreement between his attire and such a large amount of money. Gold and rags, riches and dirt, power and weakness. People would stare, they might call the police, they might beat him up, they would accuse him of having stolen it.
“Please!” I asked again. “Put it away, don’t let anybody see it”.
He looked at me, suddenly realizing I was being serious. He sat on the bench and the smile faded from his face while his eyes were fixed on mine.
“I don’t care about the money.”
The tone of his voice had changed. He was no longer a homeless man, he was now a being detached from society, detached from this planet, detached from his mask. He was a kid, a grown kid who saw the world as a giant playground. He was once again shining brightly, he was the man I had seen first before I noticed his costume. The money in his hand turned into a dull plastic object, with no possible value.
Its only value was the adoration a child gives to a toy when he is playing with it, a gift freely given, a gift easily taken away. Only while playing would the toys shine with life, they would then be forgotten and cast away.
I saw him, my eyes wide open. I listened to him very attentively as he started to narrate his story: he once worked as a contractor, he made a lot of money. He used to live in San Diego, big house, two kids, a wife, a dog. His daughter was making good money now.
“Do you have any children?” he asked me.
“No.” I answered while gazing to see if the bus was coming.
“Do you make good money?”
“I make enough, I guess.” I said, while getting myself ready to board the bus that was now stopping next to me.
“Would you like a hundred dollars?” He said with a mischievous smile.
“No, I am ok,” I said, while slowly walking towards the door of the bus.
“Take it!” he said, “Just one bill!”
“No, thank you!” I said while smiling and walking up to the bus.
I sat next to a nicely dressed lady who was texting with her smart phone. I couldn’t help thinking of this man.
There was a clear disagreement between his shiny golden treasure and his dirty appearance. The mask didn't fit the event, the event cast an unflattering shadow on the mask. A man dressed in rags could not be so lucky, could not get so lucky, could not.
I looked down at what I was wearing, the costume I had worn to pass myself off as one of them, the lucky ones. I adjusted my scarf and slid backwards on the seat. I prepared my face for the masquerade that was waiting. One more among many. One more mask to hide a question I couldn't even begin to answer.

Doodle

Two little Asian girls sat between their older cousin, a slender teenager with cropped silky black hair and a gentle manner. The girls were twins, both with small pink lips, the same silky black hair as their cousin, and smooth delicate skin over soft feminine features.  They looked like idealized dolls you could find in a gift shop, only they wore shorts and t-shirts instead of a colorful kimono. One girl sat by the window of the airplane, the other by the aisle. They looked so sweet and sugary, the way an expectant parent might hope a little girl would be.
The girl sitting by the aisle was overflowing with curiosity. She leaned her little body over the armrest to watch the male airplane attendant talk about the emergency procedure. I made eye contact with her.  She pursed her lips habitually and I imitated the small movement. She perceived what I was doing immediately, though she still looked at me with a bit of caution. She made another habitual shift of her face and I imitated that one as well. She started to smile, now consciously moving her eyebrows and lips and eyes.  Each time she did something I imitated it as best I could. She laughed each time I wiggled my forehead or pursed my lips, when she burst into a brilliant smile, I would laugh as well.
I took the notebook and pen from my large purse and started drawing. I let my hand move, creating swirling psychedelic doodles quickly that shifted across the small lined page. I tore the drawing from the notebook and reached across the narrow carpeted aisle. She opened her hand instinctively. As she saw what was there, her face brightened like a sun moving across a cloudy sky, instantly lighting the world. She seemed to inhale the pen strokes and then without a second thought, held it up for her cousin to see.  He looked through it like water, like there was no paper in front of him with a succession of dots and lines and liquidy flow. His disinterest struck me, it had such an absence of curiosity and interest and I wondered if we all eventually became a muted surface which nothing could touch. 
She looked back and me and smiled. She held up the drawing for her twin to see. Immediately I started working on another doodle, intending it for her sister.  When I looked back at them, the girls had taken out their little notebooks and were drawing. The girl by the window drew on the back of the doodle I had just made.  Every now and then she turned it over to look at what had come through my hand onto the page.
When I was finished with the second drawing I handed it to the girl closest to me.  She opened her hand and accepted it, but didn’t look at it.  She tucked it under the notebook and continued drawing with intense focused attention. I worked on a third doodle.
The airline attendants came through the long, narrow aisle with their trays full of beverages and small packaged peanuts. When I was almost done with the drawing I could sense that the girl by the aisle was attempting to get my attention, we shared no language but I could feel her trying not to look at me in her shy childlike way. The quiet gestures summoned me.  I turned towards her and she held the drawing up over her head and looked at it for a second before abruptly thrusting it towards me. A smile burst onto my face and she squirmed in her seat when she saw my excitement.
The drawing was of an airplane with bubbly clouds and human figures floating among them.  I turned towards her and waited for her to look at me again.  When she did, I nodded with a smile on my face and said, “I like it.”  She cowered again and shrunk into her seat, smiling. 
I worked on the third drawing and when I turned back, I saw that the older cousin had a glue stick in his hand. He helped the girls glue the doodles I had made into their notebooks. Since the girl by the window had drawn on the reverse side of the drawing I originally made, she had to choose which side to put the glue on. I saw them rolling the glue over the psychedelic swirls and dots.
Then the girl close to me fell asleep.

Inside The Flower

The garden opens up to my small hands. With just an infinitesimal gesture the clouds move aside and let the ever-present blue canvas unfold for our eyes, moving into the palette of our entwined dreams. The sun, still a bit weak, greets us with that soft, gentle kiss of warmth that moves up and down my arms in long, lustful strokes.
I move the window aside and flow out like the air. My pink chiffon dress made of fragrant rose petals laps at my legs like a gentle ocean wave upon the shore; calm, so silky in its movements. I am lulled by its touch, aroused, as though the gentle glide of fabric where expert fingers come to explore the shape of my thighs.  Indeed, in that moment it is alive- or it always was and now, moving like the cool breeze, I can finally see it as sentient. 
I catch the eye of a thick-breasted song bird. The tips of his feathers are white and seem to gleam like hot light against the seemingly monotonous brown fluff covering the rest of his body. He turns his head ever-so slightly to a wide-faced white flower, dividing his attention in two. I know he has not lost interest, but rather is pointing me down the path. 
I turn to the bloom, not alone on the bush, yet standing out and rising higher, more full towards the life-giving sun. The white rose is unfurled and its multitude of petals, layers and layers of scented softness like an expert costume from the Bolshevik ballet. I move towards it, my body beginning to vibrate as the air pushes me along, speeding my new discovery. 
Entering the hollow between the white walls I find a comfortable spot on the yellow cushion in its center.  The pollen stains my exposed toes and the bottom hem of my pink dress and I sink deeper into the pollen, knowing its marks will come out in the next rain, or perhaps I can visit the tepid bird bath later when the sun has warmed the few inches of water in the ceramic bowl.
I pull a few of the petals around me for this sacred chamber.  I lay back.  This is my bed, my powdery yellow sanctuary.  Several large stamens sprout from the center.  I reach out and pull one of the thicker ones towards me, it is split in two at the very top, both ends curling dramatically in on themselves.
There is a little bit of privacy while the bees are over by the rosemary bush.  I spread my thin legs and push the stamen inside. The sun comes through the petals, covering me with a warm fuzzy haze. Sinking on the yellow pillow, dust covering me completely now, adrift in a sea of fluff, I can see the blue sky between the cracks of the petals where they don’t quite meet. 
The bees create a continuous drone as they work, I fall into its lullaby as the stamen moves inside me, becoming an explorer of dark places. 

Until The End

The law would not bend to her will.  She wished to reverse time, to stop decay in its path, to find the fountain.  Her bones were made of steel. The taste of metal lingered in her mouth; even after brushing her shiny teeth she could sense the elements and polished earth.
The years since her birth had flown like a blue feather on a hurricane gust. Childhood had at first been painfully slow, but the moment her breasts were upright and singing, the years gathered strength and momentum, rolling faster and faster until she came to the edge and her pulse slowed. She grew out her hair in an attempt to capture what had been.

Now, her white mane long and clean, her hair had become a symbol of the past, like some sort of guiding line attached to a place she could not quite remember. The girl that had been, she had never known her.
She had watched herself from a distance, seeing the movements and thoughts of a skinny girl from an outsider’s perspective. Her dancing and singing was put under scrutiny, not by all those teachers and fellow students, but by the loud voice in her own mind that beat its comments into an ever-present rhythm she confused with the body’s pulse.
Her hair was long now, longer than it had even been.  When naked she could feel the soft ends of her white waves rubbing against the back of her thighs. 

Sprouting life seemed to grow unabated just beyond her fingertips.  The tree outside the window, once a sapling she had planted with her own hands, had grown into a massive fruit bearing vine.  It had pushed its way through the cracks in the house foundation, had climbed up the interior wall in her bedroom and spread along the ceiling. 
There were flocks of bright colored birds perched along the ledges of her roof and in the garden. A once carefully tended plot of vegetables had exploded into a new life form.  The tentacles of squash plants covered the land, expanding outwards, resolutely mounting wooden fences in its path, winding its way over forgotten toys and sun-chairs in the neighbor’s yard. 

She wished she could bend that universal law into a pretzel, making time into a new shape so that she could experience it all again in a different way, perhaps with more clarity, perhaps with more wisdom.
She was old and her bones were metallic.  Little walks around the block towards the park sent sparks through her, sometimes igniting the dried up lawns beside the path.
If only the proliferation of vines and thick weeds and the sun could wait for her, could keep her in their company.  She would like to see it all to the end, every moment of existence before it all went up in a colossal puff of smoke. 
She swung her hips as best she could, leaving a trail of embers on the sidewalk.

Man With No Name

He is a spirit wandering the infinite places between sky and earth. Twisting and changing like cigarette smoke, he rides into the grasslands, white sweeping clouds above that bend from dragon to snake with a brush of the hand. Over the golden plains, mythic in song and lyric, he journeys like the parching wind.
He is a spirit wandering between stone and fire. We read the ashes and learn of his tales. There are no lines of worry crisscrossing his cheeks and skin. Death has no grip on his heart and bones.
He cannot die, he is the sunlight of the wide open west. He cannot die, he is the glittering gold on silty river bottoms and gun smoke wafting. He cannot die, he is the high pitched wail of the twelve o’clock train.
Without name he wanders the wasteland, hopping train tracks and imaginary borders made of blood and tears. Without name, the horizon opens up to him, waiting for a deep breathy kiss. Gunshots and loot, opened graves and old wooden crosses. He cannot die, he is the red rocks of the desert, the biting sand and open grasslands of buffalo.
His bones, made of feathers and air, carry all the wild dreams they have forgotten, lost in the songs of itinerant laborers laying forged metal tracks, lost at the massacres at Wounded Knee and the lynchings decorating every town square in anguished screams of mortal pain.
He is not afraid to die because he cannot die. Horses come to him and he plays with their riders. Men of leather and steel- made up of empty gun chambers and exploding white powder.
He smiles, squinting as they all search the sky for the promise of gold. Their home is the wasteland between earth and clouds, long stretches of nothingness colored by the temporary illusion of places and people and faces and tales. A country of drifters and grifters, tiny senseless cons that always end in battle. They search for treasure, an endless pursuit with countless forking roads that twist abruptly and lead always to murder and more splashes of blood that dry black on the dusty streets of empty towns.
The man with no name swirls between them all, carried by his feather bones. He cannot die, he is the purple light of sunset, the ripple of green meadow grass before a wild storm. Lighting snaps and he speaks.
Both the story and its teller. The fire and the wood. The killer and the killed. A strange whisper among the swaying grasses, an awesome silence among crimson buttes. Hear him cackling among the reeds of a small brook or shrieking over an open field, wings outstretched, prey in sight. See him circling, a ring of dark birds, waiting eagerly for some man or beast to give it's last breath to the indifferent prairie.
Where the curtains are drawn shut, where the towns people have gathered round the gallows, where the undertakers hammer rings against the hush, there you find him. Where wild horses run free, where coyotes lament their folly, where rattlesnakes make threatening music, he is there. In every face, in every street, in every mountain pass, there, there, there.
Death, smiling, the only god. Death looks up from the dug earthen graves. Death, watching closely from yellow flower faces and clouds heavy with rain. He is not afraid- the tight grip of fear which comes over men is absent from his light, wispy essence. The horse carries him on, over the badlands which stretch on and on, inspiring eternity to turn on itself, looking for more places to bloom. Hoof beats match the thump of his blood. They move on, one entity between fire and water, dancing between earth and sky